Lost Marvels - Tower Of Shadows!

In the summer of 1969 Marvel decided to spread its wings and attempt to return to making magical mystery comics as they had done less than a decade before. The supernatural was popular again, so much so that the Comics Code had done little when DC brought forth a truly scary The House of Mystery under Joe Orlando's editorial control. DC was onto something and Marvel wanted a taste. To that end they announced two new titles -- Tower of Shadows and Chamber of Darkness. Fantagraphics attempted to reprint Tower of Shadows but is only able to do so in an incomplete form. For some reason two stories based on H.P. Lovecraft stories were not able to be reprinted, much to the detriment of this otherwise handsome volume.  

"At the Stroke of Midnight!" by Jim Steranko is the first and the best story in the series. Steranko was at his very best, offering up a haunted house story that fragmented time for the characters and the reader as well.  "From the Brink!" by Johnny Craig gives us a dandy tale of a man who is seeking to root out fake mediums and then he finds a real one. "A Time to Die!" by Stan Lee and John Buscema and Don Heck is a tale of a mad scientist and his even madder assistant and what happens when the former discovers the secret of immorality.  Cover by John Romita, replacing one by Jim Steranko which Stan Lee rightly deemed in my eyes as less effective. 

"Witch Hunt!" by Roy Thomas, Don Heck and Dan Adkins tells the tragic story of a man looking for witches but gets surprised when he finds something else. "Look Out, Wyatt -- Automation's Gonna Get Your Job!" by Gary Friedrich, John Buscema and John Verpoorten is a story set in a mine where men fear machines will take their jobs, but one man finds that fear ends up threatening them even more. "One Hungers" by Neal Adams and Dan Adkins has a few hippies uncover a voracious menace from across time.  Cover by John Romita for the Adams story. 

"The Moving Finger Writhes...!" by Len Wein, Gene Colan and Mike Esposito is the story of a man who is a failure until he finds a special book which lets him glimpse the future, but what's there is both wonderful and terrible. "Midnight in the Wax Museum!" by Gary Friedrich, George Tuska and Marie Severin features a reporter who wakes up one day and discovers a house has appeared from nowhere and then he finds aliens. "The Terrible Old Man!" by Roy Thomas and Barry Windsor-Smith finished this issue but sadly is not in this collection. Cover by Marie Severin for the Friedrich and Tuska tale. 

"Evil is a Baaaaad Scene!" by Allyn Brodsky and Don Heck has two hippies seeking cheap thrills but find more than they bargained for when they let an evil mystic cast spells in their apartment. "One Little Indian!" by Marv Wolfman, Gene Colan and Dan Adkins tells the story of a cruel man who is cursed and is warned to avoid Indians, which he tries to do. "To Sneak -- Perchance to Dream!" by Tom Sutton is a sequel to a Chamber of Darkness story in which two spies occupy a living house in order to blow up a plutonium plant. Cover by Marie Severin and Herb Trimpe for the Brodsky and Heck tale. 

"The Demon that Devoured Hollywood!" by Roy Thomas, Barry Windsor-Smith and Dan Adkins is about a famous horror film actor famous for his make-ups, but who has a terrible secret which ultimately destroys him. "Flight into Fear!" by Wally Wood tells of a lame young man who falls asleep on a gargoyle and before you know it finds himself a giant in a land of people needing a sword-wielding hero. "Time Out!" by Gerry Conway and Syd Shores gives us the story of a desperate couple who find themselves locked in a haunted house, and they lose something but gain something as well. Cover by Barry Windsor-Smith and Bill Everett for the Thomass-Windsor-Smith story. 

"The Ghost-Beast!" by Wally Wood is another sword and sorcery story in which a character named Beowulf fights a deadly monster, but it turns out he is a menace as well. "Contact!" by Tom Sutton is a two-page bit of fun about a power-hungry old man who makes contact with aliens, much to his regret. "The Scream from Beyond!" by Steve Skeates, Gene Colan, and Dan Adkins tells the story of an evil man who causes crashes to record the sounds, but who finds a sound he doesn't want. Cover by Marie Severin for a reprint story "Man in the Rat Hole!" by Stan Lee and Steve Ditko. (Not in this collection.)

