Justice Incorporated!

Justice Inc. #1 is titled "This Night an Avenger is Born!" and purports to adapt the novel of The Avenger by Kenneth Robeson. This time "Kenneth Robeson" was Paul Ernst who wasn't the creator of Doc Savage, but just one of several men who wrote under the house name devised by Street and Smith. Having just read the original, this is pretty concise adaptation of the original, though of course they had to drop several details. The script is by Shadow veteran Denny O'Neil and the artwork this time is by Al McWilliams, an artist while somewhat lacking in dynamics was pretty good at street level realism. The cover is by Joe Kubert.

The Avenger was the outsider in the new raft of heroes DC was launching in 1975. The others all have a sword-and-sorcery or barbarian adventure feel to them. Justice Inc. is an urban crime adventure ripped from the pages of a Street and Smith pulp designed specifically to feed from the relative popularity of Marvel's Doc Savage. This is much the same situation as when The Avenger was first concocted in the those bygone pulp days.

The story begins as Richard Benson and his wife and daughter board a plane. Mysteriously during the flight Benson's wife and daughter disappear and he is knocked out during a fight with thugs on the plane. He wakes up three weeks later in hospital with his skin having gone ghostly pale and his facial muscles paralyzed. Quickly he uses his skills as a world adventurer arming himself with "Mike" his slender gun he keeps hidden and "Ike" his throwing knife. He returns to the airport, but soon is in struggle with a giant who turns out to be the Physicist Algernon Heathcote Smith or "Smitty". Smitty is a fugitive, wrongly convicted and he agrees to help Benson. They board the plane, gunplay ensues, and they find a map to a distant island. Getting into disguise as an old man the Avenger boards the ill-fated plane again and off they go until he's threatened to be thrown out of the plane sans parachute. It seems the scheme is to kidnap and drop certain controlling shareholders in Acme Motor Company to coerce them to sign over control of the company. Benson learns his wife and daughter were thrown from the plane and killed. He himself is thrown from the plane but he has a hidden parachute. He confronts the thugs who killed his family and the mastermind a man he thought was at first a victim. He is saved from killing the man in revenger by Smitty who then bonds with The Avenger to form Justice Incorporated.

There is a text piece by Allen Asherman about the history of The Avenger. Next time will see more on this DC comics series when Jack "King" Kirby takes the helm. But even before that we got to enjoy The Avenger guest-starring with The Shadow. 

The Shadow #11 is a humdinger as it guest-stars another pulp hero DC was trying to kickstart, The Avenger. The issue is written by Michael Uslan (his second effort on the series) and drawn by new regular artist E.R.Cruz who also does the cover. The story is titled "The Night of The Avenger" logically enough, following the established pattern.

The tale kicks off with the Shadow on the trail of some stolen munitions, a threat he takes so seriously that he calls in many of his reserve agents but before orders can be given the meeting is attacked clearly indicating a traitor in the Shadows team. The leader of the attack force is captured and is revealed to be Smitty, an agent of The Avenger. We cut to the Avenger's headquarters where he is visited by Margot Lane who gives him the Shadow's location. The Shadow later indicates that Margot is the traitor, or at least that's what his notes might indicate. (Special note though, it's a neat touch when Shrevvy is reading the debut issue of Detective Comics).

The two teams of crimefighters end up at a summer resort in New Jersey at a lighthouse where Oriental villains are discovered. One calls The Shadow "The Dark Eagle" and we suddenly realize the threat to the Shadow is from someone who knows his secrets. The Avenger's team show up and gunplay ensues, but the battle is halted when The Shadow seems to realize the true nature of his opponent. The debate crimefighting technique meanwhile discovering that both Smitty and Margot have been controlled by another mastermind, specifically it is revealed almost immediately to be Shiwan Khan. There's more gunplay, Khan attempts to escape in a submarine but is locked in battle with the Shadow and then a well-placed grenade from The Avenger blows the sub up. The Shadow survives and the teams go their seperate ways with The Avenger hoping that someday he won't have to bring The Shadow to justice.

Solid issue, if a tad jammed. But I like that feeling in my comics. To heck with decompression, give hyper-compressed comics!

Visit the Internet Archive to read this actual issue at this link. 

