Showing posts with label Dick Tracy. Show all posts
Showing posts with label Dick Tracy. Show all posts

Saturday, June 28, 2025

Dick Tracy Meets The Spirit!


If ever there was a natural crossover, this is it. I only wish I could get my mitts on a copy of the print version of his great pairing. It was produced only conventions as a giveaway. 



I'd been following the Dick Tracy strip for a few months regularly and did not know this was happening until Will Eisner's The Spirit suddenly appeared in the strip by Mike Curtis and the great Joe Staton. Wowser! If anyone can capture the blend of drama and fun which Eisner produced at his best, it's Staton.

(Dick Tracy Meets The Spirit by Staton and Eisner)

To see more covers like the amazing mash up of Dick Tracy and The Spirit above check out this link to Super-Team Family - The Lost Issues.



The fantastic faux cover above appears to my eye to be a blend of these evocative originals. The Gladstone Dick Tracy Adventures is by Joe Staton and the Warren The Spirit is by Will Eisner. Fantastic to see two of my favorite artists mashed-up so elegantly. 

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Tuesday, March 20, 2018

Dojo Classics - RKO's Dick Tracy!


I just finished watching all four of RKO's Dick Tracy movies. These are solid little movies, with stlyish noir details and brisk compelling plots. I frankly was surprised how good they were.

Dick Tracy, Detective stars Morgan Conway as the eponymous detective and he's terrific. Conway has a deep voice and a presence that really sell the notion he's a tough as nails detective; when he leans into a baddie you buy it. And while he might not necessarily look like the classic Tracy we know today, I think he resembles the original Tracy in the earliest strips quite a bit. The first movie involves a villain named Splitface who at first appears to be a wild serial slasher, but with investigation it turns out there is a method to his murders. There is a slick balance between the investigations on the shadowy streets and an oddly warm home life for Dick and Tess Trueheart played by Anne Jeffreys. There's even a sub-plot with Junior who is just on screen long enough to not get annoying. Lyle Latell is Pat Patton. Mike Mazurki as Splitface is outstanding, and he offers up a really frightening and merciless killer. The balance between humor and suspense is nearly perfect in this one.


Dick Tracey Vs. Cueball again stars Morgan Conway as Tracy, and Jeffreys plays Tess again. Cueball is played by Dick Wessel and he's a strangler involved with diamond thieves. His murderous tendencies run afoul of the plot the others wish to pursue to glean profit from the theft, but he doesn't seem to care. This is not quite as tight as the first movie, but it's still got plenty of noirish action to satisfy those cravings. Ian Keith turns up as Vitamin Flintheart and he's outstanding in the role. Lyle Latell is back as Pat Patton and he's pretty entertaining. The characters are a bit broader in this one, more in the style of the comic strip, but mildly less effective on the big screen.


Dick Tracy's Dilemma sees Ralph Byrd take on the lead role, one he was familiar with from the serials. He is a handsome enough fellow and looks the role well enough but alas he is too affable to be as effective as Conway. The story involves fur thieves and a rough customer named The Claw played by Jack Lambert who uses his hook hand to commit his murders. There are a lot of twists in this one, and again a bit more humor. Junior who had been the previous two movies is absent from this one and the next. Kay Christopher is Tess and she's lovely. Ian Keith as Vitamin Flintheart plays a big role in this one, and there's a charming character called Sightless. Lyle Latell returns as Pat Patton and his set pieces of comedy seem to be larger and more frequent. The action in this is shootouts and missing is the car chase which was a key set piece of each of the previous two movies.


Dick Tracy Meets Gruesome is doubtless the most famous of these movies, and that's because of Boris Karloff who plays the murderous Gruesome a thug just out of prison who immediately is looking for action and finds it with his pal Melody using suspended animation gas to rob banks. Ralph Byrd is back as well as Ian Keith and Lyle Latell. Anne Gwynne takes on the Tess role. The plot is wilder than any of the previous movies and the noir details while visually present are undercut a bit by the quasi-science fiction feel of the story. The movie is pretty interested in maximizing the star power of Karloff, even referencing his name at one point. But a number of scenes reminded me of the classic Frankenstein, especially with Gruesome rising from the dead in the morgue and the climax where he is chasing Tracy around a car. The humor is much bigger in this one and centers around Lyle Latell as Pat Patton, and while it's still an entertaining movie for sure, not really the suspense thriller the first few were.

