Showing posts with label Cuba. Show all posts
Showing posts with label Cuba. Show all posts

Saturday, October 19, 2024

Cuba suffers second total power blackout in two days

 


Cuba suffers second total power blackout in two days

Authorities had said they were re-establishing electricity service after a power plant failed on Friday


Reuters in Havana
Sat 19 Oct 2024 14.08 BST


Cuba was plunged into blackout for a second time on Saturday after its electrical grid collapsed again hours after authorities announced they had begun re-establishing service.

Saturday, February 12, 2022

George Plimpton and Papa in Cuba

 

George Plimpton and Ernest Hemingway bullfighting, as seen in “American Masters: Plimpton! Starring George Plimpton as Himself.” Photo: Courtesy of the Plimpton Estate.


George Plimpton and Papa in Cuba

When Ernest Hemingway agreed to his famous Paris Review interview, he had no idea he’d be helping the CIA.

In early 1959, George Plimpton was preparing to watch an execution in Cuba. The Cuban revolutionaries, led by Fidel Castro and Che Guevara, had just marched on Havana and ousted the US-supported dictator Fulgencio Batista. The young Paris Review editor and other New York literary figures arrived during a period marked by hope for a democratic Cuba. They were there, too, as witnesses. Wary of US media distorting events, the revolutionaries had called in writers and intellectuals to witness the changing of the guard.

Saturday, March 23, 2019

Blade Runner 2049 actress Ana de Armas is finding the answers to all of the eternal questions




Ana de Armas | CREDITS: PREEN BY THORNTON BREGAZZI shirt and AG pants.

BLADE RUNNER 2049 ACTRESS ANA DE ARMAS IS FINDING THE ANSWERS TO ALL OF THE ETERNAL QUESTIONS

BY ISAAC VON HALLBERG
October 2, 2017

Perpetual rainfall, hovering cars, plans of a worldwide computer linkup, a human race polluted with crime, and the mass execution of artificial beings known as replicants—this is the dystopian picture director Ridley Scott imagines for the city of Los Angeles in the year 2019 with his 1982 sci-fi film, Blade Runner. While we may not have flying cars or sophisticated androids that are virtually identical to humans (or do we? Think Siri), we do have our fair share of corruption and an incessant desire as a species to understand our purpose here on earth.
The protagonist of Scott’s Blade Runner, Deckard, poses the query that perhaps all living beings, inanimate or not, are all seeking answers to the same eternal questions: “Where do I come from? Where am I going? How long have I got?” I sat down with the leading lady of this year’s Blade Runner sequel (Blade Runner 2049), Ana de Armas, to find out if nearly three decades after the original Blade Runner was released, we’ve finally discovered the answers to these questions, or if we collectively don’t have these answers, perhaps de Armas has found them for herself. 
NO. 21 dress and WOLFORD bodysuit.

Where do I come from?
“I come from an island called Cuba,” de Armas tells me as we sit inside Forge studios while a crew of stylists, photographers, and agents scramble around us trying to decide on her first “look” of the day. She left the comforts of Havana in 2014, not in pursuit of making more money or a chance at a “better life,” she says—she traveled to Los Angeles to grow as an artist. “Leaving my career and my life there was a huge risk, but I’ve never been intimidated by risk. It excites me,” she tells me. She knew at a young age that she wanted to pursue acting, enrolling in the National Theatre School of Cuba in Havana when she was only 14 years old. “The four years I studied in drama school were incredibly important in my formation as an actress. They were critical in showing me what discipline is in this profession, what hard work acting really is. It’s nothing fancy, and it’s not easy at all.” 
CHRISTOPHER BU dress and WOLFORD bodysuit.

