Showing posts with label BORIS KARLOFF. Show all posts
Showing posts with label BORIS KARLOFF. Show all posts

Thursday, April 9, 2026

THE MANY FACES OF KARLOFF



Between THE INVISIBLE RAY and SON OF FRANKENSTEIN, Boris Karloff played a Chinese warlord in the Warner Bros. adventure film WEST OF SHANGHAI in 1937. He would also play the Chinese detective Mr. Wong in a number of films beginning in 1938. While unfavorable sentiment regarding white actors playing Asian characters from yesteryear exists today, it shows Karloff's versatility as an actor.

This issue of BOY'S CINEMA from April 2, 1938 includes the text/photo adaptation of WEST OF SHANGHAI.


Read more "The Many Faces of Boris Karloff" HERE.

Read the BOY'S CINEMA photo story of DR. X HERE.

Saturday, March 14, 2026

YOUR SCREAMS WILL MAKE HIM A STAR


There were many women journalists who had their finger on the pulse of Golden Age Hollywood. One of them was the famous and powerful gossip columnist Louella Parsons. Another force to be reckoned with was Hedda Hopper. Still another was Helen Louise Walker, who may not have been as famous as Parsons or Hopper, but she more than made up for it with her prolific presence in the Hollywood entertainment publications of the day.

As far as I have ascertained, there is scant biographical information available about Walker's life other than her work as a reporter from the 1920s into the late 1950s, when she wrote for numerous movie fan magazines such as MOTION PICTURE CLASSIC, PICTURE PLAY, MOVIELAND, MOVIE MIRROR, PHOTOPLAY, SILVER SCREEN and MOTION PICTURE.

Painting of Helen Louise Walker by Charles Gatchell, 1920s.

Charles Gatchell obit, The Herald-Palladium, Benton Harbor, Michigan,
April 5, 1933 (coincidentally, the birthplace of my late father).

During her career, she wrote countless features and profiles, interviewing stars such as Claudette Colbert, Errol Flynn, Humphrey Bogart, Bing Crosby and Rudolph Valentino just ten days before his death at the age of 31. Her access to so many actors and actresses made her very influential to those looking for publicity in Hollywood celebrity circles.



Walker wrote this article on Boris Karloff for the April 1932 issue of MOTION PICTURE. In the story, she states: "I've known him myself, for five or six [years]. I'm pretty proud of it, too, because he is the first actor that I "knew when." There is no mention of his being cast for THE MUMMY, which would be released at the end of the year, but she does mention that he is up for a role in a remake of THE HUNCHBACK OF NOTRE DAME (it was never filmed), as well as appearing in the upcoming THE INVISIBLE MAN (he didn't).




Helen Louise Walker also had a perception about the power of women in Hollywood, and she wrote about it several times in the 1930s. In his February 15, 2022 essay "Hollywood is a Woman's Town’: Masculinity and the Leading Man in American Fan Magazines of the 1930s" (Source: Wiley Online Library, author Stephen Sharot begins by writing:
In their address to a predominantly female readership, fan magazines of the 1930s asserted that Hollywood was one place in which women were not subordinated to men as female stardom was superior to that of male stardom. The magazines’ representations of male actors were both compliant with, and resistant to, the tough-guy image of hegemonic masculinity. The personas of most ‘leading men’ who led the supporting casts of female stars were represented as softer forms of masculinity than that of the majority of male stars. The on-screen hard forms of masculinity of male stars were softened by the magazines’ reports of their off-screen personas, and the personas of some actors were presented as a bipolar masculinity that combined soft and hard forms.
I believe the first time she wrote about the topic was in this article from the September 1932 issue of PHOTOPLAY.






Continued tomorrow.

Saturday, January 17, 2026

HORROR ON THE AIR!


