Showing posts with label Cats. Show all posts
Showing posts with label Cats. Show all posts

Friday, August 9, 2024

Cats inspired Japanese culture centuries before the social media fervor


Cat figurnes called "meneki-neko" at Gotokuji Temple in Tokyo. Photo by Martin Bureau



Cats inspired Japanese culture centuries before the social media fervor

From Hello Kitty and Doraemon to the works of Haruki Murakami, Hayao Miyazaki and Yukio Mishima, felines have long been a key figure in the Japanese imagination

GONZALO ROBLEDO
Tokyo - AUG 08, 2024 - 15:00 

Long before cat photos went viral on social media, Japan had a deep devotion to felines, which was proudly reflected in its culture. From folklore legends and anime films to literary classics and traditional poetry, the Asian country’s fascination with cats extends to daily life — statistics confirm that cats are the most popular pet in Japan.

Wednesday, February 14, 2024

200 cats, 200 dogs, one lab: the secrets of the pet food industry

 



THE LONG READ

200 cats, 200 dogs, one lab: the secrets of the pet food industry


Pet food is a £120bn industry, with vast resources spent on working out how best to nourish and delight our beloved charges. But how do we know if we’re getting it right?


by Vivian Ho
Tus 13 February 2024

Florence Meowmalade came to me on a chilly winter’s night last year. A one-year-old orange tabby with a little pink nose, she arrived at my door in London after travelling for three days in a van with 30 dogs across continental Europe. She brought with her an EU pet passport, a soiled pink blanket and a penchant for snuggling into any available lap.

Saturday, June 17, 2023

Mysterious American Cat / The Mountain Lions of Los Angeles

 


Mysterious American Cat

The Mountain Lions of Los Angeles

ISSUE:  Summer 2016

Illustration by Cristiana Couceiro
Illustration by Cristiana Couceiro
It is useful to start at the end, which is also the beginning: at the far side of an imaginary bridge, picturing a mountain lion slinking over the rise to the east, hugging the shadows and contours of the easy-rolling ridge, then arriving at the 101 freeway’s eight lanes. Mountain lions have died here before, crossing from one sliver of wilderness to another—from the inland, semi-coastal ranges in the Angeles and Los Padres National Forests, across the Simi and San Fernando Valleys, to the Santa Monica Mountains, which run along the Pacific Ocean before elbowing eastward, inland again into the middle of Los Angeles. If the mountain lions don’t die crossing over, those moving westward into the Santa Monicas enter the home range of a famous and stressed-out cat family with a particularly famous son, whose likeness has been printed on magazine covers and T-shirts. The lions here are celebrated and beset upon by all sides—they’re cramped, which is why they are also so ill at ease. It was these cats, the famous group, we were trying to imagine finding a way eastward, over the freeway, escaping L.A.

The crossing point where the bridge might be is named, too perfectly, Liberty Canyon. It is not much of a canyon, more of a dry, narrow valley, or a choke point between a few large hills. We—biologists, ecologists, animal-corridor experts, a few scientists employed by the California Department of Transportation, and I—were here imagining mountain lions and the bridge that they might cross mostly because the bridge will be expensive—many tens of millions of dollars, certainly. It will also be the first of its kind: an overpass in the second largest urban area in America, constructed primarily for critters. Hikers, too, perhaps. Not building the bridge would eventually mean that the isolated population of famous lions roaming the hills of Malibu and Hollywood would collapse after so much inbreeding. This was what we were on the hill to weigh: the worth of an apex predator living alongside another apex predator, the apex of all apex predators, which is, of course, us.

Saturday, April 8, 2023

Ceyda Torun / ‘I made a love letter to the city and the cats’




‘I made a love letter to the city and the cats’


Street cats have roamed Istanbul for centuries. As a film starring some of them opens, director Ceyda Torun explains why the likes of ‘Psycho’ and ‘Hustler’ are so at home there

Kathryn Bromwich
Sunday 18 June 2017 07.30 BST

F
ilm-maker Ceyda Torun grew up in Istanbul until the age of 11 and is now based in Los Angeles. Her feature-length documentary debut Kedi (Turkish for “cat”) is about seven of the street cats that roam Istanbul. They are cared for collectively by the community in exchange for mouse catching, affection and “good energy”. Each cat has a distinct personality: Sari, “the Hustler”, is a tabby who inventively seeks out food for her kittens; Psikopat, “the Psycho”, is a fierce black and white cat with a strong sense of territory; Gamsiz, “the Player”, is a resourceful short-haired who has charmed the neighbourhood baker with his moxie.

