Showing posts with label Patrick Radden Keefe. Show all posts
Showing posts with label Patrick Radden Keefe. Show all posts

Saturday, January 25, 2020

How Conflicts End—And Who Can End Them




How Conflicts End—And Who Can End Them

Friday, January 3, 2020

The 10 best books of 2019 / Say Nothing by Patrick Radden Keefe

March 8, 2019 
Devlin Barrett covers national security and law enforcement for The Washington Post.



Helen McKendry holds a photo of her mother, Jean McConville, left, who was killed in 1972.  (Helen McKendry holds a photo of her mother, Jean McConville, left, who was killed in 1972. Photo: Peter Muhly/AFP/Getty Images)
Helen McKendry holds a photo of her mother, Jean McConville, left, who was killed in 1972. (Helen McKendry holds a photo of her mother, Jean McConville, left, who was killed in 1972. Photo: Peter Muhly/AFP/Getty Images)
People trying to end a war — even a dirty guerrilla war like the one that gripped Northern Ireland for decades — often say that the terms for peace must honor those who died in the conflict.
“Say Nothing,” Patrick Radden Keefe’s examination of “the Troubles” in Northern Ireland from the late 1960s to the Good Friday Agreement in 1998, provides a fresh accounting of the moral balance sheet not just for those killed but for those who did the killing.
Patrick Radden Keefe
It is fitting that Keefe, an American writer with Irish ancestry but little connection to the place itself, took up the task. Irish Americans have always played an outsize role in that struggle; first, by supporting the Irish Republican Army financially and politically, when its other main source of funding was bank robberies, and second, through the Clinton administration’s push toward the 1998 peace deal.


The book does not attempt to recount the entirety of the Troubles. Instead, it uses one killing — of Jean McConville, a single mother in Belfast slain by the IRA as a suspected “tout,” or informant — to trace the conflict through the lives and deaths of two very different women.
The book begins with McConville’s killing in 1972, and its central character is one of her killers, Dolours Price. Price was about 20 years old when she joined the IRA, and she quickly proved her worth to the organization at a time when a propensity for violence was most valued.
She robbed banks dressed as a nun, she planted bombs, and she was sentenced to decades in prison for explosions in London. In an era of self-styled revolutionaries, the London bombings gave her a level of notoriety.
McConville, by comparison, lived and died in obscurity. A widow and a mother of 10, McConville struggled in 1972 simply to keep her children clothed and fed. One night, a group of armed men and women came to her apartment and took her away over the protests of her children. She was never seen alive again. Her disappearance was not investigated; the only government action taken at the time was to split up her children and ship them off to a variety of grim, punishing institutions.