"The Scream of Things" by Allyn Brodsky, Barry Windsor-Smith, and Vince Colletta is about a researcher and an evil girl who find more than they can handle in a cursed mansion. "Of Swords and Sorcery!" by Wally Wood is another sword and sorcery effort, this one filled with an evil sorcerer, an elf, and a transformed dwarf in addition to the usual hero and damsel in distress. Cover by Jack Kirby, Steve Ditko and Marie Severin for the reprint story "I Was Trapped by Titano, the Monster the Time Forgot!" (Not in this collection.)

"Sanctuary!" by Wally Wood is yet another sword and sorcery tale about a man who would be king and seeks a crown in a forbidden place. Cover by Berni Wrightson for the Wood tale. The rest of the issue is comprised of reprints featuring artwork by Steve Ditko and Don Heck. (Not included in this collection.)

"Pickman's Model" by Roy Thomas and Tom Palmer. Cover by Berni Wrightson. The balance of the issue was filled with work drawn by Don Heck and Jack Kirby. Only Wrightson's cover is included in this collection. 

This one-short King-Size Special cover by John Romita is included as well. 

Here is Jim Steranko's rejected cover for the debut issue of Tower of Shadows. It's an awesome piece of artwork, but I have to agree with Lee that Romita's was likely to sell more books. 

With both Tower of Shadows and Chamber of Darkness, Marvel wanted to tap into that EC horror host vibe as both Warren and DC had done. To that end they created Digger, above seen in a distinctive outfit by Steranko. 

John Buscema renders him in his more traditional look for the third story in the first issue. Buscema's version is less offbeat but creepier. 

Digger shared hosting duties with the official host of Chamber of Darkness, one Headstone P. Gravely. Both Digger and Gravely show up in the early issues of Tower of Shadows, but soon Marvel lets them fade away in favor of letting the artists introduce their own tales. I hated to see the hosts go, but using the real talent was actually quite in keeping with Marvel's general trend of promoting that talent for the fans. 

Tower of Shadows changed its title to Creatures on the Loose and became a home to more vintage monster stories from the Atlas days and sword and sorcery, specifically Marvel's first King Kull story by Berni Wrightson, and later Gullivar of Mars by Gil Kane and Thongor of Lemuria by a host of talents. Man-Wolf finished off the series. But for all that, I never forgot Tower of Shadows and really enjoyed this chance to tumble into its pages again. 

Rip Off

Doctor Solar Day!

Jim Shooter was born on tomorrow's date in 1951. Shooter was a teenager phenom of sorts, working professionally for DC when he was just fourteen on The Legion of Super-Heroes. He returned to comics after college and eventually found himself at Marvel after a turbulent time in the lates 70's. He brought stability to the outfit, but he bruised some toes and egos along the way. He went on to participate and found several new companies, the most successful of which was Valiant. 

With the demise of Gold Key comics and later still the Whitman imprint which had replaced it for a time, the Doctor Solar character lay dormant for many years. Then Jim Shooter and his associates wanted to start up a new comic book company after Shooter's dismissal from Marvel.

While at Marvel Shooter had tried to initiate a "New Universe", one apart from the more traditional superhero one and in which the laws of nature and science were more consistent with the real world we live in. There would be an attempt at verisimilitude which was largely impossible in the sprawling Marvel Universe, full as it had become with all manner of super-beings.  This New Universe was pretty much a failure save for a few titles like DP7 and Psi-Force both of which had more than a tiny similarity to Marvel's X-Men.

Shooter took this basic idea of a new universe though and used it as the template for his new company which was dubbed Valiant Comics. The core of Valiant was familiar names from the vintage Gold Key imprint of decades past such as Magnus, Turok, and Solar. 

The Doctor Solar we meet in this new rendition is much different. In an origin story which weirdly was serialized in the first ten issues of the series, while the main story itself started where the origin would eventually end, this saga was one filled with mystery from the get-go.

Like the Doctor Solar of the Gold Key comics this one was the product of a nuclear accident. Dr.Philip Seleski is a fan of the vintage comics and also a brilliant man who creates fusion technology which hopefully will give the world vast power. But it goes wrong and he is changed into a godlike being who slowly comes to terms with his new status while those around him such as love interest Gayle Nordheim and his boss Dr.Dobson grow to fear him. Added to the cast this time is a troubled woman named Erica Pierce who comes to be a critical part of Valiant's storytelling. Selesky, who sometimes jokingly refers to himself as "Solar, the Polish Sun God" grows to use his power more and more trying at times to remove what he sees as threatening nuclear power and consequently the authorities become wary. In a final move he takes Gayle with him and in an act of foolish bravado ends up destroying the world as we know it. The world then he recreates and this then is the Valiant universe, now changed in weird ways and full of super-powered possibilities not before possible. In that world he eventually finds a role which calls upon the unrealistic optimism of the vintage Doctor Solar of the classic Gold Key Comics.

