Iron Fist - The Deadly Hands Of Kung Fu!

The early 70's was an era of black and white magazine expansion at Marvel. They'd had some success with monsters in titles like Dracula Lives and Tales of the Zombie among others. They'd had a runaway smash hit in Savage Sword of Conan. So it's perfectly logical they'd try out a magzine dedicated to the Kung Fu fad. So was born The Deadly Hands of Kung Fu. In many of the stories from that series Iron Fist played an important role. This volume collects those up plus some other stuff as well. 

From The Deadly Hands of Kung Fu Special Album Edition we get a yarn with teams up in a manner of speaking Shang Chi, The Sons of the Dragon and Iron Fist. Each of the separate heroes gets a story which is part of a larger scheme concocted by Fu Manchu. Chapter one features Iron Fist in a story written by Doug Moench and drawn by martial arts comic legend Frank McLaughlin. Iron Fist is the character at Marvel the most like McLaughlin's Judomaster and these pages evoke that vintage Charlton comics. The second chapter is by Christ Claremont and Herb Trimpe and features the Sons of the Tiger (Lin Su, Bob Diamond, and Abe Brown), and the finale features Shang Chi in a story by Moench and artist Mike Vosburg. John Buscema supplies a page to the front and the back of this story about drug shipments and whatnot. 

The tenth issue of DHoKF features another Iron Fist tale drawn by McLaughlin but this time inked by Rudy Nebres and sadly Nebres rather smothers McLaughlin's work. The story Claremont has Iron Fist fight an early version of the Steel Serpent, yet one more refugee from K'un-L'un. We are also treated to a reprise of Iron Fist's origin story by Moench and artist Don Perlin. This is useful since before Iron Fist's origin has been spread across the first four issues of his adventures. 

No new material inside this reprint annual, but that is a tasty Nick Cardy cover featuring Shang Chi and Iron Fist kicking butt. 

In a story by Bill Mantlo and artists Pat Broderick and Terry Austin Iron Fist actually meets the Sons of the Tiger as they battle a freakish villain named Snake-Eyes who uses his gang to try and steal a radioactive isotope from a hospital. 

Chris Claremont is back to take the writing reins and Rudy Nebres is the artist for what is the beginning of a six-chapter story which has Iron Fist battle for the safety of a young woman named Jade who is set upon by a hostile crowd. 

Over the course of six issues Iron Fist finds love and is drawn into a weird dimension where the dead of K'un-L'un reside. His mission is to save Jade's soul which has been stolen by an evil villain. To do that he must fight relentlessly against many foes including surprisingly his own mother. 

Doug Moench and artist Nebres team up Iron Fist and Shang Chi yet again as they battle against a baddie who is seeking to bring together forces to bring down Fu Manchu. It's all pretty complicated as they are forced to fight against one another in an arena. 

In a story primarily focused on The White Tiger (a hero who combined the amulets worn by the defunct Sons of the Tiger) Iron Fist joins forces with the Tiger as well as Shang Chi and new hero Jack of Hearts to battle the Corporation and its agent Stryke, in a ferocious battle on a ship. Joe Staton handles the artwork on this one with the writing handled by Bill Mantlo. 

The last several stories in this collection feature Iron Fist characters Misty Knight and Colleen Wing, known collectively as Daughters of the Dragon. I took a look at those stories here not that long ago.

 

This is dandy little read. The core of it is the six-part tale which is not as good as it ought to be. I am a Rudy Nebres fan, but his storytelling was a bit exotic in this story which sprawled across dimensions regularly. The highlights of this collection are the Frank McLaughlin art on Iron Fist, the Joe Staton story (love his art always) and the Daughts of the Knight material.

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Iron Fist - The Fury Of The Iron Fist!

Marvel dived into the burgeoning Kung Fu craze with the Master of Kung Fu, a series which worked in Sax Rohmer's Fu Manchu and existed on the outskirts of the Marvel Universe and other series such as Sons of the Tiger and White Tiger in the pages of the black and white magazine Deadly Hands of Kung Fu, which spoke directly to the fervor that Bruce Lee's films and death had ignited. But the most accessible of the Kung Fu warriors has to have been the four-color Iron Fist, the Living Weapon which debuted in the pages of Marvel Premiere and held court there for many months before being awarded a self-titled series of his own. 

It likely begins in 1933 with a novel by James Hilton's novel Lost Horizon about a lost civilization called Shangri-La in the remote heights of the Himalayas where people can perhaps live forever. This "paradise" is not without its detractors though.  Frank Capra made a movie of the novel in 1937 which was well received by both the public at large and the omnipresent critics. 

So in the earliest days of comics when casting about for a way to explain superhumans (without resorting to the legally treacherous alien planet) Bill Everett created Amazing-Man who came from just such a hidden utopia and was gifted with above average abilities. Amazing-Man was a Centaur publication, one of the earliest publishers of comics. 

The notion was picked up by Pete Morisi under his penname of "PAM" at Charlton when he brought forth Peter Cannon, The Thunderbolt. Once again, we have a hidden paradise which has sent forth a representative who is skilled both mentally and physically beyond normal human standards. Thunderbolt became one of the "Action Heroes" and was for a time seemingly owned by DC until Morisi demonstrated otherwise. 

So, with martial arts all ablaze, it's logical for the creators at Marvel to seek the Himalayan well once again, this time with Daniel Rand-Kai, the Iron Fist. In an origin story by Roy Thomas, Gil Kane and Dick Giordano we learn some of Danny's story, both told in current times as well as copious flashback. He is an orphan raised by the cult which lives and rules the hidden land named K'un-L'un. 