For all his film acting credits, Boris Karloff insisted that true horror was best served over the radio. The question put to him by Gladys Hall, the author of this article from the June 1936 issue of RADIO STARS was this: "Do you believe horror can be done on the air? I mean, as effectively, as chillingly as the thrills and spine-shudders you give us on the screen?" Karloff replied: "More effectively. Why not? For isn't horror more horrible as an audible sensation, really? I mean, if you only hear a thing--a cry in the night, a moan, a wail--isn't it more horrible than if you can see what is making the moan or the wail or the scream?" Putting it in that context, it's hard to argue his point.

At the time of this interview, Karloff was living with his wife, Dorothy, at 2320 Bowmont Drive, in Coldwater Canyon above Beverly Hills and was a resident from about 1934 until 1945. He bought the property from former owner Katherine Hepburn, who is rumored to have sold it because she claimed it was haunted.

After moving from the East Coast, Hepburn moved into the home with her friend, Eve March and a housekeeper. In his book, "The Movieland Directory", E.J. Fleming writes: "One night March watched the door latch open and close by itself, and the next day Hepburn and March watched a ghostly man walk from the pool into the apartment, closing the door behind him."  The first time Hepburn’s younger brother Richard stayed overnight, he told her that a young man "stood over his bed all night staring down at him. He was too afraid to move until sunrise". One wonders who this apparition might have been since the house was built in 1927 and less than 10 years old at the time.

While Karloff lived there, he kept a barnyard of animals, including dogs, ducks, chickens, a cow and a 400-pound pig he affectionately called Violet. An avid gardener, he also maintained a well-kept rose garden where it is said that he scattered the ashes of a few friends. Without sounding too morbid, I suppose it would have been a good source of bone meal, which is one of the nutrients that roses thrive on. 

In his excellent book, "Bela Lugosi and Boris Karloff: The Expanded Story of a Haunting Collaboration", noted horror historian Greg Mank wrote:
"For Karloff, home was his Mexican farmhouse — a bizarre aerie, high amidst the oak trees and honeysuckle of Coldwater Canyon, in the mountains above Beverly Hills.  Twenty-three twenty Bowmont Drive, with its pool and beautiful, rambling gardens, previously had been the address of Katharine Hepburn.  The actress sincerely believed a ghost haunted the house, moving the furniture, jiggling the latch on Ms. Hepburn’s bedroom door and looming over the guest bed — so terrifying Hepburn’s brother Richard that he couldn’t sleep ‘one single night’ during his visit.  After Kate’s friend Laura Harding tried to have her dogs ferret out the ghost — to no avail — Hepburn vacated, and Boris and Dorothy had moved into the haunted hacienda in the spring of 1934.  ‘We felt rather sorry for the ghost,’ said Laura Harding — after all, the spirit had likely met its match in the star who’d played Frankenstein’s Monster!  Perhaps Boris scared away the ghost, or maybe they were kindred spirits, for the star loved his ‘little farm'."
In this magazine interview, Karloff also had another surprising thing to say: "One of the future developments of radio may be to establish long-wave contact with--the world beyond." Read the article for him elaborating on the topic and more.

This is a partial list of radio shows Boris Karloff appeared on:
  • Creeps By Night
  • Info Please
  • Inner Sanctum
  • Jack Benny
  • Kraft Music Hall
  • Lights Out
  • Master Storyteller
  • Reader's Digest
  • Spike Jones




Friday, January 2, 2026

THE STRANGE HISTORY OF 'FRANKENSTEIN'


Say what you will, but Boris Karloff is Frankenstein, whether he's called that, "the monster" or otherwise, it's Karloff's lab-created creature that we see in our mind's eye when the name is mentioned. The marvelously talented Jack Pierce is responsible for the iconic visage that will remain indelible in horror cinema imagery for all time.

By the time the 1930s rolled around, Karloff's private life was being more publicized as a result of his increasing popularity, and in some ways was just as interesting as the characters he played.

This article by veteran journalist Walter Ramsey was published in the February 1933 issue of the Hollywood movie fan magazine, MODERN SCREEN. The scan was furnished by "Our Man in the UK", journalist Steve Green, for which I was grateful to receive as my own scan is in a lower resolution and not as legible. Thank you, Mr. Green.