It's complicated to say the least. But it is a full-blooded realization of what being a superhero might really be, a challenging and engaging take on the character. Eventually Shooter is ushered out of the company he helped create and Solar goes on to become a mainstay for the Valiant imprint.

Eventually though the end comes after many changes in title, direction and even ownership. The 90's were a heady time for comics with lots of money folks seeking to make bundles on the fan interest the funny books created. It made for some bad comics and for some greedy outcomes which eventually nearly killed off the industry.

But that wasn't the end of Doctor Solar Man of the Atom.

Jim Shooter made a compact with Dark Horse Comics and produced eight more Doctor Solar issues about a half decade ago. They featured some very refined art and were heavy on the science which like the Valiant stories of many years before played with the conceits of the superhero and applied them to a more realistic world. While interesting the comics were not especially exciting and the series was cancelled.

But that was still not the end of Doctor Solar Man of the Atom.

Eventually Dynamite Comics got the license and (as usual) produced some few issues but dozens of covers. 

And that wraps up Solar reflections for now. Doctor Solar has proven to be a durable character and vivid concept. The costume is so simple and memorable that it has helped certainly and it's ironic that is the case since Gold Key was so reluctant to create such a distinctive look.

Rip Off

When Butlers Attack!

He came with the mansion. Edwin Jarvis was in the employ of Tony Stark, but he soon became the butler and leader of the support staff of the Mighty Avengers. Like most men of his profession, he was not that interested in taking a leading public role, but that did not mean he was not a stalwart when push came to shove. Quite the opposite instead. 

In an attack by the Masters of Evil, Jarvis was once nearly killed. He recovered eventually to once again take his role as the keeper of the mansion. I first met Edwin Jarvis way back in the series when for a short time it was believed he had turned upon his employers, driven to the brink by a need for money for the welfare of his mother. Here's how it went down. 

"The Crimson Cowl!" That name reverberates in my memory as it was the nom de guerre of one of Mavel's most significant and visceral arch villains. We encounter the Crimson Cowl for the first time in the pages of The Avengers #54 when he meets with Jarvis, the seemingly disloyal butler of the Assemblers. Hidden within dramatic flowing robes, the Crimson Cowl is a figure of mystery and cruel authority.

At the time he is the leader of a gang of Avengers foes reorganized to seek vengeance against their old foes. Klaw, Whirlwind, Melter, Radioactive Man, and even the Black Knight form the ranks of these "New Masters of Evil".

With such a group of craven but ambitious criminals, the Crimson Cowl is forced to show his strength in the face of attempted revolts within the ranks, as we can see in this encounter with Klaw.

It is seemingly revealed in the Cowl's debut appearance that he is in fact Jarvis himself, using a mere robot to fool the Masters of Evil themselves (and the reader) into thinking their leader was someone else.

But that ruse within a ruse is uncovered in the very next issue when we discover to our dismay that Jarvis was merely a pawn of the real Crimson Cowl, who finally reveals himself to be in reality the robot itself, a robot who calls himself "Ultron-5 The Living Automaton".

Ponder these pages to see that momentous revelation in all its dramatic glory. The Masters of Evil are defeated, and the plan of Ultron fails. But soon we learn more.

Ultron-5 is not done with the Avengers. Instead, we learn that he was in fact created by Henry Pym himself, one of the founding members of the Avengers.

Ultron-5 in an act similar to Pym's creates his own artificial life form, dubbing it The Vision and sending it on a mission to infiltrate and destroy the Avengers themselves. Of course, that scheme fails well.

Even Ultron-5's seeming destruction cannot end his threat.

For soon he returns under the new name of "Ultron-6".

And not contented with that continues to upgrade himself into the "Ultimate Ultron". Ultron is of course defeated by the Avengers, but the robot seems always to return to menace them and the world itself, carrying on the legacy of the mysterious "Crimson Cowl".

Edwin Jarvis for his part returns to service in the Avengers Mansion, his reputation singed a wee bit, but it is soon restored in full. And he also has a reasonable dislike for robots. 

Rip Off