When making the move to America, de Armas didn’t just leave her friends and family behind: she left an extremely successful career in Spain, and accepted that she was going to have to start all over again on her quest to join the ranks of Hollywood. “I didn’t even speak English, I didn’t know anyone,” she says. The transition to life in L.A. wasn’t without its challenges, but de Armas is uniquely self-motivated. Where others floundered, she flew, and she credits her success to her ability to believe in herself, even when the odds looked long. “I was—and still am—doing all of this just for me. If it doesn’t work and I feel like time has passed and I haven’t done the things that I’ve wanted to,” she says nonchalantly, “then I’ll just go back. I try not to put too much pressure on myself, but at the same time I’m very ambitious, which is why I make those decisions. I just want to work, evolve and learn.”
Where am I going? 
Throughout the course of our interview, I can tell de Armas is unique in more ways than I care to count. When others fear change, she embraces it and is continuously going towards the direction that presents her with an opportunity to transform. “All of what’s happened to me hasn’t been planned,” she says. “I feel like I’ve been improvising as it happens and I want to keep it that way. Because I feel like, then, I’ll be surprised all the time. I don’t like to have expectations about anything because life will always prove to you, things aren’t going to happen the way you expect them to.” 
HOUGHTON dress.

As wary as she may be of the Hollywood machine, it has been kind to her. She’s notched parts alongside Keanu Reeves in 2015’s Knock Knock and Miles Teller in Todd Phillips’ War Dogs just last year, and 2017’s Blade Runner reboot sees her in possibly her most prominent role to date, alongside Ryan Gosling and Harrison Ford. “Joi is actually one of the most challenging roles I’ve had as an actress thus far,” de Armas tells me. “Her character is very complex. She’s a very strong woman; she’s also very emotional and very joyful, like her name.” This was de Armas’s first science fiction movie, which she says was “completely insane” in terms of the advancements in technology and the huge levels of concentration, energy and hours that the film demanded, along with many hours of conversation with Blade Runner 2049 director Denis Villeneuve. 
She shares with me that in the majority of the films she’s been in since her move to America, de Armas often finds that she’s one of the only women on set, and Blade Runner 2049 was no different. “Sometimes it can be a little intimidating,” she tells me. “It can feel like there’s sort of boy’s club going on and it’s very obvious you’re the only female there. But in this case, working with Denis and Ryan, I felt very protected and special,” she says. “But even then, I still miss that feminine energy and just having a partner with me that I can share anything with. Sometimes it doesn’t feel natural, to be honest.” 
G-STAR RAW shirt and pants.

How long have I got? 
Lucky for de Armas, the boy’s club got a bit smaller on the set of Three Seconds, out next year, where she starred alongside Rosamund Pike. “I just finished shooting the trailer for this film yesterday with Andrea Di Stefano, Rosamund Pike, Clive Owen, Joel Kinnaman, and Common, so that’s coming. And then, more in the future. I don’t know how long ‘I’ve got’ in Hollywood,” she says, a bit perplexed but also intrigued by the question. “Even though I’ve been acting for over ten years, or more than that, I still feel I haven’t done a lot of the things I want to do. I’m still building and trying things for the first time. In the future, I’ll probably go back to the same island I came from, but in the meantime, I’m just here… floating.”

Sunday, February 17, 2019

Two books to better understand Cuba



Two books to better understand Cuba
In "La Tribu," the young Cuban writer Carlos Manuel Álvarez portrays the period from the thaw of relations with the United States to the death of Fidel Castro. In "Our Woman in Havana," the former U.S. ambassador defends the rapprochement between Cuba and the U.S.
By Andrea Rodés
July 02, 2018

