Showing posts with label Stefan Zweig. Show all posts
Showing posts with label Stefan Zweig. Show all posts

Wednesday, May 20, 2020

Top 10 authentic romances




Top 10 authentic romances


Before anyone gets carried away with Valentine’s Day fantasies, these books give a genuine sense of how passion is lived and often lost in the real world


When people recommend love stories to girls, more often than not, they’re cosy, undemanding books, so transparent you can see the outline of the plot just by flicking through the pages. These are books you could never lose yourself in, which never really get under your skin and instead just leave you feeling sluggish. Limp, sparkly books with sparkly covers. Mills and Baloney. Their love stories have nothing to do with the ones we actually live. They tell of affairs that begin badly, end well, and last forever. But the memory of the book, once the final page is turned, fizzles out more quickly than the briefest of passions.


In writing Trysting, I wanted to bring together fragments of love stories that would feel familiar, to record awe, desire, surges of tenderness, rituals, ludicrous obsessions that become necessary crutches, creeping feelings of routine and boredom, suspicion, jealousy, attrition, moments of intense shared loneliness, simple joys, breakups, wrong turnings, beginnings, brief love, everlasting love, and most of all, everyday love. I wanted to write a book about all those moments. I wanted my words to preserve them, keep them from slipping away, and let them surface in my readers’ memories, to help them remember their own past loves, help them love and be loved.
Here are 10 books that give superb accounts of authentic romance – in brief encounters, and also in shared lives. They may be the subject of the whole book or story, or perhaps they are just a moment in the narrative. These encounters are sometimes extraordinary, sometimes ordinary, but never bland: they’re anti-baloney.

Death in Venice
by Thomas Mann
1913

1. Death in Venice by Thomas Mann (translated by Joachim Neugroschel)In search of beauty, an ageing writer falls in love with a teenage boy. As he tracks the boy’s movements through the streets of Venice, the writer is only extrapolating his artistic research. But his goal is as ineffable as it is ephemeral and only death will be there to greet him when he reaches it. When I read this beautiful text for the first time I too was a teenager, but the book’s spell remains just as powerful now.
2. Be Mine by Laura KasischkeSherry, married and in her 40s, receives an anonymous Valentine’s Day card with the message “Be Mine”. Kasischke gives us a minute portrayal of an American reality in which everything, including desire, seems perfectly ordered. She pushes her characters, ordinary people, to the point where their destiny is overturned. We watch as the superficial order is stripped away and they lose control of their lives.
3. The Wake of Forgiveness by Bruce MachartBetween 1895 and 1924, somewhere in the vast expanses of Texas, Machart draws us into a family saga in which four boys confront their father’s coldness and violence. In the midst of these harsh, wonderfully described lives, an all-consuming love is born during a horse race: in the driving rain, the meeting of bodies between horse and rider is echoed in the meeting of bodies between a man and a woman.
4. Sounds by Vladimir Nabokov (translated by Dimitri Nabokov)In this brief story – one of Nabokov’s first published pieces – the narrator describes the end of a love affair in poignant and delicate detail. Yet the story is also, and fundamentally, about the author’s sensuous relationship with nature, which he identifies with Russia and therefore also with his childhood.
5. Where the Sea Used to Be by Rick BassIn a tiny Montana village, life revolves around the bar and the general store. Mel is the daughter of Dudley, a rich, tyrannical geologist. Wallis arrives at the beginning of winter. Bass weaves a many-faceted narrative in which Mel and Wallis’s relationship takes root, grows, and blossoms in a wonderful nocturnal scene in which Mel, on skis, carries Wallis on her back through the snowy forest.


6. Hotel Iris by Yoko Ogawa (translated by Stephen Snyder)In spare and finely nuanced writing, Ogawa describes the unexpected relationship between a rather ordinary young girl and an elegant older man, a solitary and wayward intellectual who will lead his young protege into a highly unusual sexual initiation, pushing her to the very limits of what she can bear. Switching skilfully between scenes of S&M sex and everyday routine, Ogawa engages her readers in a novel that’s both clever and disturbing.
7. A Balcony in the Forest by Julien Gracq (translated by Richard Howard)Deep in the Ardennes at the beginning of the second world war, before any fighting has started, Lieutenant Grange takes up his position at a solitary outpost: a little, tumbledown house in the immense forest. One night he meets Mona: there follows a brief, timeless, sensual happiness, quickly crushed by history. Mona is constantly changing: child-fairy, unicorn, sprite, witch, meadow, stream, rock, rain, waterfall, melting ice, ray of light. In Grange’s imagination, she merges with the forest itself.
8. The Possession by Annie Ernaux (translated by Anna Moschovakis)Having walked away from a man, then learned that he walked straight into another woman’s bed, the narrator is overtaken by a devastating fit of jealousy. Beginning with the most ordinary event, Ernaux plots the incursion of the strange, absurd and consuming sentiment that is jealousy. For it is jealousy that drives the narrator into ever more undignified and ridiculous reactions, all minutely described, as if this machine once set in motion can never be stopped again.
9. Beware of Pity by Stefan Zweig (translated by Anthea Bell)On the eve of the first world war, a poor young officer garrisoned in a small Austrian village is filled with pity for a rich young invalid who misinterprets his attentions. This misunderstanding sucks her into an unrequited passion, before she who began as victim turns into tormentor and manipulator. Years later, the officer tells the story of the trap into which his irreconcilable feelings led him, giving us a novel that’s subtly disturbing.

