Showing posts with label GREG IRONS. Show all posts
Showing posts with label GREG IRONS. Show all posts

Wednesday, April 16, 2025

BOGEYMAN COMICS NO. 3


BOGEYMAN COMICS
Vol. 1 No. 3
1970
Company & Sons
Publisher: John Bagley
Editor: Rory Hayes
Cover: Jaxon (Jack Jackson)
Pages: 28
Cover price: 50 cents

This is the last issue of Rory Hayes' underground horror comic. Another stellar cast of cartoonists contribute a conglomeration of single-pagers and stories. It's still paying homage to EC horror comics, albeit with a decidedly psychedelic overtone that includes the hard drug use that became quite prevalent in the Haight-Ashbury district and environs beginning in the 1970's. 

Read more about the strange story of Company & Sons HERE.

Lots more underground comics HERE.



























Sunday, March 24, 2019

LEGION OF CHARLIES (LAST GASP)


LEGION OF CHARLIES
One-shot
1971
Publisher: Last Gasp Eco-Funnies
Editor: Ron Turner
Cover: Greg Irons
Pages: 36
Cover price: 50 cents

CONTENTS
"The Legion of Charlies"
Script: Tom Veitch
Art: Greg Irons

"The Conversion of President Nixnerk"
Script: Dave Sheridan
Art: Dave Sheridan

During their heyday, or as R. Crumb would put it, Hytone days, underground comix were the creative outlet for hippie writers and artists who wanted to express their counter-culture, subversive and often perverse visions on the printed page when no mainstream publisher would touch them with a 10-foot pole. Found only in head shops (they're known as "Smoke Shops" now, and only carry drug paraphernalia sans black light posters and the rest) and through the mail, underground comix were unabashed in their political, satirical and sexual themes.

One of the most extreme of the satirical titles that was ever concocted on a drawing board was the story of the "Legion of Charlies". The dope-enhanced brain child of writer Tom Veitch (Slow Death Funnies) and Greg Irons (Skull Comix), "Charlies" opens with the comic version of a split screen movie that concurrently shows two American tragedies: The Mai Lai Massacre in Vietnam and Manson's Tate-La Bianca killings.

The story progresses as the spirit of Manson (the "Charlie" of the story) takes over the bodies of returning Vietnam veterans who go on a bloody mission to remove "the Establishment" from power.

A powerful critique of "The Man" in all his deviant glory, "Charlies" is a social commentary that will stick to you like an alien face-hugger, especially if you were around during these times. The paradox that was the Vietnam war will forever a divisive topic. This comic exploits the contradiction in the most disturbing of ways.