Justice Inc. #2 is a great departure from the debut. Denny O'Neil is still scripting, apparently adapting a second Robeson story titled "The Sky Walker". The big shift though, that replacing the realistic if somewhat somber Al McWilliams is the legend Jack "King" Kirby. Suddenly the comic is possessed of an energy, but an energy derived at the cost of the noir mood of the debut.

The story begins with a train derailed through mysterious means. The Avenger comes across the wreck and some looters and takes action alongside Smitty. The looters don't seem to have been the cause of the crash, but soon The Avenger sees the culprit, a man seemingly walking in the air. Cut to the mansion of Robert Gant, an inventor and who is attacked and killed. His attackers are themselves attacked by his black servant Josh and his black maid Rosabel who drop their subserviant stereotypical speech patterns when not in the presence of white men. The Avenger appears to help and finds help in the college-trained Phi Beta Kappa man Josh and Rosabel who join Justice Incorporated. Soon this new team sees a skyscraper tumble to the ground and they stop to help. Benson goes onto the offices of Abel Darcy the man financing the deceased Gant, and quickly takes on his identity to gain access to his files. He is discovered soon after proving Darcy's guilt and the battle is on. The Avenger and Josh are captured but escape in time to confront Darcy, the Sky Walker who uses Gant's twin inventions an invisible airplane (hence the apparent sky walking) and a sonic cannon capable of the destruction seen so far in the story. The Avenger takes to the sky in a plane and shoots the villain down by causing the sonic ray to destroy the plane sending the mastermind plunging to his death. There is a text piece by Allen Asherman about a possible Justice Inc. movie and possible casting choices.

While not probably true to roots of the character the use of "King" Kirby on the title really gives it a boost it needed. The stories zing along with a typically robust Kirby vigor. Kirby was finishing out his contract with DC at this stage, after the disappointing Fourth World affair. But being a true pro, his work is always of interest, and highly desirable.

Justice Inc. #3 is an original story by writer Denny O'Neil with artwork by Jack Kirby and his ace inker Mike Royer. The cover is by Kirby with inks by Al Milgrom.

The story is titled "The Monster Bug" and it features a returning villain and introduces Fergus MacMurdie. A group of thugs led by Colonel Sodom threaten Fergus MacMurdie a renowned chemist and try to coerce him to help. The Avenger shows up saying he's been tracking Sodom since he escaped The Shadow's agents (Sodom was also the villain in DC's The Shadow #5 though he seems to have suffered a demotion since then when he was "General Sodom" - more on that later this month) and a battle breaks out. So does a mysterious chemical called the "Monster Bug" which becomes a vapor that transforms the wife of MacMurdie into a hideous monster who is then quickly shot down by Sodom who then escapes. MacMurdie is quickly gathered up by Benson and Josh and becomes a member of Justice Inc.

Next the team figure Sodom will target the next most prominent chemist in town, so The Avenger uses his flexible face to become a duplicate of the man and the team goes out on the town as decoys. The plan works and Sodom and his henchman attempt to apprehend Benson but Sodom transforms some of his men into monsters and battle for life and limb erupts. The monsters are subdued and the team quickly reassembles to go after Sodom after learning his hideout's location from a captured henchman. They then pursue Sodom as he goes after the famed chemist again, but during the final fight the "Monster Bug" infects Colonel Sodom and in a fit of madness he crashes through a wall and falls many stories to his presumed death.

This is a pretty solid issue, and it does blend the world of DC's pulps. The Avenger showed up in The Shadow series before this issue. (I'll get around to this review eventually.) Jack Kirby continues to be a draw, no pun intended.

Justice Inc. #4 completes the run. It's another original story by O'Neil and again Kirby and Royer are on the artwork. The cover this time is by Joe Kubert, who it turns out was producing several covers for DC and especially for Kirby's books as this was at the very end of his tenure at DC before returning to Marvel.

