Bee Gees - i started a joke live, 1997

"It touches me deeply. I think it is simply about someone who wasn’t taken seriously or maybe even laughed at, put down. Someone who tried to fit in, made jokes, but still couldn’t get on the wavelength with other people. I think many of us can relate to feeling that way at times and that’s why people are even brought to tears with this song. I think Robin said to interpret it for yourself because that’s what it was meant to be, a deeply personal song. Also, this was at a time when bands were getting into experimental and psychedelic music that was a mind trip. The Beatles led the way in this genre. The BeeGees also experimented with this psychedelic genre. Not to the degree as the Beatles but still to some degree."

Bee Gees - heartbreaker live, 1997

"Heartbreaker" is a song that Barry, Robin and Maurice Gibb wrote for Dionne Warwick. Released in 1982, it was a Top 10 song in most markets. Warwick herself has said that she personally didn't like the song a whole lot, though trusted the Bee Gees (her trust paid off!) while Maurice especially considers "Heartbreaker" a song that got away. The Bee Gees often included the song in their live medleys and later released a full version of their own on The Record. A demo version was also released."

Bee Gees - nights on broadway live, 1997

“It came to me in a dream. There was a request by Arif Martin, who was like an uncle to us, he was a great record producer during the song ‘Nights on Broadway’ for the Main Course album, which is previous to the ‘Fever’ syndrome. And he said, ‘Can any of you scream? Scream in falsetto?’ So, you know, give us an ad lib or a scream at the end. So from screaming, it turned into things like Blaming It All.”

Bee Gees - and the sun will shine live, 1997

"On November 14, 1997, the Bee Gees reunited for a concert at the MGM Grand in Las Vegas. This was the Gibb brothers' first show in ten years, and the concert sold out in a hurry. The burning question was whether or not the chemistry would still be there, and thankfully, it was. After being aired on HBO on Valentine's Day 1998, the Vegas performance found its way onto CD when One Night Only was released in the fall of 1998."

Bee Gees - i can't see nobody live, 1997

"The Bee Gees were at their zenith in this live performance. Their song writing and vocal skills have greatly enriched my love of music and then Celine Dion singing Immortality Wow what a concert!"

Bee Gees - new york mining disaster nineteen forty-one live, 1997

"Released in April 1967, it was the band’s first internationally released single and their first song to hit the charts in the U.S. (#14) and the U.K. (#12). Barry and Robin Gibb’s haunting harmonies proved to be reminiscent of the Beatles, leading some to speculate that the song was actually performed by the Beatles under a different name. And “New York Mining Disaster 1941” was said to be an influence for David Bowie’s first big single, 1969’s “Space Oddity,” which had a similar theme of an astronaut trapped on his ship floating in space."

Bee Gees - lonely days live, 1997

"Though One Night Only was originally meant to live up to its name, the Bee Gees ultimately decided to expand the “tour” and play shows across the world. In late 1998, they performed in Dublin, London, Bueno Aires and Pretoria, South Africa before finishing up the tour in Auckland and Sydney in 1999. While each of these shows have similar sets to the one in Las Vegas, a few other treats sneak in. The Pretoria concert was also recorded and (I believe) aired live at the time, though is a less polished version than the one officially released. The Bee Gees also rang in the new millennium with a full set not far from their adopted home of Miami, sending off their celebratory end of their 4th decade as the Bee Gees in style."

Bee Gees - to love somebody live, 1997

"My fascination with the band had started way back in high school in Dhaka, Bangladesh. When I was a student in class X, my eldest brother presented me with a Record of the Bee Gees which he got during an official tour to Washington DC. One of the songs in that album was the song “To love somebody.” At the time I was too young to understand the meaning of “love” except that in a couple of years girls my age usually get to experience it as that is the time girls have crushes on a boy. I was totally unaware of the deep pain associated with the rejection of romantic love."

Bee Gees - massachusetts live, 1997

"If you enjoy the Bee Gees early period, then look no further than Massachusetts. The concert in Las Vegas in 1997 we watched frequently as a family on DVD. It’s ‘Mainstream Pop’ delivered at the highest level. They initially hit the big time in Brisbane, Australia (1963) as kids. There is a great video ‘Melody‘ of one of their earliest performances in Brisbane. For that reason, we like to say the Bee Gees are really Aussies."

