Mostrar mensagens com a etiqueta dean martin. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta dean martin. Mostrar todas as mensagens

segunda-feira, 6 de agosto de 2018

Movin' With Nancy

Original released on LP Reprise RS 6277
(US, December 1967)

Sundazed released a 1996 CD version of the original "Movin' With Nancy" album, adding three bonus tracks to the 1967 soundtrack from her television special, and it earns high marks for documenting more of the fun and campy escapades of Frank Sinatra's daughter. Without the opportunity to surpass her dad the way Mira Sorvino or Charlie Sheen may have moved beyond Paul Sorvino and Martin Sheen in terms of popularity, Nancy Sinatra deserves credit for a sultry, hip image and the ability to hit a few home runs. It's easy to hit a home run, of course, when your father owns a piece of the record label, Reprise, and a Rodgers & Hammerstein composition makes its way onto track four, like "Younger Than Springtime," sung by "a very close relative." The uncredited Frank Sinatra performance is great, of course, and is followed by a Dean Martin/Nancy Sinatra "duet" on the Bobby Darin song "Things." It sure sounds like dad called up Martin and asked if he wouldn't mind Nancy overdubbing her voice on a pre-existing Martin track - this was, of course, before the days of putting Natalie Cole on a Nat "King" Cole master. Despite the awkwardness of it, there is a certain charm that adds to the festivities. Make no mistake, this is a festive album. Heck, some kids go to the circus with their folks, Nancy Sinatra got to play at the record company. 


Her vocal style is on par with Claudine Longet and Jo Jo Laine, not the kind of singing to give Whitney Houston or Jackie DeShannon sleepless nights, but charming nonetheless. Where this Sinatra really shines is when she and producer Lee Hazlewood do the Sonny & Cher routine on the previous hit, "Jackson," and the real gem here, "Some Velvet Morning." When Nancy Sinatra has Hazlewood as her foil, she is outstanding. Though "Some Velvet Morning" was number nine out of her Top Ten hits as far as chart action goes, it is her strongest performance here, and proves she had more of a voice than maybe she even realized. She walks through Jimmy Webb's "Up, Up and Away," but it works, as does, surprisingly enough, the cover of Ray Charles' "What I'd Say," which closes the vinyl version of this project. Do the math: two hit singles, a duet with Dean Martin, an appearance by the Chairman of the Board (the legend, not the band), and superb production by Lee Hazlewood all make for a highly entertaining disc. Yes, she was lucky to have those doors open for her, but while other showbiz kids fell by the wayside, "Movin' With Nancy" delivered the goods. You can't help but like her. (Joe Viglione in AllMusic)

sexta-feira, 18 de novembro de 2016

DEAN MARTIN: "Sleep Warm"

Original released on LP Capitol T-1150
(US 1959, March 2)

On only his third full-length, 12-inch LP recorded as such, Dean Martin finally found a way to construct an album in the style of pal and rival Frank Sinatra's highly successful concept LPs: Bring Sinatra in as the conductor. (The arrangements are by Pete King.) Repose was Sinatra's chosen theme, and he selected a set of songs well-suited to Martin's bedroom voice, from Johnny Mercer's "Dream" and "Hit the Road to Dreamland" to "Let's Put Out the Lights (And Go to Sleep)" and "Dream a Little Dream of Me." Just as on a Sinatra theme album, the title track was written to order, in this case by Lew Spence with lyrics by Marilyn Keith and her husband-to-be, Alan Bergman. Martin brought more attention to the sessions than usual, and the sympathetic string arrangements supported his romantic vocals, making this one of his best album releases. (William Ruhlmann in AllMusic)

quinta-feira, 27 de outubro de 2016

DEAN MARTIN: "Songs From 'The Silencers'"


Original released on LP Reprise R-6211 (mono)
(US, March 1966)


In the spy spoof 'The Silencers', Dean Martin, playing the starring role of secret agent Matt Helm, hears excerpts from old Tin Pan Alley standards going through his head, sung by himself, of course, during the course of the story. This album is not a soundtrack album per se (there is such a thing, containing Elmer Bernstein's score, and it's on RCA Victor LOC/LSO-1120); it is a collection of complete studio recordings of those oldies, along with four recordings of incidental music also used in the film that are either instrumentals or feature only a vocal chorus. The pop songs sometimes have a Western flavor ("Empty Saddles in the Old Corral," "The Last Round-Up") or a vaudeville/theatrical connection ("If You Knew Susie," "On the Sunny Side of the Street"), but in Ernie Freeman and Gene Page's arrangements they are given the same bravura treatment as the songs on Martin's regular albums. A minor effort mounted simply as a movie tie-in, this album deservedly didn't attract much attention, although Martin's popularity assured it would spend several weeks in the charts. (William Ruhlmann in AllMusic)

terça-feira, 21 de abril de 2009

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