Overall, these are terrific little movies, helped immensely by running times of just over an hour. The stories are brisk and the action is pretty darn good. My wife who walked in on one showing commented on the speed of the dialogue and that's another detail that helps keep these movies running along neatly.

When Ian Keith pops those vitamins into his mouth he's right out of the comic strip.

Dandy entertainment!

UPDATE: Still have a high regard for these flicks. They are wonderful little pulp adventures with some nifty atmosphere and more than a mote of adventure. These are widely available and highly recommended.

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Monday, March 19, 2018

Total Dick - The Dick Tracy Movie!


I sort of remember when Dick Tracy, the high-profile 1990 movie from Touchstone Studios starring big-wheel Warren Beatty hit the theaters. It was about the same time as Darkman and I for some reason saw previews for one at the screening of the other, but I cannot now remember what the order was. Whatever the case, the brightly colored cinematic effort has a lot of charms hidden among its varied hues.


Not least of those charms are those put on display by an up and coming Madonna, a bonafide superstar singer when this movie hit the screens and who does what to my mind is her best film role as Breathless Mahoney. That she can lock down the role of a sultry seductress seems obvious and she does a great deal with the role with very small dresses. Her singing is a highlight of the movie too, though I confess I was likely on toxic overload to Madonna when this movie first landed and so reacted to her with less kindness. The years have proven me wrong and she does a pretty good job. Also on hand are a who's who cast with Beatty himself in the title role, Al Pacino as the major baddie Big Boy, Glenne Headley as Tess Trueheart, and guys like Dustin Hoffman, Ed O'Ross, William Forsythe, R.J. Armstrong, and Henry Silva as sundry Tracy baddies. Forsythe as Flattop steals all of his scenes though O'Ross as Itchy is dang good too.  I especially liked Mandy Patinkin as 88 Keyes too. Even the kid Charlie Korsmo is pretty good in a role which helps add some dimension to a simple crime drama.


The star of this show though is the production design which does everything it can to blend the four-color world of comics with the deep shadows of film noir to produce a movie which to my eye looks like nothing else ever filmed. And I have to say I enjoy it, the bright colors make the characters pop in a landscape that's supposed to evoke the dreariness of a Depression-era city battling mobsters. We're so used to thinking of this world in black and white, that seeing it in such eye-stinging color really shakes up the expectations. It's a pop-art masterwork!


This is far from a great movie, but it's a darn fine entertainment with lots of really fine actors chewing up brightly colored scenery with abandon. Dick Tracy as played by Beatty often looks bewildered, but he's not lost in this spectacle that is worth the time.

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Sunday, March 18, 2018

Total Dick - The Dick Tracy Show!


The Dick Tracy Show is an absolute riot! Marred in the modern day by some pretty outrageous ethnic stereotypes (what cartoon of early eras was not really) this show gets hammered out of all perspective in my opinion. For one thing, these little vignettes are often pretty funny, wild absurdist variations on classic crime tropes armed with a brisk pace and some sterling voice acting. Many object to Dick Tracy's cursory role in the show, often being only seen in the office issuing tasks to a team of subbordinates and then getting reports. Later episodes do show Tracy in the field but it's true he's never the focus of any single episode, save perhaps the one in which he's kidnapped.


A gaggle of classic Dick Tracy baddies are on display. Flattop, Stooge Viller, The Brow, Pruneface, Mumbles, Oodles, Sketch Paree, and the Mole among the lot. Usually the villains team up to create some hair-brained scheme which is often as stupid as it is outrageous and just as swiftly they are brought to justice when Tracy's selected agent lands on the job. The crimes range from classics like jewel heists and bank robberies, to more bizarre things like crooked chicken fights and toupee thefts.


The agents on call are where folks begin to have issues with the show. Of little complaint is Hemlock Holmes, a British Bulldog who leads a gang of inept human cops called "The Retouchables", a Keystone Cops gang who are fast but stupid. Hemlock himself sounds like Cary Grant but is the oddity in the show, a talking animal in a show which almost exclusively features human beings, albeit odd ones.


