The Cure - friday i'm in love acoustic version, 1993

"The acoustic version of Friday I'm in Love by The Cure is a stripped-down take on their 1992 hit from the Wish album. Released as part of the 1993 compilation Acoustic Hits, it features Robert Smith's signature whimsical vocals over a simpler arrangement, emphasizing jangly guitar chords and a lighter, more intimate vibe compared to the upbeat, pop-driven original. The acoustic version keeps the song's infectious melody and romantic lyrics, but with a raw, unpolished feel that highlights its emotional core."

The Cure - in between days acoustic version, 2001

"The UK and international editions of the album feature a similar track listing, with the exception of three songs that only appear on one or the other: the international release features "The Walk", while the UK release excludes it in favour of "The Caterpillar" and "Pictures of You". In an effort to provide something new for the hardcore fans who owned the previously released songs, Smith arranged for the band and former member Boris Williams to re-record acoustic versions of the Greatest Hits. Only the select first pressings of Greatest Hits were bundled with the bonus disc of Acoustic Hits."

The Cure - catch live, 1990

"The inspiration for this sweet, “Catch”-y little song just might surprise you. It also helps to clear up something that has always left me scratching my head just a little: how exactly did The Cure end up contributing a brand new song to the 1993 Judge Dredd soundtrack? Well, it turns out that Robert Smith wrote “Catch” after watching a late-night airing of Rocky II back in the mid-’80s."

The Cure - charlotte sometimes live paris, 1993

"There have been a lot of literary influences through the years; 'Charlotte Sometimes' was a very straight lift."

The Cure - lovesong live, 1993

"for die-hard Cure fans it's a gorgeous treat and for other acolytes of the lukewarm or lapsed variety it might well re-recruit them back into Bob Smith's sometimes wacky, ofttimes gloomy and always idiosyncratic world."

The Cure - lullaby, 1989

"the song is about the disturbing songs his father sung to him as a kid, and the horrible ending they would always have."

The Cure - disintegration, 1989

"Robert’s definition of “disintegration” in the context of the album: “the disgust concerning the loss of the ability to feel profound feelings when you grow older.”

The Cure - last dance, 1989

"Last Dance" is a song by The Cure, released in 1989 as a B-side to the single "Lullaby" and later included on the album Disintegration (deluxe editions). It’s a melancholic track with introspective lyrics, driven by Robert Smith’s emotive vocals, shimmering guitars, and atmospheric synths, capturing the band’s signature gothic post-punk sound. The song reflects themes of longing and fleeting moments, often interpreted as a meditation on love or mortality."

The Cure - alone four tet remix, 2025

“Just after Christmas I was sent a couple of unsolicited remixes of Songs of a Lost World tracks and I really loved them. The Cure has a colourful history with all kinds of dance music, and I was curious as to how the whole album would sound entirely reinterpreted by others. This curiosity resulted in a fabulous trip through all eight songs by 24 wonderful artists and remixers and is way beyond anything I could have hoped for. Giving our recording royalties from the project to War Child helps make Mixes of a Lost World an even more special release.”

The Cure - pictures of you live, 2019

"Most love songs are just calculated attempts at commercial exploitation — they’re not anything to do with love as I understand it," said Cure leader Smith. After the relatively cheerful pop songs of Kiss Me, Kiss Me, Kiss Me, he wanted to write the Cure’s heaviest songs yet. With this epic of cascading synths and broken dreams, he succeeded."

The Cure - a night like this, 1985

"A Night Like This" contains a saxophone solo by Ron Howe from Fools Dance."

The Cure - play for today, 1980

"one of their most loved deeper cuts, ‘Play For Today’ a favourite for so many, the liquid, chiming guitar of Robert Smith as distinctive as his pleading vocals."

The Cure - untitled, 1989

"I don’t think I’ve heard too many closing tracks that summarize an album’s themes as well as “Untitled,”

The Cure - homesick, 1989

"It’s not just that they were making great music; they’d been making great music for roughly a decade already. But these were the years during which they coalesced into this whole iconic thing, the Cure—a sound, a look, and a sensibility that a few kids in every other high school could build whole identities around. Or at least whole wardrobes, decoration schemes, and notebook scribbles. One of my first big memories of listening to Disintegration involves wandering around the Colorado State Fair, from the agriculture show to the gang fights by the midway. This is a kind of reach I doubt Robert Smith ever imagined."

The Cure - lovesong acoustic version, 2001

"Smith originally wrote the song for his long-time girlfriend and then fiancée, Mary, as a wedding present."

The Cure - boys don't cry acoustic version, 2001

"Greatest Hits is a greatest hits album by English rock band the Cure. It was first released in Japan on 7 November 2001, before being released in the UK and Europe on 12 November and then in the US the day after. The band's relationship with longtime label Fiction Records came to a close, and the Cure were obliged to release one final album for the label. Lead singer Robert Smith agreed to release a greatest hits album under the condition that he could choose the tracks himself. The band also recorded a special studio album released as a bonus disc to some versions of the album. The disc, titled Acoustic Hits, consists of the eighteen songs from the North American release re-recorded using acoustic instruments."

The Cure - in between days, 1985

"It has the bittersweet feel of a New Order record, with a hyperstrummed acoustic guitar for depth. The boys even offer a genuine glimmer of hope, and the tune fairly breezes by on its own momentum."

The Cure - plainsong, 1989

"It took me years to finally understand the complex beauty in The Cure’s Disintegration. I always felt from the opening “Plainsong” that Disintegration was an evocative funeral procession for someone who was already contemplated eternal sleep. But in 1989, I was a scared, confused and lonely teenager who avoided anything I believed had to do with death. What I didn’t realize is that within the dark seas of Disintegration lay pools of illumination, radiating truths of fear and premonition that appear from time to time in our ever changing lives. Boy did I misread the magic of Disintegration as Robert Smith explained when he said, “The essence of this album is the disgust concerning the loss of the ability to feel profound feelings when you grow older. That’s the disintegration I mean. I’m concerned about it, just as about everybody else I know of my age.”

The Cure - just like heaven acoustic version, 2001

"I feel more natural in the company of people who are mentally unbalanced because you're always more alert, wondering what they're going to do next."

The Cure - closedown, 1989

"The album's third track, "Closedown", contains layers of keyboard texture complemented with a slow, gloomy guitar line. The track was written by Smith as a means to list his physical and artistic shortcomings."