Original Released on LP RCA Camden CAL 899 (mono)
(US 1965)
Skeeter Davis never received much critical attention, but in the '50s and '60s, she recorded some of the most accessible crossover country music, occasionally skirting rock & roll. Born Mary Penick, Davis took her last name after forming a duo with Betty Jack Davis, the Davis Sisters. Their 1953 single "I Forgot More Than You'll Ever Know" was a big country hit; its B-side, the remarkable "Rock-a-Bye Boogie," foreshadowed rockabilly. That same year, however, the duo's career was cut short by a tragic car accident in which Betty Jack was killed and Skeeter was severely injured. Skeeter did attempt to revive the Davis Sisters with Betty Jack's sister but was soon working as a solo artist. In the early '60s, Davis followed the heels of Brenda Lee and Patsy Cline to become one of the first big-selling female country crossover acts, although her pop success was pretty short-lived. The weepy ballad "The End of the World," though, was a massive hit, reaching number two in 1963. "I Can't Stay Mad at You," a Top Ten hit the same year, was downright rock & roll; penned by Gerry Goffin and Carole King, it sounded like (and was) an authentic Brill Building girl group-styled classic.
Goffin and King also wrote another successful girl group knockoff for her, "Let Me Get Close to You," although such efforts were the exception rather than the rule. Usually she sang sentimental, country-oriented tunes with enough pop hooks to catch the ears of a wider audience, such as "I Will." Davis concentrated on the country market after the early '60s, although she never seemed too comfortable limiting herself to the Nashville crowd. She recorded a Buddy Holly tribute album in 1967, when Holly wasn't a hot ticket with either the country or the rock audience. But she certainly didn't reject country conventions either: She performed on the Grand Ole Opry and recorded duets with Bobby Bare, Porter Wagoner, and George Hamilton IV. In the 1980s, she had a mild comeback with the rock crowd after recording an album with NRBQ; she also married NRBQ's bass player, Joey Spampinato. Davis passed away September 19, 2004 after a long struggle with cancer.
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| With Chet Atkins in Tokyo (1965) |
Since Davis' 1965 LP "Blueberry Hill" was part of RCA's Camden budget line, it's a ragtag of material from various eras rather than a proper album. In fact, it goes all the way back to her 1958 country hit "Lost to a Geisha Girl," also including country charters from 1961 ("Optimistic") and 1962 ("The Little Music Box"). It's mostly passable-to-decent country-pop in the style the singer had refined by the early 1960s. The double-tracked vocals that were something of a trademark of her early-to-mid-'60s recordings are often present here, and there's more of a pop feel than there is to many another Nashville production from the time, as well as some orchestration. It's a good approach, but it needs really good material to stand out as something special, and the songs here are often on the ordinary side. The only non-charting effort that sounds worthy of being a hit single is "Where I Ought to Be," a melancholy mid-tempo ballad with a nice unexpected descending piano hook in the verse. A low point is certainly "Give Me Death," in which Skeeter plays the part of a double murderess, pleading with the judge for the death sentence with all the urgent conviction of a wronged housewife. (Richie Unterberger in AllMusic)
