‘It took me a decade’: the 2023 Booker prize shortlisted authors on the stories behind their novels
Paul Murray
The Bee Sting (Hamish Hamilton)
Photograph: Patrick Bolger/
I started writing The Bee Sting at the end of 2017. I’d spent the previous 18 months working on a screenplay and I was aching to get back to the freedom and possibility of a novel. But for a long time I couldn’t decide what to write. I had three very different ideas and I started making notes for each one: blocking out scenes, tracing character arcs, all that. Looking back, I can see I was nervous about beginning something new after being away from fiction for so long, and trying to prove to myself that it would work. But notes don’t tell you anything about a novel’s voice, which is the most important thing about it, and which you won’t discover until you actually start to write.