Showing posts with label Joanna Trollope. Show all posts
Showing posts with label Joanna Trollope. Show all posts

Wednesday, September 8, 2021

Ten of the best / Cathedrals in literature




Ten of the best
Cathedrals in literature
John Mullan
Monday 7 November 2011 

Salisbury resident Golding imagined the building of the cathedral whose spire towers over the city. Ignoring the warnings of others, the obsessive Dean Jocelin drives the work on, convinced that an angel is prompting him. As he becomes madder, the miraculous building takes shape out of the dust and chaos.
The Mystery of Edwin Drood by Charles Dickens
Dickens's last novel is set in the precincts of the cathedral of Cloisterham. "… a city of another and a bygone time is Cloisterham, with its hoarse Cathedral bell, its hoarse rooks hovering about the Cathedral tower, its hoarser and less distinct rooks in the stalls far beneath." Murderous passions are nursed in the shadow of the great cathedral.

Notre Dame de Paris by Victor Hugo
The cathedral is the central character in Hugo's huge historical novel. All his characters gravitate to it. Quasimodo is the bell-ringer and swings down on a rope from the towers of the Cathedral to rescue the Gypsy girl Esmerelda from the gallows. They seek sanctuary in the great church, but violence and death pursue them there.



Madame Bovary by Gustave Flaubert
Housewife Emma Bovary has an assignation with student Léon Dupuis in Rouen cathedral. "In the choir a silver lamp was burning, and from the side chapels and dark places of the church sometimes rose sounds like sighs, with the clang of a closing grating …" For Léon, the religious solemnity is fitting: he is a devotee of love. Emma arrives, tries to pray, but is overwhelmed by "the tumult of her heart".
The Warden by Anthony Trollope
The clergymen of Barchester find the pursuit of God's purposes is an often ignoble business. The unworldly Septimus Harding, precentor at the great cathedral, is drawn into a furious dispute about church corruption, his only solace being the sublime sound of the cathedral choir as its songs ascend to heaven.
Old St Paul's by Harrison Ainsworth
Ainsworth's best-selling Victorian romance is set in the 1660s. During the great plague, the old cathedral becomes a hospital. At the climax, the great, dilapidated old building burns down, trapping two of the novel's villains in its vaults where they are drowned in molten lead.
The Choir by Joanna Trollope
Trollope's tale of submerged provincial passions is set in the cathedral city of Aldminster, where the cathedral itself is falling down and the costs of repairs seem likely to be met by abolishing the costly boys' choir. From the worldly dean to the idealistic choirmaster, everybody wants the best for the cathedral, the good of which becomes the justification for whatever they want to do.
"The Cathedral" by Rainer Maria Rilke
Rilke wrote a sequence of six poems inspired by a visit to Chartres cathedral with the sculptor Rodin. In the second, the poet muses on what the influence is of this huge tracery of stone, overwhelming rather than elevating. "And in the towers' quelled ascent, / and sudden spurn of skies, sat Death".
"A Cathedral Facade at Midnight" by Thomas Hardy
The poem recalls a night walk in the cathedral close at Salisbury, where Hardy took the movement of light across the building as a metaphor of ancient belief in the light of modern unbelief. The facade is thick with "the pious figures" of saints and clerics, holy men and women seen "Under the sure, unhasting, steady stress / Of Reason's movement, making meaningless".
The Cathedral by Joris-Karl Huysmans
Huysmans has his alter ego, Durtal, who has converted to Catholicism, explore the elaborate symbolism he discovers in stone in the great gothic edifice of Chartres cathedral. An apparent rejection of modernity, it was a bestseller.

Friday, February 11, 2000

Marrying the Mistress by Joanna Trollope / Digest read



DIGEST READ

Marrying the Mistress by Joanna Trollope


(Bloomsbury, £14.99) digested in the style of the original 

John Crace Fri 11 Feb ‘00 14.37 GMT





Merrion Palmer had a dull childhood in Wales. She remembered her mother, Gwen, taking away a monster bar of Toblerone chocolate once, but nothing else bad happened. Except her father dying. And her grandmother. But she left them some money, so that was OK.
As Merrion grew up, she was a little wild. She grew her hair and had a butterfly tattooed on her ankle. One day she didn't come home until six in the morning and had a violent row with her mother. As she was going through a wild phase, Merrion ran away to Bristol but went home of her own accord six days later. Merrion decided to study law and went to live in London.
One day after visiting her mother, Merrion found an old book of her father's. She read it on the train home. It was called Esprit de Corps and was by Lawrence Durrell. She collapsed with laughter when she read the story of the faulty typesetting machines in Cairo that omitted all the "c"s from "canal zone" during the Suez crisis. Despite the laughter, she still noticed Guy when he got on the train.

Guy was a gentleman. He wouldn't let her eat free peanuts in bars. "Whose fingers have been in there before yours?" he said. Guy was married. With children. And grandchildren who called him "Grando". "And he's a judge," she told her mother. "I'm in love."
Guy left his wife to live with Merrion. She met Guy's son, Alan. She met Alan's wife, Carrie, in a wine bar by Victoria station. The time had been vague, so it didn't matter that she just missed a train. Carrie had a dull childhood in East Anglia. Nothing bad happened. Except her mother dying. That was hard as Carrie had loved her.


Merrion's mother, Gwen, came to London on a train. She brought her own sandwiches with her. She thought Guy was very goodlooking. "You're ruining my daughter's life," she told him. Gwen went home. She tried to keep herself busy and even took computer lessons. "Why's it called a mouse?" she asked. "Why's it called an icon?"
Guy phoned Gwen. "I'm coming to Cardiff," he said. Over tea in the Angel Hotel he told Gwen that he was not going to marry Merrion. And back in London he told his family that he was taking a job in the north, away from his wife and away from Merrion. "I'll recover," said Guy, "and Merrion will probably go on to be a very successful family law barrister and, hopefully, marry and have children, too."
And if you really are pressed: The digested read, digested:


Merrion's father died when she was young. Perhaps she was subconsciously looking for a father figure when she met Guy on a train while giggling over a rude word in her book. Guy left his wife. And then left Merrion.