Less annoying to critics is Heap O'Calorie, an Irish cop stereotype who steals apples and other fruits from local vendors and consults a beatnik named "Nick" (perfect) who never talks but uses only bongo drums to send Heap crucial data. Heap sounds like Andy Devine.


And then there's Go-Go Gomez. His full name is Manuel Tijiuana Guadalajara Tampico Gomez Jr. but Tracy calls him "Go-Go" because he's super-fast. He is often compared to another problematic Hispanic character by the name of Speedy Gonzalez. Go-Go is a stereotype of the apparently lazy Mexican who is actually quite effective, though he keeps his skills hidden until needed. He lounges in a hammock a lot and appears unusually interested in lovely ladies.  Go-Go shows up half-way in the series, pretty much taking the place of Heap O'Calorie who falls into obscurity.


Likewise with an eye for a beautiful dame is my favorite of the agents -- Joe Jitsu. Joe is a a Mr. Moto type, a painful buck-toothed Japanese stereotype so common in popular entertainment. He's smart and skilled in martial arts when needed and also has some special mental powers on occasion. His banter is among the funniest of the agents and that's why he's my fave, despite the problems with is look and manner.


The cartoons have a rigid structure in the early days, the call comes in from the Chief to Tracy to calls an agent who enters the fray and quickly gets into trouble. On the edge of danger, the agent then calls a halt and time stops as he calls Tracy to report. Then time restarts and eventually the tables are turned and the crooks are captured with a final report to Tracy to wrap it up. The utter predictability of these might annoy some, but I found it nifty as the writers kept finding small ways to reinvent and re-imagine the strict storytelling frames. Later the stories become a little looser.


I found the cartoons like potato chips, breezy and entertaining in their own way but so briskly paced that even the weaker ones ended before any real sense of boredom could set in. It's the pacing and wonderful voice work that makes these really click, though I personally found the designs and limited animation generally effective too. Telling a tale on the cheap takes no small skill and the makers of these cartoons were well able to make the most of the meager cartooning they had.


I recommend these, but not to those who have a low threshold for insult. There is not doubt these cartoons would not be made today and that's for the better I guess, but for a fan of funny cartoons, I'm personally glad they were made a long time ago.

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Friday, March 16, 2018

Total Dick - Dick Tracy Vs. Crime Inc.


The final Dick Tracy Republic Serial is titled Dick Tracy Vs. Crime Inc. and later was released in the 50's under the title Dick Tracy Vs. Phantom Empire. This 1941 movie is easily the least of the four serials dedicated to the adventures of Chester Gould's comic strip hero, and that's despite a pretty good villain named "The Ghost" who can use science to make himself invisible.


The scenes in which this gimmick is used are pretty darned good and unfortunately the highlight of a serial which borrows from too many earlier movies to make a coherent effort of telling a story. Cliffhangers are borrowed from earlier Tracy serials and other Republic efforts. Maybe if I'd not just seen those I'd have been less annoyed, but all it all it felt like a hodge-podge effort as the creators twist and turn to make the yarn fit up to the already selected disasters they want to unleash. Much of the movie is spent trying to find out who the Ghost is, one of a small cadre of respected men who form a secret council that Tracy is the head of.


More Dick Tracy tomorrow.

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Thursday, March 15, 2018

Total Dick - Dick Tracy's G-Men!


The third Dick Tracy Republic Serial titled Dick Tracy's G-Men came out in 1939 and in many ways is the most fully satisfying of the four films. Ralph Byrd returns but none of the comedy relief characters from the earlier films is present. This time it's just Dick Tracy and his "G-Men" agents against a remarkable dangerous spy named Zarnoff (Irving Pichell) who starts off the story on death row and escapes by faking his own death.


It's a pretty grotesque and atmospheric beginning and while the serial doesn't manage to keep that tone all the way through, the plot in this one hangs together better than most serials and Zarnoff is sufficiently interesting enough to hold the stage without benefit of any other mystery. One land, sea,and air the battler is raged and the ending comes really out of nowhere and is surprisingly satisfying for a serial, which often seem to care little about the finale all that much.


