Showing posts with label GOGOS GALLERY. Show all posts
Showing posts with label GOGOS GALLERY. Show all posts
Friday, October 5, 2018
YGOR BY GOGOS
Now up for auction is this striking piece by Basil Gogos. Painted on board with acrylics, the piece measures 19.75 x 15.5 in. and is signed on the lower right. The current bid for this wonderful example of Gogos' artistry is $2,000.
Thursday, August 2, 2018
BASIL GOGOS UNIVERSAL MONSTERS SIGNED LITHO PRINTS
This collection of limited edition lithographs by famed FAMOUS MONSTERS OF FILMLAND artist, Basil Gogos, was recently sold at auction. For examples of the power of Gogos' work, one needs to look no further than here.
The lot sold for $216.00. A bargain!
Auction Description:
Basil Gogos - Universal Monsters Signed Limited Edition Lithograph Prints Group of 4 (1995-2010). The Wolfman... Frankenstein's Monster (and Boris Karloff out of make-up)... the Creature from the Black Lagoon... and Ygor. Some of the greatest of Hollywood's horror heroes. Created from paintings by Basil Gogos, a favorite cover painter for Famous Monsters of Filmland magazine, these are some amazing prints! The largest is the Wolfman, at 22" x 28" (Timothy Yarger Fine Art, 2010, #Artist's Proof). The artwork used for this print was commissioned for the 2010 Wolfman film starring Benicio Del Toro, and the print is signed by him as well. Next would be the print of Bela Lugosi as Ygor from Son of Frankenstein and Ghost of Frankenstein. It measures 18.25" x 23.75" and is numbered #239/2500 (undated). Then there are two prints that measure 16" x 20". The Creature from the Black Lagoon is numbered #346/2500 (1996), and the Boris Karloff/Frankenstein's Monster is #18/2500 (1995).
Saturday, September 16, 2017
BASIL GOGOS TRIBUTE GALLERY
As reported here at MONSTER MAGAZINE WORLD yesterday, Basil Gogos, the great pop culture artist and illustrator has passed away. Gogos was most noted for his cover paintings for FAMOUS MONSTERS OF FILMLAND magazine. His first cover assignment was for FM #9 (Nov 1960), where he continued the style of previous cover artist, Albert Neutzel, only blowing out the chromatic chart by employing layer upon layer of vivid colors. The technique was perfect for this type of magazine as exemplified by many of the
following images.
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