"Songs such as “Alife,” “Kisses,” and “The Slab” permeate the body with a propulsion several gears beyond the group’s 1993 shoegaze Mount Rushmore album Souvlaki, as Halstead and Goswell’s intertwined vocals float above, between, and beyond cascades of effects-drenched guitars, throbbing bass, and washes of synths. Elsewhere, “Skin in the Game” conjures a woozy, Strokes/Cocteau Twins fever dream that’s disorienting in a way with little precedent in the Slowdive catalog. while “Shanty” is content to build the tension of its dark, arpeggio-driven groove for several minutes without words."