Irish writers, debuts – and groundbreaking sci-fi: the Booker longlist in depth
Booker prize reveals ‘original and thrilling’ 2023 longlist
Tuesday 1 August 2023
The Bee Sting (Hamish Hamilton)
Photograph: Patrick Bolger/
I started writing The Bee Sting at the end of 2017. I’d spent the previous 18 months working on a screenplay and I was aching to get back to the freedom and possibility of a novel. But for a long time I couldn’t decide what to write. I had three very different ideas and I started making notes for each one: blocking out scenes, tracing character arcs, all that. Looking back, I can see I was nervous about beginning something new after being away from fiction for so long, and trying to prove to myself that it would work. But notes don’t tell you anything about a novel’s voice, which is the most important thing about it, and which you won’t discover until you actually start to write.
Chetna Maroo’s ‘mesmerising’ Western Lane has been chosen on a male-dominated list
‘Portraits of what it means to be alive today’: how we chose the 2023 Booker prize shortlist
Ella Creamer
Thursday 21 September 2023
Just one novel by a British writer has made the shortlist for this year’s Booker prize: Western Lane by Chetna Maroo. The list is also weighted towards male writers for the first time in eight years.
Four of the six shortlist places went to novels by men: Prophet Song by Paul Lynch, The Bee Sting by Paul Murray, This Other Eden by Paul Harding, and If I Survive You by Jonathan Escoffery. Study for Obedience by the Canadian writer Sarah Bernstein completes the list. None of the six authors have been shortlisted for the prize before.
Eight linked short stories, set mostly in Miami, vividly evoke the experiences of a young Black man in search of a sense of belonging
Booker prize reveals ‘original and thrilling’ 2023 longlist
Ian Williams
Thursday 2 February 2023
Y
ou wake up and discover your friend in your kitchen, boiling eggs and reading your copy of Jonathan Escoffery’s If I Survive You. You debate. Is it autobiographical? A novel or a short-story collection? Does the book, like the protagonist, seem unhappy with whatever it is? Why does Escoffery use the second-person point of view so much?