The title of the story is "Slay Ride in the Sky" and the story begins as the Justice Inc. team follows an airliner in a small plane to investigate airliner disappearances, just as the airliner is attacked by a flock of gulls. The gulls prove more than a nuisance as they explode effectively downing the plane in the sea. The team itself is set upon by gulls and their plane too explodes but they parachute to safety. Once down they swim to help survivors from the larger plane, but a boat appears, and gunmen shoot down the helpless people in the water. Enraged, The Avenger and his team apprehend the men who indicate they don't know who masterminded the plot. Cut to MacMurdie hours later in his lab and he identifies the explosive as "Tintiabulum" a new and experimental explosive not yet on the market developed by Olympia Laboratories. The team heads there and confront the owner Jason Lynn but soon after his denials of guilt an explosion rocks the office killing him. The Avenger and his team survive ,and Benson takes on the identity of the slain Lynn and heads to see Rufus Comb the chairman of the airline which has been suffering the tragic explosions to their aircraft. It turns out Comb is the villain, and he knows of Benson's ruse and captures him taking him and Smitty to a blimp, the base of operations for the scheme to bilk insurance money for the destroyed aircraft and then head to safer climates. Benson and Smitty escape and a fight breaks out on the blimp. Benson chases Comb as he attempts to escape in a small plane. During the battles gulls show up homing in on a most dangerous signal and explode the blimp. The Avenger knocks Comb off the plane to his doom and intercepts the falling Smitty and the pair fly off leaving the villains to fall to their much-deserved deaths.

And that's it for the series. Four issues didn't really seem to be enough to find out what this series could do. The first two issues were truncated adaptations of the original pulp novels and the last two issues were original. The Avenger's team itself was barely organized by the end of the run. The letters pages in issues #3 and #4 talk about the fact they really need to do multi-part stories in the series, but the editorial response is strictly negative to that idea. I find that approach quaint in the modern world of comics and especially DC where the saga rolls on in an unending fashion these days.

The crossovers with The Shadow were fun as well, and if the books had continued it's likely that there would've been more of this kind of thing. One clear problem for the series was Josh and his step 'n fetchit characterization, which in the comics is presented as a ruse by the extremely well- educated black man to put his white opponents off guard. Still, it's uncomfortable to read such dialogue in anything approaching a modern comic. You can tell that they were nervous about this presentation as it never goes on too long.

Next time we meet Claw the Unconquered.   

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Justice Inc. Files Four!

Justice Inc. #4 completes the run. It's another original story by O'Neil and again Kirby and Royer are on the artwork. The cover this time is by Joe Kubert, who it turns out was producing several covers for DC and especially for Kirby's books as this was at the very end of his tenure at DC before returning to Marvel.

The title of the story is "Slay Ride in the Sky" and the story begins as the Justice Inc. team follows an airliner in a small plane to investigate airliner disappearances, just as the airliner is attacked by a flock of gulls. The gulls prove more than a nuisance as they explode effectively downing the plane in the sea. The team itself is set upon by gulls and their plane too explodes but they parachute to safety. Once down they swim to help survivors from the larger plane, but a boat appears, and gunmen shoot down the helpless people in the water. Enraged, The Avenger and his team apprehend the men who indicate they don't know who masterminded the plot. Cut to MacMurdie hours later in his lab and he identifies the explosive as "Tintiabulum" a new and experimental explosive not yet on the market developed by Olympia Laboratories. The team heads there and confront the owner Jason Lynn but soon after his denials of guilt an explosion rocks the office killing him. The Avenger and his team survive ,and Benson takes on the identity of the slain Lynn and heads to see Rufus Comb the chairman of the airline which has been suffering the tragic explosions to their aircraft. It turns out Comb is the villain, and he knows of Benson's ruse and captures him taking him and Smitty to a blimp, the base of operations for the scheme to bilk insurance money for the destroyed aircraft and then head to safer climates. Benson and Smitty escape and a fight breaks out on the blimp. Benson chases Comb as he attempts to escape in a small plane. During the battles gulls show up homing in on a most dangerous signal and explode the blimp. The Avenger knocks Comb off the plane to his doom and intercepts the falling Smitty and the pair fly off leaving the villains to fall to their much-deserved deaths.

And that's it for the series. Four issues didn't really seem to be enough to find out what this series could do. The first two issues were truncated adaptations of the original pulp novels and the last two issues were original. The Avenger's team itself was barely organized by the end of the run. The letters pages in issues #3 and #4 talk about the fact they really need to do multi-part stories in the series, but the editorial response is strictly negative to that idea. I find that approach quaint in the modern world of comics and especially DC where the saga rolls on in an unending fashion these days.

