The Witzard

SOURCE: MF DOOM CAPSPOSTING (CREDIT: Angel "Tha Soloist" Vergara) Honestly, it doesn't even feel like there's a proper way to elegize an eccentric and extremely talented artist such as MF DOOM, who meant so much to so many of us for so many years for so many different reasons as truly unique as DOOM himself. So, what better way to pay tribute to The Man, The Myth, THE MASK himself than by speaking to those closest to him? With a heavy heart, I proudly present Shadows of Tomorrow; a new recurring column in tribute to DOOM in an effort to re-tell the tall tales, strange stories, and lesser-known tidbits of The Metal Face Villain himself. R.I.P. Daniel "MF DOOM" Dumile Thompson. "The first time I heard MF DOOM rap, I told the person who got me hip [to him] I could "rap better" than DOOM. I didn't understand it. I was listening to, like, Curren$y & Odd Future and sh*t, but that was not long-lived, as I heard "One Beer" the n...

Robert Smith has been the long-time smeared lipstick-wearing frontman of The Cure since 1978. Aside from his beloved body of work with The Cure, Smith has released a limited number of outer-band recordings on his own. Those including collaborations with, but not limited to, Siouxsie & The Banshees, The Glove, Cult Hero, Crystal Castles, The Twilight Sad, blink-182, The Stranglers, KoЯn, and Junkie XL. Robert Smith has, additionally, released a number of solo recordings including "Pictures of You" (Paul Mac Remix) from the One Perfect Day Soundtrack, a cover of Kathryn Beaumont's "Very Good Advice" from Almost Alice, a cover of John Martyn's "Small Hours" the Johnny Boy Would Love This tribute comp. and lastly, a cover of Frank Sinatra's "Witchcraft" from Frankenweenie Unleashed! (Music Inspired By The Motion Picture.) It was announced earlier this week Smith would be appearing alongside Gorillaz, the long-time "virtual...

Nate Patrin Author Photo (CREDIT: Craig VanDerSchaegen) "So, I put together a [playlist] that comprises my favorite moments of Hip-Hop & Punk intersecting, intentionally or otherwise, from the old school to the current moment. It ranges from Downtown NYC Crossover efforts to sample flips to all-out collabos, and spans a broad range of both genres—so, it's more of a historical overview, than a cohesive snapshot of a particular sound. That said, I f**k with each and every one of these songs, 100%." With The Quickness #7: Nate Patrin's Adidas In The Pit/Punk Meets Hip-Hop Playlist 01. The Clash - "This Is Radio Clash" Samples: J. Bodewalt Lampe - "Mysterioso Pizzicato" 02. ESG - "UFO" Sampled By: The Notorious B.I.G. J Dilla, Big Daddy Kane, MF DOOM, Q-Tip, Public Enemy, Nine Inch Nails, and more 03. Liquid Liquid - "Cavern" Sampled By: Grand Master Melle Mel, Guru, Doug E. Fresh, The Notorious B.I.G. 2 Live Cr...

Baltimore-based singer, multi-instrumentalist, producer, and web/multi-media designer Emily Scott has recently released her second, aptly-titled Pale Spring EP2. Wenker is a classically-trained pianist and has been tickling the ivory keys since she was five. She mostly played Beethoven & Chopin for the better part of her musical upbringing and took guitar lessons in high school, but always felt like she was "bad at it." It took several years, but Emily Scott says she had to essentially un-learn everything she had amassed during her classical training in order to be able to make her own music. It wasn't until Scott met frequent collaborator and fiance Drew Scott about two and a half years ago that she learned how to use ProTools and attained a new outlook on the world of music-making and production. Since first meeting Scott, Emily Scott has recorded and released two now-removed Anna Notte albums (her rapping alter-ego) and two EP's-worth of "genre-fluid...

I recently heard about rapper-producer Drew Scott after fellow Baltimore beat-maker John "Jumbled" Bachman shared his latest single from then-unreleased ILL VESSEL, Hemlock Ernst, Eze Jackson & 83cutlass-featuring "Porcelain." I immediately reached out to Drew Scott, simply on the strength of "Porcelain," and we quickly began emailing back and forth. Before too long, he sent me a pre-release copy of said album, ILL VESSEL along with this fitting, extremely descriptive statement: "So, it's kind of a solo album/collaborative project I've been working on for about three years in-between the last BLACKSAGE album and Luvadocious with Al Rogers, Jr. Predominantly Baltimore artists, aside from PT Burnem (Richmond, VA,) Mike East (Rhode Island,) and Jaws That Bite (Detroit.) I did almost all of the beats, aside from contributions from Berlin-based producer Owen Ross , the Jumbled-produced track, the Mike East-produced track, and collaborating wi...