After seven years in Netflix’s fantasy epic, the actor has cast her final spell. She talks about the genre’s toxic fans, welcoming new boy Liam Hemsworth to the cast – and what sorcery really sounds like
After seven years in Netflix’s fantasy epic, the actor has cast her final spell. She talks about the genre’s toxic fans, welcoming new boy Liam Hemsworth to the cast – and what sorcery really sounds like
| Jimmy Kimmel |
Preliminary figures show 6.26 million broadcast viewers and more than 15m views on YouTube in first 16 hours
So much for low viewership: Jimmy Kimmel’s comeback monologue is now his most-viewed one on YouTube.
| Walton Goggins: ‘How would I like to be remembered? As one of a kind.’ |
The actor on obsessive cleaning, missing his own teeth, and his sand and dirt collection
Sure, this Guy Ritchie gangster drama is so cartoonish you could dismiss it as crass twaddle. But watching Hardy threaten people is irresistible
Tom Hardy can be very persuasive. In Taboo, people did what he said because he’d growled something intimidatingly gothic at them; in Locke, they knew he’d only phone back later if they didn’t give in; in the Kray brothers biopic Legend, there were two Tom Hardys and they were both holding claw hammers. Whenever he’s the celebrity reader on CBeebies Bedtime Stories, meanwhile, half of the adults watching wouldn’t need any persuading.
England has long adopted the version of events informed by the Victorians’ biases and neuroses. But what is behind the flood of 21st-century retellings, including the new TV series The Mirror and the Light?
Zoe Williams
Tuesday 12 November 2024
The TV adaptation of the third of Hilary Mantel’s Wolf Hall novels – The Mirror and the Light – arrived on Sunday on BBC One to rave reviews. “Six hours of magic” was the Guardian’s verdict. The series had been eagerly awaited, but nothing like as eagerly as the book itself. Mantel’s legions of fans waited eight years from the publication of Bring Up the Bodies for the finale to arrive in 2020.
It wasn’t a battle, but it was. It wasn’t, because there didn’t have to be a victor and a loser – both could have triumphed (and lost). But the simultaneous release of House of the Dragon and The Lord of the Rings: The Rings of Power inevitably pitted them against one another. Now that the voyages back to Middle Earth and to Westeros have ended, and the first seasons are over, which has won in terms of popularity.
Harry Collett, Emma D'Arcy and Oscar Eskinazi, in a scene from the second season of 'House of the Dragon.'THEO WHITEMAN
The Dance of Dragons is about to begin. On one side, the Black Council, with Rhaenyra claiming her place on the Iron Throne. On the other, the Green Council, with Aegon on the throne, backed by his mother, Alicent Hightower. The rifts within the very broken Targaryen family have turned into gaping divides, accentuated by painful deaths. Tragedy struck at the end of the first season of House of the Dragon, the series that has returned to the phenomenon that was Game of Thrones to tell the past of this saga of dragon riders. The Dance of Dragons, the civil war in the Targaryen, is imminent and inevitable.
The streaming platform has shared its most in-depth look at what their many subscribers have been watching
Jesse Hassenger
Wednesday 13 December 2013
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A sweeping but gossipy behind-the-scenes look at the off-screen dramas that made prestige TV
Rebeca Nicholson
Friday 24 November 2023
Peter Biskind is a cinema man. Best known for 1998’s Easy Riders, Raging Bulls and other books about the meaty, macho movie business, he has turned his attentions to the growth of streaming services and what might be the end of the current golden age of TV. The swaggering Pandora’s Box attempts to wrangle a complex tale into some sort of order, from the early days of prestige TV, to the high-stakes and seemingly bottomless business of “content creation”. But in the acknowledgments that conclude the book, Biskind still offers a secular prayer for the return of his preferred medium. “Movies, I hope, will one day make a comeback,” he writes. For now, television will have to do.
Retired actor David Caruso has resurfaced after stepping away from the Hollywood spotlight following his hit show “CSI: Miami.”
The 67-year-old was photographed out and about in a rare appearance on Nov. 15.
During the rare spotting, the “NYPD Blue” alum sported a denim jacket, a black tee and gray sweatpants as he pumped gas and took a walk in San Fernando Valley, California.
| ‘He was crippled by shame’ … Jason Isaacs as Cary Grant and Laura Aikman as Dyan Cannon in Archie. |
‘Cary Grant’s whole life was a civil war’: the TV drama unmasking Hollywood’s permatanned icon
The mansion-dwelling megastar was born Archibald Leach and grew up in a squalid Bristol terrace believing his mother was dead. The stars and writer of Archie talk about his rise, shame and redemption
Freezing rain is lashing the roof of the movie-set trailer. Even with the heating on full, the conditions are still shivery. But Jason Isaacs is sporting the sort of deep tan that suggests months spent under fierce sun. Appropriately, given the role he’s playing, it’s fake. “They spray-paint me every single day,” the actor explains. “At the place I’m staying, I don’t know what the laundry thinks has been going on, with these dark brown sheets every morning.”
'Homeland is racist': artists sneak subversive graffiti on to TV show
Street artists say they were asked to add authenticity to scenes of Syrian refugee camp, but took chance to air criticisms of show’s depiction of Muslim world
Three graffiti artists hired to add authenticity to refugee camp scenes in this week’s episode of Homeland have said they instead used their artwork to accuse the TV programme of racism.
In the second episode of the fifth season, which aired in the US and Australia earlier this week, and will be shown in the UK on Sunday, lead character Carrie Mathison, played by Claire Danes, can be seen striding past a wall daubed with Arabic script reading: “Homeland is racist.”
If you are a fan of contemporary British film and television—not the lace and pomp PBS period pieces, but those gritty, award-dominating independent dramas—you’re almost definitely a fan of Shaheen Baig. Originally from Birmingham, smack dab in the middle of England, Baig is the casting director behind all four seasons of Peaky Blinders and films like Control (2007), Lady Macbeth (2016), and God’s Own Country (2017).
| Best friends: Cynthia Nixon, Sarah Jessica Parker and Kristin Davis in And Just Like That. Photograph: HBO Max |
And Just Like That: first trailer for Sex and the City sequel series
The return of the beloved HBO comedy drama will see the friends navigate a brave new world – but Kim Cattrall will not be there
The first look at the much-anticipated Sex and the City follow-up has arrived, a 10-part series called And Just Like That.
The latest installment of the hit franchise follows six seasons and two movies, telling the story of women dealing with sex, work and romance in New York, breaking new ground when it started back in 1998. And Just Like That reunites Sarah Jessica Parker, Cynthia Nixon and Kristin Davis, but their fellow co-star Kim Cattrall decided not to return.