Patrick Radden Keefe

Many years later, Price confided that she had driven McConville to her death, and she and two others were tasked with the killing. In Price’s telling, she deliberately missed when it was her turn to fire. McConville’s body was dumped in a sandy grave, unmarked and undiscovered for decades.
Keefe’s description of McConville’s killing is haunting, and it seems to have haunted her killers. Years later, Price and some of the others who took part are angry, depressed and drinking heavily, as portrayed by Keefe.
Despite their guilt, they seem certain of one thing: that McConville was an informant for the hated British. Keefe is much more skeptical on that point, and such skepticism seems warranted, at least on the available evidence. In 2006, a police ombudsman declared her innocent of any such activity, saying there were no files to suggest she had ever been an informer for the British government. Yet for all the self-loathing voiced by McConville’s killers, they remain determined not to concede that she might have been innocent. Perhaps they know something that remains buried; perhaps their capacity for guilt only goes so far.
The story of Price’s confession is a saga unto itself.
In 2001, a wealthy Irish American businessman paid $200,000 to fund an unusual project — collecting the oral histories of those who had been footsoldiers and terrorists in Northern Ireland’s sectarian violence. The goal was to gather the accounts of those like Price, who fought to unite the island, as well as the accounts of the loyalists who wanted to remain part of the United Kingdom.
The main impediment to the project, its backers realized quickly, was that all the ex-gunmen and women knew that talking could get them killed. So they offered a condition: Interviews would not become public until the deaths of those who participated.
Among the former IRA members, those who spoke for the project were largely those disenchanted with the direction of Sinn Fein, the IRA’s political arm. Price and others had come to feel that the terms of the Good Friday accord were insultingly meager.
“For what Sinn Fein has achieved today, I would not have missed a good breakfast,” she said in a radio interview. “Volunteers didn’t only die. Volunteers had to kill, as well, you know?”
In private conversations, she laid the blame on her former commanding officer in the IRA, Gerry Adams. A scruffy terrorism suspect in the 1970s, Adams had by the 1990s transformed himself into a prominent politician who denied ever being a member of the IRA. By the time of the Good Friday agreement, even Bill Clinton struggled to know just what to make of Adams and his past, saying, “I don’t know what the real deal is between him and the IRA.” To Keefe, the public uncertainty surrounding Adams’s past is what made the transition to peace possible; those who did not want to be seen as negotiating with a terrorist could say he wasn’t one.
To Price and some of her compatriots, Adams’s new respectability meant he had sold out, given what he had once ordered them to do. It seemed a sick joke that the man who allegedly gave the order to kill McConville would declare, decades later, that her disappearance should be fully investigated. In Keefe’s telling, Adams’s insistence of innocence had a debilitating effect on the executioners — they alone would bear the silent moral burden of her killing and the killings of others.
And so Price and others spoke in secret to the Boston College history project. Their cooperation began spilling out in 2010, with the publication of a book featuring the accounts of two of the participants, and a subsequent conversation Price had with an Irish reporter. With that, Northern Irish police detectives began to demand access to records that could crack old, unsolved killings like that of McConville. After a lengthy battle in the U.S. courts, the detectives were able to review the oral history project’s accounts of McConville’s death. Adams was brought in for questioning, but without a confession there was apparently insufficient evidence to take him to court.
When Price died in 2013 of a toxic combination of medications, Adams did not attend the funeral — he was no longer welcome in the circles of violent Irish republicanism. By then Adams was a member of Parliament in the Republic of Ireland and the leader of Sinn Fein, which he had steered away from its IRA affiliation into a more traditional political party. But another major figure from the Troubles, Bernadette Devlin, spoke at her graveside. Her oration captured the sense of exhaustion that helped end the war.
“We cannot keep pretending forty years of cruel war, of loss, of sacrifice, of prison, of inhumanity, has not affected each and every one of us in heart and soul and spirit,” Devlin said. “It broke our hearts, and it broke our bodies. It changed our perspectives, and it makes every day hard.”
As a cautionary tale, “Say Nothing” speaks volumes — about the zealotry of youth, the long-term consequences of violence and the politics of forgetting.
Say Nothing
A True Story of Murder and Memory in Northern Ireland
By Patrick Radden Keefe

Wednesday, January 1, 2020

The 10 Best Books of 2019 / The New York Times




Th10 

best books of  2019

The editors of The Times Book Review  (The New York Times) choose the best fiction and nonfiction titles this year.
Published Nov. 22, 2019
Updated Nov. 25, 2019


Disappearing Earth
By Julia Phillips



In the first chapter of this assured debut novel, two young girls vanish, sending shock waves through a town perched on the edge of the remote, brooding Kamchatka Peninsula. What follows is a novel of overlapping short stories about the various women who have been affected by their disappearance. Each richly textured tale pushes the narrative forward another month and exposes the ways in which the women of Kamchatka have been shattered — personally, culturally and emotionally — by the crime.
Fiction | Alfred A. Knopf. $26.95. 

The Topeka School
By Ben Lerner
Lerner’s exhilarating third novel, after “Leaving the Atocha Station” and “10:04,” rocks an emphatically American amplitude, ranging freely from parenthood to childhood, from toxic masculinity to the niceties of cunnilingus, from Freud’s Oedipus complex to Tupac’s “All Eyez on Me.” Adam Gordon returns as the protagonist, but this time as a high school debate star, and mostly in the third person. Equal portions of the book are given over to the voices of his psychologist parents, and to a former classmate whose cognitive deficits are the inverse of Adam’s gifts. The earlier novels’ questions about art and authenticity persist; but Adam’s faithlessness is now stretched into a symptom of a national crisis of belief. Lerner’s own arsenal has always included a composer’s feel for orchestration, a ventriloquist’s vocal range and a fine ethnographic attunement. Never before, though, has the latter been so joyously indulged, or the bubblicious texture of late Clintonism been so lovingly evoked.
Fiction | Farrar, Straus & Giroux. $27.

