The First 3 Solo Albums of MARY TRAVERS

Original Released on LP Warner Bros WS 1907 
(US, 1971)

When Peter, Paul and Mary split to pursue solo careers in the early '70s, Mary Travers was the first out of the gate with "Mary", issued in early 1971. As the most popular and photogenic member of the trio, commercial expectations might have run highest for Travers, but she was at a disadvantage in being a far less prolific songwriter than Peter Yarrow or Noel Stookey. Indeed, she wrote just a little material (co-writing two songs) on this LP, which in broad terms saw her cast as an interpreter of songs by contemporary songwriters with a touch of arty orchestration, somewhat in the mold of records of the period by fellow veteran folk boom vets Judy Collins and (to a lesser degree) Joan Baez. Generally speaking, however, she didn't address material by composers as strong as Collins and Baez had, "Mary" featuring songs by Rod McKuen, Elton John, Paul Simon, and others, including some by John Denver (whose "Follow Me" gave her a minor hit single, and who also plays guitar on the album). More than Yarrow or Stookey, Travers suffered when taking the solo vocal spotlight for an entire album, not being as strong or varied a singer as, say, Collins or Baez. All those shortcomings noted, this is still an acceptable recording of its style (and the only Travers solo album to join the Top 100), if perhaps one of more interest these days to Peter, Paul and Mary fans than anyone else. It's certainly on the earnest side - even more so than Peter, Paul and Mary's 1960s output - including new versions of a couple of songs she recorded as a member of that group, "The Song Is Love" and "The First Time Ever I Saw Your Face."

Original Released on LP Warner Bros BS 2609 
(US, 1972)

Original Released on LP Warner Bros BS 2677 
(US, 1973)

MARY TRAVERS (1936-2009)

Mary Allin Travers was born on November 9, 1936 in Louisville, Ky., the daughter of journalists who moved the family to Manhattan’s bohemian Greenwich Village. She quickly became enamored with folk performers like the Weavers, and was soon performing with Seeger, a founding member of the Weavers who lived in the same building as the Travers family.

Travers joined forces with Peter Yarrow and Noel Paul Stookey in the early 1960s, to form the trio PETER PAUL & MARY. They debuted at the Bitter End in 1961, and their beatnik look - a tall blonde flanked by a pair of goateed guitarists - was a part of their initial appeal. As The New York Times critic Robert Shelton put it not long afterward, “Sex appeal as a keystone for a folk-song group was the idea of the group’s manager, Albert B. Grossman, who searched for months for ‘the girl’ until he decided on Miss Travers.”

Their debut album came out in 1962, and immediately scored a pair of hits with their versions of “If I Had a Hammer” and “Lemon Tree.” The former won them Grammys for best folk recording, and best performance by a vocal group. "Moving” was the follow-up, including the hit tale of innocence lost, “Puff (The Magic Dragon)” - which reached No. 2 on the charts, and generated since-discounted reports that it was an ode to marijuana.

Album No. 3, “In the Wind,” featured three songs by the 22-year-old Dylan. “Don’t Think Twice, It’s Alright” and “Blowin’ in the Wind” both reached the top 10, bringing Dylan’s material to a massive audience; the latter shipped 300,000 copies during one two-week period. “Blowin’ In the Wind” became an another civil rights anthem, and PETER PAUL AND MARY fully embraced the cause. They marched with King in Selma, Ala., and performed with him in Washington.

In a 1966 New York Times interview, Travers said the three worked well together because they respected one another. «There has to be a certain amount of love just in order for you to survive together,» she said. «I think a lot of groups have gone down the tubes because they were not able to relate to one another.» With the advent of the Beatles and Dylan’s switch to electric guitar, the folk boom disappeared. Travers expressed disdain for folk-rock, telling the Chicago Daily News in 1966 that «it’s so badly written. ... When the fad changed from folk to rock, they didn’t take along any good writers.»

But the trio continued their success, scoring with the tongue-in-cheek single “I Dig Rock and Roll Music,” a gentle parody of the Mamas and the Papas, in 1967 and the John Denver-penned “Leaving on a Jet Plane” two years later. They also continued as boosters for young songwriters, recording numbers written by then-little-known Gordon Lightfoot and Laura Nyro. In 1969, the group earned their fifth and final Grammy for “Peter, Paul and Mommy,” which won for best children’s album. They disbanded in 1971, launching solo careers - Travers released five albums - that never achieved the heights of their collaborations.

Over the years they enjoyed several reunions, including a performance at a 1978 anti-nuclear benefit organized by Yarrow and a 35th anniversary album, “Lifelines,” with fellow folkies Ramblin’ Jack Elliott, Dave Van Ronk and Seeger. A boxed set of their music was released in 2004. They remained politically active as well, performing at the 1995 anniversary of the Kent State shootings and performing for California strawberry pickers.

Travers had undergone a successful bone marrow transplant to treat her leukemia and was able to return to performing after that. «It was like a miracle,» Travers told The Associated Press in 2006. «I’m just feeling fabulous. What’s incredible is someone has given your life back. I’m out in the garden today. This time last year I was looking out a window at a hospital.» She also said she told the marrow donor «how incredibly grateful I was.» But by mid-2009, Yarrow told WTOP radio in Washington that her condition had worsened again and he thought she would no longer be able to perform. She died in September 16, aged 72.