"When Peter Bjorn and John recorded their 2016 album Breakin’ Point, they recruited big-name pop producers Paul Epworth (who’s worked with Charli XCX and Robyn), Greg Kurstin (Adele, Sia), and Emile Haynie (Lana Del Rey, Bruno Mars), presumably in the hopes of a releasing a smash hit. The reception was much more modest, but like Franz Ferdinand and their single “Take Me Out,” Peter Bjorn and John have lived in the shadow of their 2006 breakthrough hit “Young Folks.” Breakin’ Point, and to a lesser extent 2011’s Gimme Some, were both upbeat and accessible pop albums saturated with radio-friendly tracks, yet neither came close to regaining their mid-2000s attention, let alone containing another “Young Folks.” As an expected yet unfortunate consequence, they have edged onto some one-hit wonder lists, always with that perennial disclaimer of “the band continues to make music.”
"Basically, there are two things that rock bands do: they make an album and they go on tour. Since Paul McCartney fervently wanted to believe Wings was a real rock band, he had the group record an album or two and then took them on the road. In March of 1976 he released Wings at the Speed of Sound and launched a tour of America, following which he released Wings Over America, a triple-album set that re-created an entire concert from various venues. It was a massive set list, running over two hours and featuring 30 songs, and it was well received at the time, partially because he revived some Beatles tunes, partially because it wasn't the disaster some naysayers expected, and mostly because - like the tour itself - it was the first chance that millions of Beatles fans had to hear McCartney in concert properly (the Beatles had toured, to be sure, and had played before millions of people between 1963 and 1966, but as a result of the relatively primitive equipment they used and the frenzied, omnipresent screaming of the mid-'60s teen audiences at their shows, few of those present had actually "heard" the group)."