"The album captures the band’s energetic live set, featuring Paul Weller (vocals, guitar), Mick Talbot (keyboards), Dee C. Lee (vocals), and Steve White (drums), with Billy Chapman on saxophone adding to the soulful and jazzy vibe. The performance of "With Everything to Lose" showcases the band’s sophisti-pop sound, blending soul, jazz, and pop elements, which was characteristic of their live shows during this period."
"Let’s just get something straight here: Étienne Daho is very cool. He’s cooler than the coolest popstar you have at the top scale of cool. Better still, his voice is so good it makes every song it graces sound like the coolest song you’ve ever heard. All those styles from synthpop to surf rock, Étienne can do it all. In fact, he has done it all. But then he’s been around since the ’80s, wowing his native France, always dressed in the most effortlessly chic styles. For most popstars, new phases in their careers are greeted by a wardrobe overall. Étienne doesn’t need to do that. Leather jackets, jeans, over-sized coats, suit blazers and a smoldering cigarette has endured throughout the years, because he knows that cool is never out of style. An outsider who managed to conquer France’s mainstream, he started off his musical journey in London, back when punk was breaking. Apparently, he had to see it for himself. He felt it too, and would later jump at the chance of working with The Stinky Toys on his debut album. A great collaborator, Étienne would later appear in Saint Etienne’s He’s On The Phone, which is a repurposed version of an earlier hit Weekend A Rome. The ‘He’ the song is about? Étienne, most likely."
"One song that I heard probably for the first time in 20 years was 'Walls Come Tumbling Down' (1985) by The Style Council. The Style Council lasted 1983-9, having 16 Top 40 hits but no No.1s. Interestingly they combined a somewhat at times overly polished, self-consciously snappy image with songs that were either almost like easy-listening, notably, 'Long Hot Summer' (1983), almost 'power' pop songs like 'Shout To The Top' (1984) to those like 'Walls Come Tumbling Down' which were very political. The most prominent member of the group was Paul Weller (1958-) who also wrote 'Walls Come Tumbling Down'. By the time he did, he was already very successful from his career with The Jam (1972-82; recording from 1977; 18 Top 40 hits including No. 1s in the UK) who had had a Mod style with a support for Britishness but also often challenging lyrics to social and political issues. The strength of many of their songs was carried on into some of The Style Council's work with almost classic styling that seemed to refer back to music of the 1960s referenced by The Jam's style. Saying this, the 'Sound Affects' (1980) album had almost psychaedelic elements, almost as if, like The Beatles, The Jam had evolved into this phase. The politics of The Style Council was far more apparent than even in songs like 'Eton Rifles' (1979) and 'Town Called Malice' (1982). I have been tempted however, to write how relevant I feel those songs remain recalling 1980s problems now we face so many of them again in the 2010s."