The Witzard

Chocolate & Cheese (1994) was one of the first albums I bought with my own money. I was in some sort of BMG Music Club , where you'd buy 5 CD's and then get 10 for "FREE." It was all sent through mail order and you picked the titles from some special booklet. I'm almost positive that Chocolate & Cheese's side boob-baring album cover was what initially drew me in... mind you, I was 12-15 and the zany Ween logo/middle finger CD graphic really didn't hurt either. Honestly, I forget how I really felt about it @ the time, but a few years later, my older cousin Josh told me that Ween were this BIG college "jam band." CKY did some sort pf 93.3 radio takeover to promote their new album and played "Freedom of '76" late that night on air. Needless to say, I re-visited Chocolate & Cheese @ about 20-something this go 'round and I fucking loved it! Ween were really weird, yet talented... almost too talented. I can vaguel...

"This year, it's officially a tradition: For the third time my annual Christmas gift to you is my humble solo acoustic version of someone else's song; My favorite of the year, no less. In 2011 there was a tie between two incredible songs ( "Changes" by Sandro Perri being the non- Beyoncé one), and both proved equally impossible to tackle or do justice to alone. But it's what I do, and there are worse jobs, so I did it. I took the liberty of making some gender-oriented changes to the lyrics to better accommodate my macho-persona (although I wouldn't dare tamper with Beyoncé's appeal to all women to show their man they are THE [FLYEST] simply by grinding "up on it girl, show him how you ride it"). That being said, the trick is to get passed the novelty-factor and just sing a beautiful song at the best of your abilities. Obviously, a significant part of this song's appeal and ecstatic energy comes from the dizzying vocal performance ...