One more Dick Tracy serial to come tomorrow.

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Wednesday, March 14, 2018

Total Dick - Dick Tracy Returns!


The first Dick Tracy serial from 1937 was a big hit, so it was only logical that Republic do it again with Dick Tracy Returns in 1938. Ralph Byrd returns in the title role, but he's the only one who does show back up from the first series. This time the science fiction elements of the original serial are eschewed in favor of a more back-to-basics crime spree committed by a gang which is also a family.


Pa Stark (played by Charles Middleton, of Ming the Merciless fame) and his five boys (Champ, Trigger, Dude, Slasher, and Kid) are the enemies of the moment as they cut across the landscape committing a range of robberies and crimes of all sorts. Dick Tracy and his G-Men chase after them helped and hindered at times by Junior (Jerry Tucker), the youngster who Tracy has taken under his wing and who throughout this serial wears an ill-fitting boys school uniform. Sadly the Kid is a more of a pain than a help, but he's less annoying than was Smiley Burnette in the first serial though less effective than was James Van Atta who first played the role.


This is pretty decent serial, but the sameness of the crimes and the confrontations does make hit a bit repetitious by the final chapter which to no one surprise will end in the utter destruction of the Pa Stark gang.


Another Dick Tracy serial tomorrow.

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Tuesday, March 13, 2018

Total Dick - Dick Tracy Serial!


Chester Gould's Dick Tracy comic strip first came to the big screen in this relatively lush  Republic Serial from 1937. The first Dick Tracy serial keeps a few elements of the comic strip, but dumps a lot of it to create a rollicking adventure that spins out over the course of fifteen weekly chapters. When this serial was filmed in 1936, the Dick Tracy comic strip had been in papers for a mere five years and much of what would define the strip in later years was not yet a firm part of the daily and weekly sequences. So when they changed Tracy into an FBI agent they were playing into the lore of the popular day with a character who could roam the landscape and confront the enemy on land, in the sea and in the air. In fact a lot of this serial is spent in the sky.


The villain in this first one is called alternately "The Lame One" and "The Spider" and the crippled mystery man lingers in the shadows and intimidates his henchmen and the public in general. Tracy and his team run and jump and sometimes spend time in the lab following clues as they chase down one threat then another. One feature of this serial which is pretty cool is the flying wing the Spider Gang uses to travel across the sky and bring death and destruction to many. The Spider's main henchman oddly is Tracy's own brother who is captured and transformed into an evil man by the villains.


As with any Republic Serial, the action is pretty non-stop with scuds of slug fests and gunfights galore. I frankly like the serials with a mystery villain and this one is a pretty good one with several decent suspects who linger on the fringes of the story. All in all, this is rousing movie adventure with an attractive star in Ralph Byrd who comes to define the role of Dick Tracy in the unprecedented three sequels. Much less successful is Smiley Burnette who plays Mike McGurk and who is as unpleasant addition to any movie as I have ever seen. He adds almost nothing to any scene and his painfully unfunny contributions hurt several.


More Dick Tracy serial action tomorrow.

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Tuesday, January 3, 2017

Dick Tracy Meets The Spirit!


I've been following the Dick Tracy strip for a few months now regularly and did not know this was happening until a few weeks ago when the Spirit suddenly appeared in the strip by Mike Curtis and the great Joe Staton. Wowser! I've not been a particular fan of what Dynamite has been doing with the character but I am downright gleeful to see one of my favorite artists take a swing at Will Eisner's iconic comic figure. If anyone can capture the blend of drama and fun which Eisner produced at his best, it's Staton.

(This bogus cover image is from the always delightful Super-Team Family - The Lost Issues.)
To see more covers like the amazing mash up of Dick Tracy and The Spirit above check out this link to Super-Team Family - The Lost Issues.



The fantastic faux cover above appears to my eye to be a blend of these evocative originals.

Rip Off

Tuesday, April 21, 2015

Dick Books!


I have bought a number of Dick Tracy books over the years. Not all of them by any means, but plenty of the vintage offerings.









Just added these two volumes to the pile.



I always find these Dick tomes discounted and cheap so I make off with them, but lord only knows when I'm going to get around to reading them. Sigh.

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