The crossovers with The Shadow were fun (more on that later), and if the books had continued it's likely that there would've been more of this kind of thing. One clear problem for the series was Josh and his step 'n fetchit characterization, which in the comics is presented as a ruse by the extremely well- educated black man to put his white opponents off guard. Still, it's uncomfortable to read such dialogue in anything approaching a modern comic. You can tell that they were nervous about this presentation as it never goes on too long.

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Justice Inc. Files Three!

Justice Inc. #3 is an original story by writer Denny O'Neil with artwork by Jack Kirby and his ace inker Mike Royer. The cover is by Kirby with inks by Al Milgrom.

The story is titled "The Monster Bug" and it features a returning villain and introduces Fergus MacMurdie. A group of thugs led by Colonel Sodom threaten Fergus MacMurdie a renowned chemist and try to coerce him to help. The Avenger shows up saying he's been tracking Sodom since he escaped The Shadow's agents (Sodom was also the villain in DC's The Shadow #5 though he seems to have suffered a demotion since then when he was "General Sodom" - more on that later this month) and a battle breaks out. So does a mysterious chemical called the "Monster Bug" which becomes a vapor that transforms the wife of MacMurdie into a hideous monster who is then quickly shot down by Sodom who then escapes. MacMurdie is quickly gathered up by Benson and Josh and becomes a member of Justice Inc.

Next the team figure Sodom will target the next most prominent chemist in town, so The Avenger uses his flexible face to become a duplicate of the man and the team goes out on the town as decoys. The plan works and Sodom and his henchman attempt to apprehend Benson but Sodom transforms some of his men into monsters and battle for life and limb erupts. The monsters are subdued and the team quickly reassmbles to go after Sodom after learning his hideout's location from a captured henchman. They then pursue Sodom as he goes after the famed chemist again, but during the final fight the "Monster Bug" infects Colonel Sodom and in a fit of madness he crashes through a wall and falls many stories to his presumed death.

This is a pretty solid issue, and it does blend the world of DC's pulps. The Avenger showed up in The Shadow series before this issue. (I'll get around to this review eventually.) Jack Kirby continues to be a draw, no pun intended.

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Justice Inc. Files Two!

Justice Inc. #2 is a great departure from the debut. Denny O'Neil is still scripting, apparently adapting a second Robeson story titled "The Sky Walker". The big shift though, that replacing the realistic if somewhat somber Al McWilliams is the legend Jack "King" Kirby. Suddenly the comic is possessed of an energy, but an energy derived at the cost of the noir mood of the debut.

The story begins with a train derailed through mysterious means. The Avenger comes across the wreck and some looters and takes action alongside Smitty. The looters don't seem to have been the cause of the crash, but soon The Avenger sees the culprit, a man seemingly walking in the air. Cut to the mansion of Robert Gant, an inventor and who is attacked and killed. His attackers are themselves attacked by his black servant Josh and his black maid Rosabel who drop their subserviant stereotypical speech patterns when not in the presence of white men. The Avenger appears to help and finds help in the college-trained Phi Beta Kappa man Josh and Rosabel who join Justice Incorporated. Soon this new team sees a skyscraper tumble to the ground and they stop to help. Benson goes onto the offices of Abel Darcy the man financing the deceased Gant, and quickly takes on his identity to gain access to his files. He is discovered soon after proving Darcy's guilt and the battle is on. The Avenger and Josh are captured but escape in time to confront Darcy, the Sky Walker who uses Gant's twin inventions an invisible airplane (hence the apparent sky walking) and a sonic cannon capable of the destruction seen so far in the story. The Avenger takes to the sky in a plane and shoots the villain down by causing the sonic ray to destroy the plane sending the mastermind plunging to his death. There is a text piece by Allen Asherman about a possible Justice Inc. movie and possible casting choices.

While not probably true to roots of the character the use of "King" Kirby on the title really gives it a boost it needed. The stories zing along with a typically robust Kirby vigor. Kirby was finishing out his contract with DC at this stage, after the disappointing Fourth World affair. But being a true pro, his work is always of interest, and highly desirable.