Carlos Manuel Álvarez Rodríguez (Cárdenas, Cuba, 1989), a young Cuban writer and journalist, recently spoke with AL DÍA. Now living and working in Mexico City as a freelance reporter writing for various foreign media, Álvarez is also the founder of El Estornudo, an independent narrative magazine about Cuba.
A year ago, Álvarez surprised the Latin American public with his non-fiction book "La Tribu" (The Tribe), a collection of portraits of colorful characters that he uses to portray the dramatic changes that occurred in Cuban society between 2014 and 2016, starting with the restoration of relations with the United States, and ending with the death of the historical leader of the revolution, Fidel Castro.
To explain the shifts in Cuban society, the author collects different stories, as reported by The New Yorker journalist Jon Lee Anderson on the website of the book's publisher, Sexto Piso, based in Mexico. Álvarez writes about a group of Cubans who leave the island, seeking fortune in the north; the life of a great poet who has scarcely been published and resigns himself to death in anonymity; the daily routine of a former Tropicana dancer who lives in a garbage dump; the odyssey of a mother determined to recover her daughter's body after her daughter's suicide in another country; and the exciting return of a Cuban baseball player who escaped from the island, was recruited by the Yankees, and then returns to visit his people and his neighborhood after many years. Unfortunately, the book hasn't been translated to English.
Álvarez portrays "the Cuba that lasts, the beloved, the sad and the hated, that of the verses of boleros and now of reggaeton, the one that is forever, whether you like it or not, "wrote Jon Lee Anderson.
The author spends most of his time writing for his magazine, El Estornudo. One of his most recent articles was -of course- about the World Cup. "This is the first World Cup that I see from a country that participates in the World Cup. There were two possibilities for such a thing to happen. The first was that the Cuban team qualified for the event. The second was to leave Cuba. The second option has been fulfilled, something that is not like going around the corner," he wrote "It's not like kicking a penalty, but rather like stopping it, that's complicated, but it's even easier for Cubans to get a visa for any party, a refuge in any city, than scoring a goal and then find someone around to celebrate it with."
The diplomatic perspective

If you prefer to read about Cuba in English, in March of 2018 "Our Woman in Havana: A Diplomat's Chronicle of America's Long Struggle with Castro's Cuba" was published. It's written by Vicki Huddleston, the former U.S. ambassador to Cuba during the presidential administrations of Bill Clinton and George W. Bush.
Raised in Hungry Horse, Montana, Huddleston is an advocate of U.S.-Cuba rapprochement. Her interest in Latin America came about early on in her career: she was a volunteer of the Peace Corps in Peru, before graduating from the School of International Studies at the University of Colorado and being a fellow at the Harvard's Institute of Politics. Before becoming a diplomat in Cuba, she worked for the USAID cooperation agency in Haiti and was an ambassador to Mali and Madagascar.
In an interview with Local 10, Huddleston said that she favored former President Barack Obama’s policy, and the economic reforms that she said fostered the growth of the island’s private sector. President Donald Trump’s reversal of the policy, she said, has failed. She opposes the U.S. embargo. 
“It didn't work,” Huddleston said. “It's 50 years, let's try something new."
In another interview, Huddleston said she hopes her book will inspire more women to seek leadership roles.




Wednesday, August 29, 2018

Carilda Oliver Labra (1922 - 2018)




Carilda Oliver Labra
(1922 - 2018)



Carilda Oliver Labra (born July 6, 1924) is a Cuban poet who was born in Matanzas. 


Labra studied law at the University of Havana. She is also known to excel at drawing, painting and sculpting. 

Known as one of the most influential Cuban poets, her work has focused on love, the role of women in society, and herself. Oliver Labra has received numerous national and international prizes including the National Poetry Prize (1950), National Literature Award (1997) and the José de Vasconcelos International Prize (2002). Me desordeno, amor, me desordeno might be her most famous poem. Other works such as Discurso de Eva ("Eve's Discourse") also show a profound literary technique. 

Her debut collection in 1943, Lyric Prelude (Preludio lirico) immediately established her as an important poetic voice. At the South of My Throat made her famous: the coveted National Prize for poetry came to her in 1950 as a result of the popular and notorious book, At the South of My Throat (Al sur de mi garganta) 1949. In honor of the tri-centennial of Sor Juana Ines de la Cruz in a contest sponsored by The Latin American Society in Washington D.C., in 1950, she had also received the national Cuban First Prize for her poems. Her work was highly praised by Gabriela Mistral, the Chilean poet and first Latin American woman to win the Nobel Prize for Literature in 1945. In 1958, Labra published Feverish memory (Memoria de la fiebre) which added to her notoriety as a blatantly erotic woman. The book concerned a theme which has dominated her poetry, which of lost love, as it was written after the unfortunate and untimely death of her second husband.

