"Magne Furuholmen (born 1 November 1962) is a Norwegian musician and visual artist. Also known by his stage name Mags, he is the keyboardist of the synth-pop band A-ha and co-wrote hits such as "Take On Me", "Stay on These Roads", "Manhattan Skyline", "Cry Wolf", "Forever Not Yours", "Analogue (All I Want)", "Minor Earth Major Sky", "Touchy!", "You Are the One", "Move To Memphis" and "Foot of the Mountain". A-ha has sold more than 50 million albums worldwide. He was named Knight First Class of the Order of St. Olav by King Harald for his services to Norwegian music and his international success."
"The son of Reidar, a chief physician at a hospital, and Henny, an economics teacher, and brother to Gunvald, Håkon, Ingunn and Kjetil, Morten grew up in Asker in southern Norway. His early musical influences included Uriah Heep, Jimi Hendrix, Queen, Johnny Cash, Simon and Garfunkel, David Bowie, and James Brown. Morten's father had contemplated becoming a classical pianist; Morten also took piano lessons for a while but lacked the discipline to practice. At the age of four he started writing music and playing piano."
"Over the years his versatile and adaptable voice has lent itself to several musical genres, including synth-pop, Christian pop, rock, jazz, folk and even drum ‘n’ bass; while his interest in theology, nature, environmental issues and politics has frequently seeped into his recordings, giving much of the material a spiritual – and often philosophical – slant. With his chiselled, boyish looks and distinctive vocals, Harket was certainly the most marketable member of a-ha – but the transition to a successful solo career, following the band’s hiatus in the 1990s, wasn’t without its challenges…"
"We have always enjoyed discussing a-ha and their solo projects, eagerly anticipating new albums, studying songwriting credits, discussing the production of the albums, the pleasant surprises and the occasional disappointments. For us it was always about the music, but in the beginning it was also about the posters, the articles, the self-composed top 10's and top 20's of the best a-ha songs, and of course the leather wristbands. Which we still wear, to be honest, as a testament to our commitment and somehow an integrated part of our identity as fans. It's like a lifeline to the past."