Exhalation
By Ted Chiang

Exhalation by Ted Chiang review / Stories from an SF master


Many of the nine deeply beautiful stories in this collection explore the material consequences of time travel. Reading them feels like sitting at dinner with a friend who explains scientific theory to you without an ounce of condescension. Each thoughtful, elegantly crafted story poses a philosophical question; Chiang curates all nine into a conversation that comes full circle, after having traversed remarkable terrain.
Fiction | Alfred A. Knopf. $25.95

Lost Children Archive
By Valeria Luiselli

 Lost Children Archive by Valeria Luiselli / Review by Anthony Cummins



The Mexican author’s third novel — her first to be written in English — unfolds against a backdrop of crisis: of children crossing borders, facing death, being detained, being deported unaccompanied by their guardians. The novel centers on a couple and their two children (all unnamed), who are taking a road trip from New York City to the Mexican border; the couple’s marriage is on the brink of collapse as they pursue independent ethnographic research projects and the woman tries to help a Mexican immigrant find her daughters, who’ve gone missing in their attempt to cross the border behind her. The brilliance of Luiselli’s writing stirs rage and pity, but what might one do after reading such a novel? Acutely sensitive to these misgivings, Luiselli has delivered a madly allusive, self-reflexive, experimental book, one that is as much about storytellers and storytelling as it is about lost children.



Fiction | Alfred A. Knopf. $27.95.
Night Boat to Tangier
By Kevin Barry




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A desolate ferry terminal on the Spanish coast isn’t a place where you’d expect to encounter sharp-edged lyricism or rueful philosophy, but thanks to the two Irish gangster antiheroes of Barry’s novel, there’s plenty of both on display, along with scabrously amusing tale-telling and much summoning of painful memories. Their lives have become so intertwined that the young woman whose arrival they await can qualify as family for either man. Will she show? How much do they care? Their banter is a shield against the dark, a witty new take on “Waiting for Godot.”




Fiction | Doubleday. $25.95.


Say Nothing
By Patrick Radden Keefe





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Say Nothing by Patrick Radden Keefe




Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book — as finely paced as a novel — Keefe uses McConville’s murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga.



Nonfiction | Doubleday. $28.95.

The Club

By Leo Damrosch







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The Club by Leo Damrosch


The English painter Joshua Reynolds just wanted to cheer up his friend Samuel Johnson, who was feeling blue. Who knew that the Friday night gab sessions he proposed they convene at London’s Turk’s Head Tavern would end up attracting virtually all the leading lights of late-18th-century Britain? Damrosch brings the Club’s redoubtable personalities — the brilliant minds, the jousting wits, the tender camaraderie — to vivid life, delivering indelible portraits of Johnson and Reynolds, Edmund Burke, Adam Smith, the actor David Garrick, the historian Edward Gibbon and, of course, Johnson’s loyal biographer James Boswell: “a constellation of talent that has rarely if ever been equaled.”



Nonfiction | Yale University Press. $30.


The Yellow House
By Sarah M. Broom






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The Yellow House by Sarah M. Broom




In her extraordinary, engrossing debut, Broom pushes past the baseline expectations of memoir to create an entertaining and inventive amalgamation of literary forms. Part oral history, part urban history, part celebration of a bygone way of life, “The Yellow House” is a full indictment of the greed, discrimination, indifference and poor city planning that led her family’s home to be wiped off the map. Tracing the history of a single home in New Orleans East (an area “50 times the size of the French Quarter,” yet nowhere to be found on most tourist maps, comprising scraps of real estate whites have passed over), from the ’60s to Hurricane Katrina, this is an instantly essential text, examining the past, present and possible future of the city of New Orleans, and of America writ large.



Nonfiction | Grove Press. $26.


No Visible Bruises
By Rachel Louise Snyder








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No Visible Bruises by Rachel Louise Snyder review / Domestic violence in America


Snyder’s thoroughly reported book covers what the World Health Organization has called “a global health problem of epidemic proportions.” In America alone, more than half of all murdered women are killed by a current or former partner; domestic violence cuts across lines of class, religion and race. Snyder debunks pervasive myths (restraining orders are the answer, abusers never change) and writes movingly about the lives (and deaths) of people on both sides of the equation. She doesn’t give easy answers but presents a wealth of information that is its own form of hope.

Nonfiction | Bloomsbury Publishing. $28.



Midnight in Chernobyl
By Adam Higginbotham





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Midnight in Chernobyl by Adam Higginbotham / Manual for Survival


Higginbotham’s superb account of the April 1986 explosion at the Chernobyl nuclear power plant is one of those rare books about science and technology that read like a tension-filled thriller. Replete with vivid detail and sharply etched personalities, this narrative of astounding incompetence moves from mistake to mistake, miscalculation to miscalculation, as it builds to the inevitable, history-changing disaster.



Nonfiction | Simon & Schuster. $29.95.