Carilda Oliver

I Go Crazy 

by Carilda Oliver Labra









I go crazy, my love, I go crazy
when I go in your mouth, delayed;
and almost without wanting, almost for nothing
I touch you with the point of my breast.

I touch you with the tip of my breast
and with my abandoned solitude;
and perhaps without being enamored;
I go crazy, my love, I go crazy.

And my luck of the prized fruit
burns in your salacious and turbid hand
like a bad promise of venom;



though I want to kiss you kneeling,
When I go in your mouth, delayed
I go crazy, my love, I go crazy.





Friday, May 4, 2018

Yoani Sánchez / When a passport is news



Yoani Sánchez
Photo by 


When a passport is news

In Cuba, confidence is hard to build after decades of bureaucratic opacity




YOANI SÁNCHEZ
6 FEB 2013 - 15:24 COT

The day didn't begin well. The sun seemed to start off on the wrong foot, as they say in Cuba. In the morning the authorities had informed the political prisoner Juan Ángel Moya that they would not let him leave the country, for reasons of "public interest." He was the first to find himself excluded from the migration reform announced on January 14, greeted with a mixture of hope and wariness.
My turn came in the afternoon. So I showed up at the Immigration Department to find whether, at last, the little book with blue cover stamped with the arms of the republic was ready for my use. The girl behind the window gave me an unencouraging answer, which confirmed that the day had got off to a bad start. "Come back next week. We're running behind time," she said, albeit with a nice smile.
Like any other Cuban accustomed to the opacity of the bureaucracy, I was not very confident. They had thought better of it, was the first thing that came to mind. Then I began to speculate whether the promise of letting me out had been only a carrot to induce me to shut down the blog, to silence my opinion, so that I would sit at home in perfect silence until the day of departure. I thought back over everything I had written since I applied for a passport, and gradually sank into gloom. A denunciation of the existence of drugs in Cuba; a furious criticism of the secrecy surrounding the promised Alba-1 fiber-optic cable; and a text explaining that I was not about to turn into another person just so I could cross the national border. In short, I had behaved rather badly in cyber-space and now the punishment had fallen on me - such was the sum of my thoughts during most of that Tuesday.


I kept telling myself that nowhere in the world should the issuing of a passport be news

Just as the working day was drawing to a close at the offices, doormen closing grilles on official buildings and civil servants preparing to go home, a message entered my answer machine. "Pick up the phone, it's Immigration," said a feminine voice at the other end of the line.
The first thing I wondered was how they knew I was at home. Of course, if it's the Interior Ministry they know everything, I joked before returning the call. But then the dark day brightened unexpectedly, and the same official told me that my passport was ready. In the few hours since sunrise I had gone through the oscillations of optimism, then pessimism, then a rush of enthusiasm. A concentrate of emotions like those experienced through five years in which I received as many as twenty refusals. Suspicion is not wiped out so easily, doubt is a thing that lingers.
I made my way back to the office, telling myself that nowhere in the world should the issuing of a passport be news. Nor should there be any big fuss about the question of whether a citizen can board a plane or not. But Cuba has the peculiarity of anomaly, where irregularity is the regular thing.
So as soon as I had commented on Twitter that I had my document, an avalanche of calls, congratulations and requests for interviews fell upon me. The night ended with my sister almost in tears on the line, after a year and a half in which the Strait of Florida has kept us apart.
Today I woke up with the blue booklet beside my bed. Once again I took it in my hands. The day is beginning on the right foot, I thought, as I flipped through its pages for the umpteenth time.