Mostrando entradas con la etiqueta Michael Finnissy. Mostrar todas las entradas
Mostrando entradas con la etiqueta Michael Finnissy. Mostrar todas las entradas

jueves, 30 de agosto de 2018

Juliet Fraser / Mark Knoop MICHAEL FINNISSY Choralvorspiele / Andersen-Liederkreis

London based pianist and conductor Mark Knoop is known for his fearless performances and individual interpretations. He has commissioned and premièred countless new works and worked with many respected composers including Peter Ablinger, Joanna Bailie, Michael Finnissy, Bernhard Lang, Cassandra Miller, Matthew Shlomowitz, and Steven Kazuo Takasugi. His versatile technique and virtuosity also bring fresh approaches to the standard and 20th-century repertoire.

My music contains many musics, but impure, misremembered, smudged and melted, torn apart yet not completely erased. (Michael Finnissy)

Michael’s music is gnarly, gristly even — one senses keenly that it is the product of an intellectual yet instinctive wrestling with the very philosophy of music. (Juliet Fraser)

Eve Egoyan THETHINGSINBETWEEN

Eve Egoyan, specializing in the works of living composers, releases her first CD the things in between. The selections, all world premiere recordings, range from minimalist to experimental, from the lushly complex and abstract to compositions which recall a more standard classical repertoire. Eve has performed solo recitals to sold out houses, and as a soloist with some of the country’s leading orchestras.

“With grace and intensity in equal measure, Canadian pianist Eve Egoyan seems incapable of an unmellifluous gesture…And if there’s a thread that runs through this recording, it is the affection which the composers and performer obviously have for the piano – for its sonority, versatility and history.” (Elissa Poole, Opus)

“A performer whose powers of listening cast a hypnotic spell over her audiences, opening their ears and hearts… What’s Egoyan´s secret? Meticulous preparation. Discerning choice of repertoire-she only plays music she loves… An innate love for piano sonorities and texture. Abundant technique that never advertises itself. A passionate desire to get under the skin of the music she plays… and Egoyan´s magical quality of listening…” (National Post)