Showing posts with label GOOD GIRL ART. Show all posts
Showing posts with label GOOD GIRL ART. Show all posts

Sunday, November 2, 2025

SALLY FORTH MEETS THE MONSTERS


Often referred to a "sexy action-adventure" character, Sally Forth was -- like his male character, Cannon -- created by Wallace Wood for a male military readership in a tabloid military newspaper for servicemen.

Woody explained in a 1976 interview:
"It all started in 1968, when I was asked to do a complete comic section for a proposed tabloid newspaper for servicemen, four pages of full-color, service-oriented humor strips ... There was a high-flying lowlife named 'Wild Bill Yonder,' a couple of others that for some reason escape my memory ... (such an embarrassment) and one that I felt, and still feel, had a great name for a comic heroine ... Sally Forth."
In 1971, Sally reappeared in OVERSEAS WEEKLY, the same paper that the Cannon strip ran. Her last installment was on April 22, 1974. Wood had several art assistants during this project, including Nicola Cuti, Larry Hama and Paul Kirchner.

From 1993-1995, her strips were collected and re-formatted by editor Bill Pearson into a series of comic magazines under the Eros Comix imprint, a division of Fantagraphics.

Monster and cheesecake fans should enjoy the "strip" shown here today. In this episode, Sally arrives at Castle Vernacula, where she encounters Krankenstein's monster, the Mummy, the Wolf Man, King Kong and Count Vernacula himself.















Saturday, October 18, 2025

MATT BAKER PULP ART


Largely as a result of the institution of the Comics Code Authority in October 1954, during the latter part of his career, Matt Baker turned to illustrating magazines and other printed materials outside the comics industry. One wide-open market was the men's adventure and pulp magazines that proliferated during the 1950's into the 1970's. His work can be found in titles like COURAGE (see below), GUSTO MEN'S ADVENTURE MAGAZINE and MANHUNT.

Matt Baker art from GUSTO #2, December 1957.

Magazine illustration allowed Baker to experiment with different techniques as seen in the image below, where he used ink and gray-tone gouache, a popular medium for magazine illustrators during this period. While it can't be confirmed in the illos below, he often collaborated with artist Frank Giusto, who worked primarily for Ace Magazines on titles such as THE HAND OF FATE, BAFFLING MYSTERIES and GLAMOROUS ROMANCES. Giusto emulated Baker's style and signed his work as "Ace Baker", which many comics historians long thought was a Matt Baker pseudonym. See examples of his work HERE.

COURAGE #1 (Arnold Magazines, November 1957)













BONUS!
This is an authorized preview of TwoMorrow's 192-page book, MATT BAKER: THE ART OF GLAMOUR. The first edition hardcover is long sold out, but a digital-only edition is available HERE. My highest recommendation.

From the publisher:
In the early 1940s, Matt Baker became of one the earliest African-American comic book artists. But it wasn’t the color of his skin which made him such a significant figure in the history of the medium—it was his innate ability to draw gorgeous, exciting women and handsome, dynamic men in a fluid, graceful style. Imagine Dave Stevens or Adam Hughes working in the ’40s, drawing a new story every month, and you’ll have a good idea of Matt Baker’s place in the industry throughout his career. Yet few of today’s comic book fans know of the artist or his work, because he died in 1959 at the young age of 38, just as the Silver Age of Comics was blossoming and bringing in a new generation of readers. Matt Baker: The Art of Glamour (192-page hardcover with 96 pages of full-color), edited by Jim Amash and Eric Nolen-Weathington, presents an impressive career cut tragically short. It features a wealth of essays; interviews with Baker’s friends, family, and co-workers; and a treasure trove of his finest artwork, including several complete stories, at last giving the wonderfully talented artist his full due. (NOTE: Contains mild nudity, to present a representative sample of his career. MATURE READERS ONLY.)







































EXTRA!
Toward the end of the 1950's men's taste in glamour and pinup photography started to change and they began to prefer the more dangerous to the demure. This article, written by the Chief Psychologist of the Raleigh, North Carolina State Hospital appeared to have some insight on the matter. Just a few years later, anyone picking up a men's magazine would see how just how quickly those tastes evolved.