Edward Eriksen’s sculpture of The Little Mermaid in Copenhagen.
Edward Eriksen’s sculpture of The Little Mermaid in Copenhagen
There’s no right or wrong age to read – and relive – the most beautiful and appalling love stories. During her brief sojourn on solid ground, the day of her 15th birthday, the little mermaid meets a man. Out of love for him, she agrees to give up her tongue to a witch and to have her tail split in two and transformed into a pair of legs. This causes her dreadful pain, “as if she were stepping on sharp knives”. Agonised anew with every step she takes, the mermaid’s pain feels all the crueller when her beloved, charmed by the mute little mermaid for a while, decides ultimately to marry someone else.


Monday, March 21, 2016

Stefan Zweig / A brief survey of the short story

Stefan Zweig
Poster by T.A.

A brief survey of the short story part 18


 Stefan Zweig 

For Stefan Zweig, the first and second world wars destroyed an entire way of life, one kept alive in his subtle, striking, page-turning stories

Chris Power
Thursday 11 June 2009 11.18 BST




Despite being one of the most famous writers in the world during the 1920s and 30s, Stefan Zweig's reputation faded considerably – and almost totally in English-speaking countries – following the second world war. Over the past few years, however, his star has once more been in the ascendant. That many of his stories are in print again is thanks, in this country at least, to Pushkin Press, whose stewardship of European literature in translation is one of the more praiseworthy publishing endeavours of the past decade. The primary reasons why Zweig's stories are so worthy of reclamation from obscurity are straightforward and compelling: the stories are imbued with tremendous psychological acuity; they are as page-turning as they are subtle; and the profound moral sense which underpins them never tips over into moralising.

Tuesday, March 8, 2016

Paul Bailey's top 10 stories of old age




Paul Bailey's top 10 stories of old age

From comedy by Kingsley Amis to Shakespeare's tragedy, the novelist considers literature 'where the old take precedence'
William Trevor
William Trevor at home in Exeter. Photograph: Eamonn McCabe for the Guardian
Paul Bailey was born in 1937 and worked as an actor before taking up full-time writing in 1967. His novels include At The Jerusalem (1967), which won the Somerset Maugham award; Peter Smart's Confessions (1977) and Gabriel's Lament (1986), both shortlisted for the Booker prize; and Sugar Cane (1993), a sequel to Gabriel's Lament.
He has also written plays for radio and television, and his non-fiction includes two volumes of memoir, An Immaculate Mistake: Scenes from Childhood and Beyond (1990), and A Dog's Life (2003). Three Queer Lives: An Alternative Biography of Naomi Jacob, Fred Barnes and Arthur Marshall (2001), is a biography of three gay popular entertainers from the 20th century.
Chapman's Odyssey, Bailey's new novel, tracks the psychic voyage made by an elderly writer, bedbound in hospital, through the characters, real and imaginary, that have meant most in his intense imaginative life. In the Guardian's review, Alfred Hickling described it as "an enigmatic work whose meaning is worth grasping for. It is the kind of book that could be construed as a deeply moving, valedictory statement of a valuable career."
"When I wrote my first novel At the Jerusalem in the 1960s I wasn't especially conscious that I was tackling the subject of old age. My characters were real women who just happened to be advanced in years. I am in my seventies now, so when writing Chapman's Odyssey I was looking back on a life lived, which every so often resembled my own. I like to think that the narrative has a certain youthful energy, however, but I might be mistaken. Old age is a fact of life and should not be isolated from it. More sentimental rubbish has been written about the 'plight of the elderly' than I can bear to contemplate.
"There are hundreds of novels in which elderly characters feature – in the great works of Dickens, Dostoevsky and Balzac, for example. They function in the narrative but don't occupy centre stage. Here are some titles in which the old take precedence."



1. "Old Love" by Isaac Bashevis Singer

This is one of the master's most poignant short stories, written in his own old age, about a romantic affair between a couple of pensioners.


2. "Ending Up" by Kingsley Amis

Perhaps only Amis could make someone suffering from nominal aphasia as funny as he is touching. The tone throughout is mordantly comic.


Alice Munro

3. "The Bear Came Over the Mountain" by Alice Munro

This heartbreaking long short story about a woman with Alzheimer's and the weird course her life takes while her husband watches in dismay and confusion has all the honest virtues that distinguish Munro from virtually every other living storyteller.



4. "Memento Mori" by Muriel Spark

Spark's masterpiece, with its echoing reminders that we must all die, is horrifically funny from beginning to end. The dialogue throughout is a joy.

5."Doctor Faustus" by Thomas Mann

Mann's great novel is concerned with the life of a famous composer who, as the title suggests, has forged a pact with the devil. No other novel matches its deep knowledge of the creative urge.

6. "As a Man Grows Older" by Older by Italo Calvino

This comic masterwork isn't strictly about old age, but it is concerned with the attainment of knowledge that comes with the passing of the years.




7. "The Old Boys" by William Trevor
Trevor's first novel is funny and moving and quietly observant of the eccentricities to which the elderly are prone.

8. "Confusion" by Stefan Sweig

This novella is told in the first person by an elderly professor who looks back on the unhappy man who was the greatest influence in his life. The story ends with a surprising and touching revelation.

9. "King Lear" by William Shakespeare
It's not a novel, of course, but it is arguably the greatest play in the language. We watch in pity and terror as a once proud man is reduced to almost nothing.

10. "The Book of Job"

One of the masterpieces of the Old Testament, especially in the King James translation. As with King Lear, Job is the victim of malign fate. He has to suffer the indignities of sores and lesions before he is restored to humanity.