Over the course of the next four issues of the series we slowly learn of Danny Rand's history and see him become the man who in the then current day of 1974 was back in the world fighting the Meachem Corporation headed by the man Iron Fist held responsible for his parents' deaths. Three of the four issues of the series are drawn by the new talent Larry Hama, who brought a sense of legitimacy to the martial artis aspects of the series. Len Wein writes an issue but then Doug Moench came on to write the next three books in the series. By the end Iron Fist has gotten his revenge but its taste is bitter, and the daughter of Meachum now wants her own revenger on Iron Fist. 

Things get incredibly complicated after Iron Fist gets his long-sought revenge when a death cult appears to threaten not only him but his friend Colleen Wing and her father. There is also a mysterious Ninja who has been showing up in the series, and the one who actually killed the murderer of Danny's parents. A trilogy of issues which are written by Tony Isabell and drawn by Arvell Jones. Alas it's a severe drop in quality when Jones takes on the book, though I will confess that I appreciate that he and Isabella hung around for a full story arc. Isabella and Jones are also responsible for introducing Misty Knight, though it will be more than a few issues before we see her again. 

Next it falls to Chris Claremont to take on the writing with Pat Broderick handling the artwork. This team lasts two whole issues, but when the change does come it's a most welcome one. Having solved his own issues Danny Rand as Iron Fist becomes embroiled in the politics of a distant territory called Halwan. Its princess has come under attack by the robotic Monstroid. Iron Fist also battles the murderous Warhawk. 

The twenty-fifth issue of Marvel Premiere is significant for a few reasons. It marks the final issue of Iron Fist's adventures before he gets his own title and more importantly it is the debut at Marvel of one of the most important artists in comics history -- John Byrne. He took on the title when Broderick missed a deadline, and the team of Claremont and Byrne was born. 

The debut of Iron Fist's own title comes in the middle of the storyline, and he is tracking Angar the Screamer when, in classic Marvel tradition, mixes it up with Iron Man. Misty Knight returns in this issue as well, and as rendered by Byrne, she is a knockout owing much to great Pam Grier. 

Master Kahn has kidnapped Colleen Wing as her father suffers in a coma. Iron Fist reflects back on his days in K'un-L'un when he came up against some bizarre plant creatures. The energy on the series is now palpable with Byrne improving with each issue, with first Al McWilliams and then Frank Chiramonte inking his work. 

Claremont takes the action to London where Iron Fist runs afoul of the villain Ravager who turns out to in reality Radion the Atomic Man. There are explosions galore, first a passenger plane and later an iconic tower in the city. Misty Knight's secret is revealed as we learn for the first time she possesses a bionic arm, but sadly it's when she loses it. Claremont likes to set stories in England, where he was born. 

The next three issues of the series follow the quest to rescue Colleen Wing who has been brainwashed and is now poised to attack Iron Fist when he shows up. There are plenty of other baddies such Scimitar and Kumballa Bey for Danny to fight as he tries to save Colleen. Ultimately, he has to use his Iron Fist abilities to bond with her mentally to free her mind and the two then share each other's most delicate secrets. Misty is on the sidelines alas. Khan also shows Danny that K'un-L'un has secrets he didn't know of and that those he trusted all his life might be treacherous. 

It's back to NYC and a trio of tales about a gang called the Golden Tigers led by a chap named Chaka who seek to rule crime in the city. Iron Fist has a really difficult time with this mob even with the help of Misty and Colleen. But ultimately he does indeed win the day. There are also moves afoot on the legal front for Danny to recapture his family's fortune. Byrne in growing by the minute and offers up some truly exciting splash pages showcasing Iron Fist's fighting style. 

Then the Wrecking Crew shows up and they try to force Iron Fist to help them invade the Avengers Mansion with the intention of killing their arch-foe Thor. The God of Thunder never shows up, but Captain America is on hand to assist in bringing these most powerful villains to heel. Of course, before getting down to brass tacks, Cap and Iron Fist mix it up a little bit, following the great Marvel tradition. 

Then it's a one-off as Iron Fist helps a friend he made in England, a former IRA bomber. This move alienates Misty, and she leaves to take on work elsewhere. Iron Fist has his hands full with a returning and souped-up Boomerang. Iron Fist also finds himself being attacked by a mysterious chap who seems to be stealing his chi, or life force. 

Then Claremont and Byrne give us Sabre-Tooth, a ferocious enemy who Iron Fist and Colleen Wing barely defeat in the wilds of Byrne's home country of Canada. 

But the road ends finally with issue fifteen when Iron Fist gets entangled with the then "New X-Men". He takes on Storm, Nightcrawler, Colossus, and Wolverine. Of course, it's Logan who started it. I can only assume this was intended as a try-out for Byrne on these characters. For withing a few months Dave Cockrum would step away from the X-Men title and the famous team of Claremont and Byrne would make it one of Marvel's most successful titles ever.

The saga of Iron Fist is wrapped up in the pages of Marvel Team-Up when the Steel Serpent reveals himself and his scheme to rob Iron Fist of his powers. It takes the Daughters of the Dragon (Misty and Colleen) and our friendly neighborhood Spider-Man to take the villain down. 

What will become of Danny Rand? The Iron Fist will have to wait for a few months when he guest-stars in the book Power Man. As we know he and Luke Cage will become one of Marvel's most successful comics of the era, an odd blending of the blaxploitation and kung fu crazes which blazed forth in the 70's. But that's a whole other "Epic". 

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