You will find that this is only the first part of the article which covers his early life and years in Canada before he moved to the United States and Hollywood. My low-quality scan and the fact that I only have the first part are the reasons why I never posted it in the first place. So far, the second part has proved to be elusive except for a copy currently for sale on eBay--but that takes a bit of cash. 








Walter Ramsey was a prolific writer and staffer for a number of Hollywood fan magazines in the 30s and 40s, including MOTION PICTURE, TALKING SCREEN and MOVIE MIRROR. He is notable for having interviewed and written articles on Clark Gable, Bette Davis, Jean Harlow, Lyle Talbot, Constance Bennett and many more.

He began a new series of articles for MOVIE MIRROR (May 1935) featuring interesting individuals living and working in Hollywood who weren't celebrities.


The topic of one article was a person who was an early--and maybe the first--to give guided tours of the stars homes.


After World War II, Ramsey was discharged from the Navy and went straight back to Hollywood to work as the managing editor of media for the heavily-promoted Ideal Movie Group, a division of the Ideal Women's Group that published a trio of film fan magazines.



Tuesday, December 23, 2025

BORIS KARLOFF CIGARETTE CARD


Boris Karloff was an avid smoker and it's not uncommon to see him in a photograph with a cigarette or a pipe. He was also English through and through, so it's not surprising to see him on a vintage cigarette card.

Boris Karloff in his study 1938.

Back in 1938 he appeared on a card for Ogden Cigarettes. That same year the same card was inserted in a pack of Hignett Bros. and Co. cigarettes. A quick look shows that there are a scant few of these in circulation, with the Ogden card being more available between the two. Prices these days go from the hundreds to the thousands of dollars.




Today, Tatuaje Cigars issue an annual, limited edition cigar commemorating Karloff.


Thursday, December 18, 2025

BORIS KARLOFF'S DRIVER'S LICENSE AND PASSPORT


With all the glitz and glamour surrounding Hollywood actors and actresses, we don't often stop and think that they're (almost) the same as regular people, too. As a result, they're subject to the same rules and regulations regarding day-to-day living as everybody else.

Take for instance, Boris Karloff. Do you ever picture him driving? Sure, he was a truck driver in his early work days, but he also had to get around town and not ever in a limo like you might think.

Shown here is his driver's license from 1939, just about two weeks after SON OF FRANKENSTEIN was released. Also pictured is his passport which proves he didn't grow wings and fly between the States and England.


Thursday, July 17, 2025

KARLOFF IN 'NIGHT WORLD'


Released on May 5, 1932, the Universal Pictures crime-drama NIGHT WORLD starred Boris Karloff as "Happy" MacDonald, the owner of a Prohibition-era nightclub. Also starring in the film were Lew Ayers, Mae Clarke, George Raft and Hedda Hopper before she became better known as a Hollywood gossip columnist.

This photo of Karloff appeared in the May 1932 issue of THE NEW MOVIE MAGAZINE in their "Gallery of Famous Film Folk". Mentioned in the caption is Karloff playing the role of the upcoming THE INVISIBLE MAN. That, of course, would go to Claude Rains and wouldn't be released until a year later. Instead, Karloff's next feature would cast him as Morgan in James Whale's THE OLD DARK HOUSE. The photograph is by Roman Freulich.

Tuesday, May 6, 2025

FRANKENSTEIN SPRINGS ETERNAL


Alongside a certain giant amphibious reptile from Japan, it's pretty likely that Boris Karloff in his role as the Frankenstein Monster is the most widely-recognized (and marketed) monster on the planet, due in large part to Jack Pierce's timeless makeup.

To prove my point, Trick or Treat studios has just released a resin statue of the world-famous monster for fans who just can't get enough. Selling for 200 bucks, this version stands 15" tall and is sculpted by William Paquet. An additional bonus is that it comes with interchangeable heads!