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Leonard Charles & Guilty Simpson Team Up to Form The Leonard Simpson Duo & Release Single "Nobody" from 2020 Album LSD (Jakarta Records)

A pair of unlikely collaborators, revered Detroit emcee Guilty Simpson and New Zealand-bred producer Leonard Charles , have joined forces to form a new rapper/producer group, The Leonard Simpson Duo . Both sharing a mutual admiration for and connection to J Dilla , Guilty & Leonard first collaborated on "Breaking Over You" for Japan-based WONDERFUL NOISE PRODUCTIONS in 2017, which we were fortunate enough to premiere right here at The Witzard . While working on his very own "Basement Funk" re-interpretation of J Dilla 's magnum opus, Donuts , Basement Donuts , for HIT+RUN/WONDERFUL NOISE , Leonard Charles shared his then-progress with Guilty Simpson during a visit to his Auckland, NZ-based studio; "I asked him if he wanted to hear the versions I was working on. I was really nervous about playing it to him because I was f*cking with one of his close associates' music, but... he was feeling it and genuinely appreciated my creative approach to r...

She's So Rad's Jeremy Toy Transforms Into "Basement Funk" Pioneer Leonard Charles for Donuts Covers Album, Basement Donuts (The Witzard Interview)

"I was asked to perform at a J Dilla Foundation fundraiser at a bar in Auckland, Neck of The Woods, 13th Feb. 2016 to celebrate the music of J Dilla and to also raise funds. My biggest influences as a producer are Pete Rock, No I.D. Diamond D, DJ Premier, and J Dilla. So, to be asked to play the fundraiser was a big deal for me. I wanted to do something on the night that would capture the creative essence of what I hear in J Dilla's work. To me, Donuts, is the ultimate expression of creativity. I remember first hearing it and being overwhelmed by how much emotion it stirred in me. It has everything: hard beats, mind-blowing sample chops, lyrical message, and some subliminal heavy sh*t... so, for the gig, I thought it was worth going all out and trying something really extreme—to cover Donuts as note-for-note, track-for-track as possible, but in a Basement Funk/home studio vibe. I had spent a year experimenting with modding old Roland drum machines, building 8-bit synths out ...