Marillion - just for the record, 1987

"This is quite different to the stuff before, it's a real contrast."

Marillion - white feather demo, 1998

"He name dropped Toronto in the demo version of WHite Feather! You know at the end when he’s singing, “Glasgow children, Moscow children…” I could swear one of them he names is Toronto."

Marillion - childhood's end demo, 1998

"The demo version of "Childhood's End?" offers a raw, pre-production glimpse into the song's evolution. Recorded during the Misplaced Childhood sessions in early 1985 (likely at Hansa Studios in Berlin), it features a more stripped-down arrangement compared to the polished studio cut—sparser instrumentation, rougher vocals, and a tentative structure that highlights the band's creative process. The demo was first made widely available on the 1998 remastered edition of Misplaced Childhood (EMI), as bonus track 16 on CD 2."

Marillion - heart of lothian demo, 1998

"Lead singer Fish was born in Dalkeith, a town in the county of Midlothian, Scotland just outside Edinburgh. Lothian is a district in Scotland and Midlothian is the middle part of it. The Royal Mile, which is also referred to in the song, is the main High Street in Edinburgh. There is a heart-shaped mosaic embedded into the pavement halfway up the Royal Mile in Edinburgh. The heart is traditionally a symbol of local pride. One of the Edinburgh football teams is known as Heart of Midlothian, or "Hearts" for short."

Marillion - misplaced rendezvous demo, 1998

"Touching upon his early childhood experiences and his inability to deal with a slew of bad breakups exacerbated by a never-ending series of rock star-type "indulgences," Misplaced Childhood would prove to be not only the band's most accomplished release to date, but also its most streamlined."

Marillion - market square heroes alternative version, 1997

"the "market square hero" is a "would-be revolutionary with all the necessary charisma and presence of a leader without direction or goals, just a sense of frustration and anger"

Marillion - blue angel demo, 1998

"Misplaced Childhood was "not only the band's most accomplished release to date, but also its most streamlined... With its lush production and punchy mix, the album went on to become the band's greatest commercial triumph, especially in Europe where they would rise from theater attraction to bona fide stadium royalty".

Marillion - fugazi, 1984

"Fugazi is the second studio album by the British neo-prog band Marillion, released in 1984. Produced by Nick Tauber, it was recorded between November 1983 and February 1984 at various studios and was the first to feature drummer Ian Mosley, following the dismissal of the band's original drummer Mick Pointer. The album is titled after a military slang term well known at the time of release. According to AllMusic, the album "streamlined the intricacies of the group's prog rock leanings in favour of a more straight-ahead hard rock identity". Built upon the success of its predecessor, Script for a Jester's Tear, Fugazi reached the UK top five[4] and was certified Gold."

Marillion - childhood's end, 1985

"I was in 'Padres Bay' when suddenly I felt a child standing behind me on the stairs. I knew he was dressed as a soldier and vanished as soon as he entered the corner of my eye. Perhaps it was my muse; perhaps it was the drug. It was enough to propel me into reaming off a large scrawl of prose."

Marillion - warm wet circles, 1987

"Warm Wet Circles" is a song by the British neo-prog band Marillion. It was the third single from their fourth studio album Clutching at Straws, released on 26 October 1987. "Warm Wet Circles" peaked at number 22 in the UK Singles Chart, becoming the band's 9th top-thirty hit in a row, and remained on the chart for four weeks. The music video featured footage of the band's concert at Lorelei in West Germany on 18 July 1987. The B-side is a live recording of "White Russian", another track from Clutching at Straws also made during the Loreley concert. The 12" version additionally contains a version of "Incommunicado" from this concert. In Argentina, the single was published under the Spanish title "Círculos Húmedos y Cálidos".

Marillion - script for a jester's tear, 1983

"Script For A Jester's Tear is a spontaneous feeling lyric; it seems to be set quite soon after a break-up, whereas The Web gives the feel of months wallowing in depression. It is for me quite the most beautiful expression of the pain of rejection."