Bee Gees - someone belonging to someone, 1983

"Someone Belonging to Someone" and the instrumental version of "I Love You Too Much" would become the second single off the Staying Alive soundtrack. Robin and Maurice are not clearly present on either of these songs. The musicians are not credited on the sleeve, but the single credits David Sanborn for the saxophone solo. Years later, Albhy Galuten recalled only that they were some of the usual session players they liked to use."

Bee Gees - it's just the way, 1971

"The music all sounded meaningful, much of it displaying the same kind of faux-grandeur that the Moody Blues affected on their music of this era, the core group (playing pretty hard) acompanied by either Mellotron-generated orchestra or the real thing, with the group's soaring harmonies and Robin Gibb's quavaring lead vocals all over the place."

Bee Gees - i started a joke, 1968

"The melody to this one was heard aboard a British Airways Vickers Viscount about a hundred miles from Essen. It was one of those old four engine "prop" jobs, that seemed to drone the passenger into a sort of hypnotic trance, only with this it was different. The droning, after a while, appeared to take the form of a tune, which mysteriously sounded like a church choir. So it was decided! We accosted the pilot, forced him to land in the nearest village and there, in a small pub, we finished the lyrics [with Barry]. Actually, it wasn't a village, it was the city, and it wasn't a pub, it was a hotel, and we didn't force the pilot to land in a field ... but why ruin a perfectly good story?"

Bee Gees - massachusetts, 1968

"There are two different memories, Robin remembers us doing it in a boat going around New York City. And I remember us checking in at the St. Regis with Robert, going to the suite, and while the bags were being brought in we were so high on being in New York, that's how 'Massachusetts' began. I think we were strumming basically the whole thing, and then I think we went on a boat round New York. I don't know if we finished it, but I think that's where the memories collide. Everybody wrote it. All three of us were there when the song was born."

Bee Gees - above and beyond, 1993

"The album was recorded following a time of considerable strain for the Gibb brothers. Maurice had only recently managed to overcome his long-term struggle with alcoholism and Barry Gibb's wife and prematurely newborn daughter both suffered ill health. Barry himself was also scheduled to have back surgery. Subsequently, on 6 March 1992, the brothers' father, Hugh Gibb, died, the day after the birthday of their late brother Andy, who had died in 1988. The album was dedicated to Hugh. Work on the album began in 1992."

Bee Gees - follow the wind, 1965

"The song is a folk rock ballad and sounded like The Beatles' "I'll Follow the Sun" (1964), "You've Got to Hide Your Love Away" (1965) and "Norwegian Wood (This Bird Has Flown)" (1965). Barry and Robin Gibb sing the lead while Maurice Gibb and Trevor Gordon play lead guitar. It was recorded in August 1965 in Festival Studio at the same time as "Wine and Women", with Robin playing organ and Barry on acoustic guitar."

Bee Gees - too much heaven, 1979

"I was really loved and impressed with the harmonies they achieved on that record. I'm very very proud of those guys; they're exceptionally good at harmony. They’re a very heavy duty harmony group."

Bee Gees - and the sun will shine live, 1997

“And the Sun Will Shine” is a song by the British band Bee Gees, written by Barry Gibb, Robin Gibb and Maurice Gibb, and released in February 1968 on the album “Horizontal“. In the same month, Paul Jones, former Manfred Mann frontman, recorded the song with Paul McCartney playing drums on it."

Bee Gees - morning of my life, 1970

"Morning of My Life" (originally known as "In the Morning") is a song written by Barry Gibb in 1965 whilst in the town of Wagga Wagga, Australia and later recorded by the Bee Gees and several other artists. It was recorded in 1966 during sessions for the album Spicks and Specks, and later was released as the opening track on the compilation Inception/Nostalgia in 1970. The first recording of the song to be released by any artist was by Ronnie Burns, first as a B-side to his Exit, Stage Right single in June 1967 and a month later on his Ronnie LP."

Bee Gees - to love somebody, 1967

"In a 2017 interview with Piers Morgan's Life Stories, Barry was asked "of all the songs that you've ever written, which song would you choose?" Barry said that "To Love Somebody" was the song that he'd choose as it has "a clear, emotional message".

Bee Gees - another lonely night in new york, 1983

"The song's intro bears only minimal resemblance to Foreigner's 1981 hit "Waiting for a Girl Like You", before indulging in its own, time-space specific melodic structure in full force."