As I sit here swampy and miserable from the relentless August sun there's one bright light that's not making me shield my eyes out of exhausted horror --
the New York Film Festival has today announced their full
Main Slate of movies and man oh man am I excited! And it's not just because when I think of NYFF I think of myself comfortably wearing sweaters in the autumnal cool of late September, but that don't hurt. It's also because once again this fest is offering up the auteurs I come for -- this fall is promising to be a great one for us movie-lovers and NYFF makes it a one-stop-shop every damn time.
I'll share the full press release down below, but first I'm going to highlight the ten titles from the Main Slate that leapt right off the page at me. Please note I am not including here the four gala films, which were announced earlier this month -- those are Noah Baumbach's White Noise is the Opening Night film; Laura Poitras’s doc All the Beauty and the Bloodshed (telling the dueling tales of photographer Nan Goldin and the billionaire family Sacklers prescription drug empire) is the Centerpiece film; Closing Night goes to Elegance Bratton's film about queer soldiers called The Inspection (see my previous posts about that right here); and finally there will be a special screening of James Gray's coming-of-age drama Armageddon Time. I am going to focus on just the Main Slate titles for this list.
My Most Anticipated 10 From NYFF60's Main Slate
Decision To Leave (dir. Park Chan-wook) -- I have been posting about this movie for two full years now, ever since
the first whisper of it weaved its way through rando corners the internet; I shared the first trailer
right here. Sounding like a Noir only shot in vivid color it's about an inspector falling for the wife of a murdered man (played by
Lust Caution's great Tang Wei). Anyway Park is a Top 5 Living Filmmaker for me so this one's The Event of the fest from where I stand. This is PCW's first movie since
The Handmaiden six years back, for god's sake! I am thirsty!
The Eternal Daughter (dir. Joanna Hogg) -- I liked Hogg's Souvenir sequel better than I liked the first one, but I'm glad she's making something else this time, and a lead role for Tilda Swinton will do the trick just fine, thank you.

Pacifiction (dir. Albert Serra) -- I'm not an expert on Serra's filmography, having still only seen
Liberté, his last film, at NYFF three years back. But when i think about memorable viewing experiences at NYFF the first one that comes to mind is
Liberté, which they screened for press at nine in the morning and which consists mainly of an excruciatingly drawn-out and grotesque orgy in the woods astride 17th century royal France. It stunned me in a way that was often repugnant and a week hasn't passed since where it hasn't popped into my head. (
Here is my review, by the way.) Anyway this new movie stars Benoît Magimel (best known here in the US as the hockey player that Isabelle Huppert's obsessed with in
The Piano Teacher) in a "gripping, atmospheric thriller" about a French bureaucrat visiting a Polynesian island that includes "a resort that caters to the prurient exoticism of foreign tourists" and yeah, this sounds like the stuff.
Stars At Noon (dir. Claire Denis) -- I posted about this one before when it was supposed to reunite Denis with her beloved vampire boyfriend Robert Pattinson; Rob dropped out because of Bat-related responsibilities and Joe Alwyn took over the role instead. Margaret Qualley stars opposite him -- it's an erotic political thriller or something of the sort, that's set in Nicaragua? I'm picturing Denis' version of The Year of Living Dangerously, basically.

Master Gardener (dir. Paul Schrader) -- Speaking of Sigourney Weaver movies, we have ourselves a Sigourney Weaver movie! I personally consider Paul Schrader more hit-and-miss than most critics and film fans seem to but there's no denying he's a writer and a director with a vision and a voice and it feels like it's been ages since Sigourney had a real proper leading role with one of those. That said I don't know if she is a leading role actually -- she plays the owner of a fancy estate garden which is kept up by Joel Edgerton's character, and he's one of Schrader's patented "dude with a troubled past come back to haunt him" types. But let's hope Schrader feels like reminding us what Siggy's capable of!
R.M.N. (dir. Cristian Mungiu) -- Anyone who's seen 4 Months, 3 Weeks, and 2 Days knows that Mungiu is obviously a great director, but I'm in this one for the plot, which is about a rural Transylvanian butcher whose wife goes mute after witnessing something horrible in the woods. I don't think it's going to be quite as horror-themed as that sounds, but it's the closest one in NYFF's line-up to horror!
Showing Up (dir. Kelly Reichardt) -- Kelly Reichardt has never made a not great movie, full stop. And this is his first movie since her greatest movie First Cow came out in 2019. Not only that it reunites her with her favorite star actress Michelle Williams! There is no "no" here. Michelle's playing a sculptor in Portland; Hong Chao her landlord. Plot-wise it all sounds lighter than usual, but it will inevitably crack open out hearts and smash them into a million billion pieces because that's what these women do.
Scarlet (dir. Pietro Marcello) -- Per usual most of my reasons for seeing these movies are based on "I like the director's past work" and Marcello's last movie was the great great great Martin Eden -- consider me sold. And this is a French fable co-starring Louis Garrel! Consider me double!
TÁR (dir. Todd Field) -- Field hasn't made a movie since Little Children in 2006, which is totally and entirely inexplicable. But I suppose he only made one movie before that, the indelible In the Bedroom in 2001, so we don't know him well enough to know what's explicable really. All those two movies show is he's a director who should be directing more movies. This one is a big return though, starring Cate Blanchett as an orchestra conductor who loses her shit.
Triangle of Sadness (dir. Ruben Östlund) -- I shared the trailer for this movie just a few hours ago! Watch it here! Harris Dickinson is a male model on Woody Harrelson's super-yacht, cue depraved social commentary. I'm a big Östlund fan and this one seems as tailored to my specifications as The Square was a few years back.
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The New York Film Fest runs this year from September 30th to October 16th, and you can expect lots of coverage from your truly here and on other websites, as I have been doing for something like a full decade now? I should go check and see which NYFF was my first press-accredited one. I've been going since I moved to NYC twenty-plus years ago of course, but I think I've only been official press for about a decade? Anyway it's my hometown beloved, and I can't wait. Now you may hit the jump for the full press release with the full Main Slate...