You've seen Tim Ferrante's work here before. He has guested as MONSTER MAGAZINE WORLD'S music critic in "The Sound of Horror" posts.
Tim and I have enjoyed a cross-country correspondence for a time and I have come to learn that he has been very active in our beloved genre. Consequently, I was delighted when I opened a file that I had for the HORROR PICTURES COLLECTION featuring Al Adamson and noticed that he had written the introduction. After telling him of my discovery he wrote back that he not only wrote the introduction, but selected all the photographs as well.
One thing led to another and I asked him if he wouldn't mind writing about his experience. As usual, he was more than gracious. Here, I'll step back and let Tim Ferrante do the talking now....
AL ADAMSON HORROR
PICTURES COLLECTION
Tim Ferrante
Recollections
June 22, 2015
I'm not sure how I got to know French movie journalist,
Gerard Noel. It was the late '80s when we began our trans-Atlantic
correspondence, one that was highlighted by his generosity. His envelopes would
often contain a poster or two or other piece of Euro-horror material, freely
given and most appreciated by yours truly. During this time he was publishing a
series of booklets that paid tribute to horror/cult stars and films called Horror
Pictures Collection (HPC), a spin-off of sorts of his HPC fanzine created
in 1972. They were issued sporadically, filled with photographs and became
handsome keepsakes for fans worldwide. Over time, Gerard asked that I write the
introductions for the TROMA SPECIAL and THE BEST OF ARGENTO HPCs. I admired his
inclination for honoring the broad range of genre subjects.
In 1992 I was working with Al Adamson's partner, Sam
Sherman, at Independent-International Pictures (I-IP) on the company's UFO documentary
BEYOND THIS EARTH. As a fan of Al, I wondered if Gerard would be open to publishing
an Adamson HPC. Sam is a longtime friend so I knew that if Gerard agreed, I'd
have full access to I-IP's photo archive. Not being sure what to expect, I
advanced the notion to my friend in France. Gerard replied with a letter dated
November 6, 1992 saying, “You have 'carte blanche' on this title for the
introduction, the photograph captions, the final title, the dedication, etc..”
Carte blanche? Not only did he agree, but he put me in the
driver's seat, too!
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| A signed copy of Al Adamson's Horror Pictures Collection. |
I wanted to represent Al's films with both unseen and the
very best of the I-IP publicity photos. The company's archive included
countless negatives, slides and prints, all of which provided a dramatic mix of
familiar and never-before-published images. Abiding by the old expression that
“sex sells,” several nudes were chosen from films like GIRLS FOR RENT,
CINDERELLA 2000 and THE NAUGHTY STEWARDESSES. I'd selected more than the
project called for and sent them to Gerard so he could personally identify
those he believed best suited the product and his brand.
In mid-January 1993 I received his photo selections and set
about writing. With the help of Sam to accurately identify lesser known actors
and crew, I wrote 64 captions as well as the introduction. Al's HPC would be 40
pages and feature 65 photos. Now it was left to Gerard and his assistant, Lucas
Balbo, to turn the pile of photos and text into a tactile HPC. In a letter
dated February 8, 1993 Gerard happily reported, “The Al Adamson HPC is now
in production here for publication in late March.”
I clearly remember seeing the cover for the first time. It
was an exciting and bold choice, definitely one people couldn't forget. Sam
Sherman and his other partner, Daniel Kennis, were delighted with Gerard's
efforts. Al had no idea the HPC was being done, but he would be paying a very
rare visit to I-IP's corporate office later that year.
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| Tim Ferrante's personal copy, signed to him by Al Adamson. |
In August, Al was on his way to Europe and Australia for
both pleasure and to film segments for BEYOND THIS EARTH. His trip included a
stop at I-IP in East Brunswick, NJ. I sat him down in my office and presented
the HPC to him. He was amused, intrigued and openly wondered who might buy
something like that. He was, though, obviously impressed by it. I had a stack
of them on my desk and said, “Sign 20 of these with just 'Best Wishes, Al
Adamson'. I'll also need a personalized one for the publisher in France, Gerard
Noel. Oh, and one for me, too!” And he was glad to do it, joking that it would
ruin their value if he signed them. As we all now know, Al was murdered in June
1995.
The printed versions of HPC would eventually cease, but the
brand still exists online and on Facebook. Gerard is as active as ever and
while I've not communicated with him in many years I'll always be grateful for
his invitation to be a part of the HPC legacy. – Tim Ferrante, June 22, 2015