Sunday, November 29, 2020

Margaret Atwood / Our Cat Goes to Heaven

 


Our Cat Goes to Heaven


Our cat was raptured up to heaven. He’d never liked heights, so he tried to sink his claws into whatever invisible snake, giant hand, or eagle was causing him to rise in this manner, but he had no luck.

When he got to heaven, it was a large field. There were a lot of little pink things running around that he thought at first were mice. Then he saw God sitting in a tree. Angels were flying around with fluttering white wings; they were making sounds like doves. Every once in a while, God would reach out with its large furry paw and snatch one of them out of the air and crunch it up. The ground under the tree was littered with bitten-off angel wings.

Our cat went politely over to the tree.

Meow, said our cat.

Meow, said God. Actually it was more like a roar.

I always thought you were a cat, said our cat, but I wasn’t sure.

In heaven all things are revealed, said God. This is the form in which I choose to appear to you.

I’m glad you aren’t a dog, said our cat. Do you think I could have my testicles back?

Of course, said God. They’re over behind that bush.

Our cat had always known his testicles must be somewhere. One day he’d woken up from a fairly bad dream and found them gone. He’d looked everywhere for them—under sofas, under beds, inside closets—and all the time, they were here, in heaven! He went over to the bush, and sure enough, there they were. They reattached themselves immediately.

Our cat was very pleased. Thank you, he said to God.

God was washing its elegant long whiskers. De rien, said God.

Would it be possible for me to help you catch some of those angels? said our cat.

You never liked heights, said God, stretching itself out along the branch, in the sunlight. I forgot to say there was sunlight.

True, said our cat. I never did. (He preferred to forget an episode with a fireman and a ladder.) Well, how about some of those mice?

They aren’t mice, said God. But catch as many as you like. Don’t kill them right away. Make them suffer.

You mean, play with them? said our cat. I used to get in trouble for that.

It’s a question of semantics, said God. You won’t get in trouble for that here.

Our cat chose to ignore this remark, as he did not know what “semantics” was. He did not intend to make a fool of himself. If they aren’t mice, what are they? he said. Already, he’d pounced on one. He held it down under his paw. It was kicking and uttering tiny shrieks.

They’re the souls of human beings who have been bad on earth, said God, half-closing its yellowy-green eyes. Now, if you don’t mind, it’s time for my nap.

What are they doing in heaven then? said our cat.

Our heaven is their hell, said God. I like a balanced universe.


BRICK





Friday, September 20, 2019

Cats and Dogs in History




Episode 53: Cats and Dogs in History

Posted on September 3, 2014 by Christopher Rose

Host: Joan Neuberger, Editor, Not Even Past and Professor, Department of History
Guest: Francesca Consagra, Senior Curator of Prints, Drawings, and European Paintings, Blanton Museum of Art
Takahashi Hiroaki (Shotei), Published by Fusui Gabo Cat Prowling Around a Staked Tomato Plant, 1931 Woodblock print, 20 7/8 x 13 7/8 in. The Museum of Fine Arts Houston, Gift of Stephanie Hamilton in memory of Leslie A. Hamilton
Our first episode of season 3 features the curator of the exhibition In the Company of Cats and Dogs. We consider some of the inherent personalities and temperaments of these animals as well as those imposed or projected by humans onto them. Throughout history, these animals have been viewed and represented as family members, hunters of prey, strays, and as figures and symbols in mythological, religious, political, and moral images.
Guest Francesca Consagra helps us make connections across centuries and genres and underscores our complex relationships to these animals, revealing the many ways in which they say as much about us as we do about them.

Monday, June 26, 2017

Picture of the Day / 23 June 2017 / Sansa