Marillion - white feather, 1985

"The superstition goes that a white feather plucked from a game cock and placed in the clothing of a person marked a poor or cowardly fighter. This is because a pure-bred gamecock wouldn't have white tail feathers. This term was first used in the eighteenth century."

Marillion - lavender, 1985

"Lavender" is a song by the British neo-prog band Marillion. It was released as the second single from their 1985 UK number one concept album Misplaced Childhood. The follow-up to the UK number two hit "Kayleigh", the song was their second Top Five UK hit, entering the chart on 7 September 1985, reaching number five and staying on the chart for nine weeks."

Marillion - kayleigh, 1985

"Kayleigh" is a song by British neo-prog band Marillion. It was released as the first single from the concept album Misplaced Childhood. It is the band's most successful single in the UK, where it peaked at number two and stayed on the UK singles chart for 14 weeks. It also became the band's most successful single worldwide, reaching the top 10 in Ireland, Norway, and West Germany. In the United States, it gave the band their sole appearance on the Billboard Hot 100 chart, reaching number 74 in October 1985. The song popularised the name Kayleigh in the UK. It was later performed by the band's lead singer, Fish, at the Nelson Mandela 70th Birthday Tribute at Wembley Stadium, with Midge Ure on guitar and Phil Collins on drums."

Marillion - heart of lothian, 1985

"Heart of Lothian" is a song by British neo-prog band Marillion. It is the fifth track on the 1985 concept album Misplaced Childhood. The song was released as the third single from Misplaced Childhood on 18 November 1985 in the UK, the Netherlands, West Germany, Canada (on Capitol Records), South Africa and Australia. "Heart of Lothian" became the third Top 30 UK single from Misplaced Childhood, peaking at number 29. The song also peaked at number 51 on the German singles chart."

Marillion - incubus, 1984

"1 Judge not, that ye be not judged. 2 For with what judgment ye judge, ye shall be judged: and with what measure ye mete, it shall be measured to you again. 3 And why beholdest thou the mote that is in thy brother's eye, but considerest not the beam that is in thine own eye? 4 Or how wilt thou say to thy brother, Let me pull out the mote out of thine eye; and, behold, a beam is in thine own eye? 5 Thou hypocrite, first cast out the beam out of thine own eye; and then shalt thou see clearly to cast out the mote out of thy brother's eye."

Marillion - chelsea monday manchester square demo, 1997

"Chelsea Monday" Continues the poet's contemplation of what is "out there", and sees the archetypal society woman getting all her style from magazines while inhabiting a strange plastic fantasy world created for her so that she doesn't have to think about it. The bleak music structure and insistent rhythms drive this music through dark layers and yet more gorgeous melodies - honestly, the hairs on the back of my neck have a tough time during this one!"

Marillion - hotel hobbies, 1987

"All the tracks are dedicated to places that inspired me, and this song always reminds me of the time I went to Champney's to dry out for a week. It was a complete waste of time!"

Marillion - that time of the night the short straw, 1987

"There's sort of a dual meaning I think; it also seems to allude to "drawing the short straw," which would indicate bad luck, losing, or being otherwise ill-fated. As in the practice of choosing straws among a group to determine who has to undertake an unpleasant, dangerous, or otherwise undesirable task. The person who draws the short straw generally loses."

Marillion - kayleigh alternate mix, 1985

"Some names just didn't exist a generation ago, but have taken off in popularity. The most famous of these is Kayleigh, which came into existence thanks to the neo-prog rock band Marillion, who had a number two hit with a single of this name in 1985. It was almost unheard of before the song. But since then it has taken hold, especially with parents who grew up with a love of long-haired bouffant power ballads. A few years ago, the name made it to the 30th most popular girl's name in Britain, and it remains popular: 267 children were named it last year. Curiously, though, it has spawned a bewildering sub-sect of names, nearly all of which are unrelentingly bizarre. There were 101 Demi-Leighs last year, seven Chelsea-Leighs and four called Lilleigh, which sounds like a sanitary product."