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Justice Inc. Files One!

Justice Inc. #1 is titled "This Night an Avenger is Born!" and purports to adapt the novel of The Avenger by Kenneth Robeson. This time "Kenneth Robeson" was Paul Ernst who wasn't the creator of Doc Savage, but just one of several men who wrote under the house name devised by Street and Smith. Having just read the original, this is pretty concise adaptation of the original, though of course they had to drop several details. The script is by Shadow veteran Denny O'Neil and the artwork this time is by Al McWilliams, an artist while somewhat lacking in dynamics was pretty good at street level realism. The cover is by Joe Kubert.

The story begins as Richard Benson and his wife and daughter board a plane. Mysteriously during the flight Benson's wife and daughter disappear and he is knocked out during a fight with thugs on the plane. He wakes up three weeks later in hospital with his skin having gone ghostly pale and his facial muscles paralyzed. Quickly he uses his skills as a world adventurer arming himself with "Mike" his slender gun he keeps hidden and "Ike" his throwing knife. He returns to the airport, but soon is in struggle with a giant who turns out to be the Physicist Algernon Heathcote Smith or "Smitty". Smitty is a fugitive, wrongly convicted and he agrees to help Benson. They board the plane, gunplay ensues, and they find a map to a distant island. Getting into disguise as an old man the Avenger boards the ill-fated plane again and off they go until he's threatened to be thrown out of the plane sans parachute. It seems the scheme is to kidnap and drop certain controlling shareholders in Acme Motor Company to coerce them to sign over control of the company. Benson learns his wife and daughter were thrown from the plane and killed. He himself is thrown from the plane but he has a hidden parachute. He confronts the thugs who killed his family and the mastermind a man he thought was at first a victim. He is saved from killing the man in revenger by Smitty who then bonds with The Avenger to form Justice Incorporated.

There is a text piece by Allen Asherman about the history of The Avenger. Next time will see more on this DC comics series when Jack "King" Kirby takes the helm. But even before that we got to enjoy The Avenger guest-starring with The Shadow. 

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The Shadow Knows!

October is the month for scares. And no hero in the history of the genre has been scarier than The Shadow. Created originally for radio as a mysterious voice to narrate stories of mysterious crime and detection, the Shadow in the hands of writer Walter B. Gibson became a gun-blazing sensation in the 30's for pulp publishers Street and Smith. It's the success of The Shadow in both the pulps and on radio that inspired the creation of Doc Savage in an attempt to find a similar kind of audience.

My introduction to The Shadow came when DC adapted the character to comic book form. It wasn't the first time by any means, but these stories written mostly by Denny O'Neil and drawn by Mike Kaluta, Frank Robbins, and E.R. Cruz were terrific. Years later I was able to get hold of most all of the novels and while I've read a passel of them, I have many more to go. I probably should dedicate a year to doing just that, but I get distracted. I'll be looking at all those issues. There's also a great Shadow graphic novel from Marvel which deserves my long overdue attention. 

In addition to The Shadow, DC tried its hand at another pulp hero -- The Avenger. This character proved less successful, lasting a mere four issues, but it does feature some interesting artwork from Jack Kirby who was working off his contract at DC. Expect to see a post on each and every issue. 

And while I doubt I'll have opportunity to post about it, I also want to dig into the earliest Batman stories from the Golden age of DC's Detective Comics and Batman. The Batman's debt to the Shadow is immense and reading these vintage gems might help steep the mood needed for mysteries of the Shadowy kind. 

One of the earlier attempts to adapt The Shadow to comic book form came in the 1960's from the Archie Comics Group. These are utterly oddball efforts sporting typical artwork of the time by Paul Reinman. To say the character deviated from the vintage pulp model is a major understatement. 

More in the spirit of the Shadow is Darkman. This remarkable film by Sam Raimi was a minor hit in the theaters and on VHS and DVD but a major hit with me. This movie is filled with grim danger, bravura filmmaking, and more than a dash of black humor. There are two sequels, both straight to video efforts which are entertaining but don't rise to the level of the original. 

