Pin on Movie postersDeciphering the Wardrobe of Blue Velvet’s Femme Fatale

To mark the re-release of David Lynch’s 1986 cult classic, we consider the symbolic sartorial guises of Dorothy Vallens, its tragic and beguiling heroine


In 1984, reeling from the critical and commercial flop of his most recent film, an adaptation of the Frank Herbert novel DuneDavid Lynch vowed that his next project would be a strictly “personal” endeavour that would in no way compromise his artistic vision. The result was his 1986 masterpiece Blue Velvet (for which he accepted a lower salary on the condition that he had final cut), a film widely considered one of the American auteur’s best. It was inspired by Bobby Vinton’s 1963 cover of Tony Bennett’s hit Blue Velvet. “It wasn’t the kind of music that I really liked,” the director once explained, “but there was something mysterious about it. It made me think about things. And the first things I thought about were lawns – lawns and the neighbourhood.” And of course, it is from such visions of suburbia, complete with picket fences and cheery local radio broadcasters, that his surreal neo-noir mystery springs.