And speaking of the cinema. The Shadow was a hit on the radio, in the pulps but found his footing less secure in the sunny climes of Hollywood. A mysterious, cloudy figure who is hard to see if seen at all is not the ideal cinematic icon. But there were more than a few attempts to bring The Shadow to both the big and the small screen. The results vary in quality significantly. We'll see as we sashay through the various versions in more or less chronological order. 

Another goal for me this month is the listen to as many of the vintage Shadow radio dramas as I can fit into my schedule. Thanks to the glory of the internet these radio plays, once acquired in small parcels for pretty good money can be accessed for free. The Internet Archive will play a big role in his month's proceedings not only in regard to the comics but also in respect to these dramas. This link claims to have all two hundred thirty-nine surviving episodes of the legendary show. You can access this site readily during the month by finding the image above in the sidebar and giving it a click.

Of course, I'll be reading some vintage Shadow adventures as written by Walter B. Gibson as "Maxwell  Grant" for the Street and Smith publishing outfit. I'm starting by reading the first three Shadow yarns first published in 1931. They are The Living Shadow, The Eyes of the Shadow, and The Shadow Laughs. These three tales are somewhat connected in regard to the characters who appear in them and look for my reports on them in a series of special Halloween posts. After that I want to read as many of the Shadow novels as I can in chronological order. With the thanks of Sanctum Books run by Anthony Tollin, I was able to put together a library of Shadow novels. Now's the time to indulge myself, though I likely will not take time to post about on the blog. And needless this project will take quite a while to accomplish. It's neat to have more to read than I have time to read it -- no danger of running out. 

I'll be adding to my Shadow knowledge by reading two tomes by Will Murray about the character. The two are Dark Avenger - The Strange Saga of The Shadow and Master of Mystery - The Rise of The Shadow. The first is an expansion of a book Murray first wrote decades ago about the crimefighter and the latter is a collection of articles and other material about Walter Gibson's dark brainchild. 

Expect other Shadow surprises (if I can fit them in -- it's very full month already) as this spooky crime-ridden Halloween month of October unfolds before our very eyes. 

I should also mention that as I have done in many years past, this blog is joining forces with others by way of Countdown to Halloween Blog which you can check out here and by clicking on the icon in the sidebar. Lots is happening in the sidebars, so don't forget to check them out. 

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Justice Swiped!

While I likely am not going to be getting this Justice Inc. series, I might pick up the debut issue sporting this delightful Alex Ross swipe of Joe Kubert's exceedingly memorable cover for the "1st Sensational Issue!" of DC's brief but potent attempt to put Street and Smith's The Avenger into comics form.

Justice Inc. was written by Denny O'Neil and drawn by the Jack "King" Kirby, something the powers at DC weren't interested in hyping at this time. Oy vey.

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Justice Incorporation!

Dynamite has finally published a comic series which took more than a few minutes to read, and that's a good thing.  The downside is that the story unfortunately had a cobbled-together feel which undermined the momentum of the narrative. But I must admit it was rather neat to read a yarn which blended together for the first time all three of Street and Smith's classic pulp stars, even if it was a flawed experience.

The biggest of those flaws was the artwork by Giovanni Timpano which admittedly seemed to improve as the saga continued through its six issues, but which to my mind never got above adequate. The storytelling, with a few exceptions, was mostly legible and while I did find myself getting confused because of a lack of distinctiveness in the faces, I will also give him points on mood.

But like nearly all the artists at Dynamite, the work came across as decidedly second tier, without the posh ease one should associate with something like this. Doc Savage often looked off model and The Avenger changes throughout. The Shadow looked the best, but then his face is often hidden.

Uslan's story has a kitchen sink feel to it a bit, lacking depth but not necessarily complexity. Characters come onto the stage and leave it with little aplomb or logic in places. Pat Savage takes the place of her cousin for a few pages, then leaves without any clear reason.  Monk is on hand, but I don't recall other members of the Fab Five in evidence. But then few of the Shadow's helpers were in the story either.

We get a nice helping of villainy and I'll say little about this to avoid spoilers, but clearly Uslan knows the lore, perhaps a bit too much with lots of in jokes with characters names.

I cannot actually recommend this when it comes out in trade, but I cannot exactly not recommend it. For those interested in these characters, this series is worth taking a glance at and seeing whether it meets your pulp specifications.

The covers though by Alex Ross are, as always, excellent. 

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