Captain Atom In The Rough!

This gorgeous cover shows off Steve Ditko's watercolor conceptual artwork for the "new" Captain Atom costume which debuted in Captain Atom #84. I might be in a distinct minority on this, but this is my favorite Captain Atom look, distinctive, colorful and cheery! His old gold costume was pretty dang good, but this one was better. And sadly, nothing they've designed at DC (and there have been oodles) has surpassed either of these two originals. The artwork here is used as a cover for an issue of the fan published CAPA-Alpha. 

(Denys Cowan & Rick Magyar)

(George Perez & Dick Giordano)

Here's that classic costume used for Captain Atom's DC's Who's Who entry. The actual entry is by artists Denys Cowan and Rick Magyar who attempt to evoke Ditko's classic feel. I like the way George Perez and Dick Giordano render him on the cover. (There's very little that Perez drew that I didn't like to be truthful.)

(Steve Ditko & Rocke Mastroserio)
But nothing beats the classic. It's been grand fun revisiting Captain Atom these past several weeks. More radioactivity from Charlton tomorrow as we wrap up the month. 
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Atomic Reactions - Nukla!

Nukla was one of Dell's unsuccessful attempts to tap the supehero trend of the 60's. Perhaps more than any other publisher, the folks at Dell seemed to lack all sympathy with the superhero concept, and so they mostly farmed out the few attempts they had to others, notably folks who often worked for Charlton. Nukla is the work of Sal Trapani, who along with his esteemed brother-in-law Dick Giordano and Steve Ditko fashioned the four issues of Nukla. Veteran writer Joe Gill was tapped to supply the scripts, a situation which is somewhat ironic since he along with Ditko had fashioned Captain Atom, the hero who Nukla is clearly based on.

To give Nukla a 60's cachet, he is C.I.A. agent Matt Gibbs, a U2 spy plane pilot,  fitting him directly into the political fabric of the age. He caught in a nuclear explosion and as usually happens in comics survives and in fact is transformed. Always preferring to wear his stylized pilot's uniform he gives off a vaguely military feel in the four issues of his comic which have him battle spies and maniacs across the globe. 

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Charlton Classic Covers - Reptilicus #2

Reptilicus #2 was published in 1961. You can read the issue at this link. The cover art is by Dick Giordano. 

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The Charlton Reptilicus!

Reptilicus was the least successful of Charlton's monster trio, likely because the monster is the least identifiable of the three monsters. It's just an animal, large and often ferocious, but still difficult to get any sense of what Reptilicus is thinking. Also, Reptilicus never was graced with the artistic power of Steve Ditko, instead had to deal with the competent but less exciting duo of Charles Nicholas and Nick Alascia. And besides that, there are only technically two issue of "Reptilicus", because Charlton lost the rights to the name. 

Sid Pink was not happy with the sexual elements added to the novelization of the movie story published under Charlton's Monarch brand. He pulled the rights I assume, and Charlton was left with only two comics titled Reptilicus. 

The first issue featured a great Rocke Mastroserio cover while the second featured the artwork of Dick Giordano with the Nicholas and Alascia combo still on board between the covers. Reptilicus revives and threatens areas of Africa in the sequel. As far as I can tell Joe Gill wrote all the issues of the run. 

With the third issue the title of the comic is changed to Reptisaurus and the artwork is by Bill Molno. Sal Gentile and Nick Alascia supply a less than satisfactory cover. Reptisaurus is red where Reptilicus was green and gets a mate and a family. But don't wait to see what happens as continuity on this comic is pretty much nonexistent with each issue seeming to start from scratch. 

The artwork is then taken over by the team of Joe Sinnott and Vince Colletta and their work here is even less impressive than it was on Gorgo. Part of that is that Reptisaurus is hard to draw in any way which allows the reader to get a sense of his feelings. The rendition by the team makes him quite comical in places. 

Eventually like all the other monster series, the art team of Bill Montes and Ernie Bache take on the book toward the end of its run and they redesign the monster quite a bit, making him much less like the original Reptilicus. This is not a bad idea and we get some decent storytelling in the final issues of the original run. 

Following the cancellation of the original run after a meager eight issues we are treated to a special edition which puts a wrap on the character sort of.

Reptilicus the movie is a guilty pleasure of mine and I watch it on the regular, and I was pleased to finally get to read all the Reptilicus/Reptisaurus comics despite the meager quality. I am always curious and like a bad movie, even bad comics can be entertaining in their own way if you adjust your expectations. 

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Ditko's Monsters - Gorgo!

This YOe Books collection brings together all of the Joe Gill and Steve Ditko stories about the giant monster Gorgo. Gorgo stories were produced by other talents in the Charlton stable, but it's only the Ditko material which is on display here (for the most part).

Likewise, both monsters are getting the collected treatment from YOe Books and IDW Publishing. The Konga collection, which is even larger  that the pretty hefty Gorgo book, is due to arrive in a few months.  The stories by the ever-ready scripter Joe Gill are solid and as illustrated by Steve Ditko, give the reader a incredible but entertaining thrill ride as the monster Gorgo, almost presented as a stranger-in-a-strange-land, deals with the wide world.

It's a lot of Gorgo to read, and truth told not all of the stories are gems. But they are all a hoot, an echo from a time when comics were such plain unabashed fun, that stuff like this could be published without apology or qualm.

All of the Ditko Gorgo stories are here, as well as all the covers he produced for the series. Also showcased is some really great info on the classic movie and how the comics were an integral part of the marketing of the flick. Great Gorgo lore for any fan of the movie indeed.

Here's a cover gallery. Enjoy! The debut cover is by Dick Giordano if I'm any judge.

This final cover is by Bill Montes and Ernie Bache. These artists did a gaggle of Gorgo stories themselves and they did the cover here for an issue featuring Steve Ditko material inside. (It might be heresy in a post celebrating the great Ditko's art, but I actually prefer the Montes and Bache version to Ditko's.  Sadly, I doubt we ever see a collection of those stories, but there's always hope.)

Monsters are at their most fantastic when they are giant. More Charlton giant monster goodness tomorrow. 

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The Charlton Konga!

Of all the great apes in science fiction, including the great King Kong himself, the humble Konga from American International was the one to find success in comics. Konga was picked up by Charlton Comics and offered at first as a compliment to the film itself. But it became a relative success for Charlton and ran for nearly half a decade. Much of that success was due the fabulous artwork of Steve Ditko who was at the same time making his mark at Marvel on science fiction stories, ghost yarns, and superheroes such as the Amazing Spider-Man and Doctor Strange. 

The comic stayed reasonably close to the set up in the film for the first several issues of its run. In the comic the side characters Sandra and Bob are not killed as they are in the movie and Doctor Decker is a much more reasonable man, though no less a tragic one. Through Sandra and Bob, we get a second Konga, using Decker's theories and it is this Konga who is the focus of the remaining issues of the run. Eventually this second genesis is forgotten and Konga is again presumed to be the original, though it's murky. Joe Gill wrote the Konga stories and in these tales, he spends his time fighting sea monsters, space aliens and the Red Menace. He also is the reason for many young couples to find love, as it is the people around the lonely figure of Konga who is at the center of our attention. 

Artists other than Ditko worked on the series. Dick Giordano drew many of the covers and the fine team of Bill Montes and Ernie Bache took over the series after Ditko withdrew after a lengthy run on the title.  Their take on the giant ape made him a cuter figure despite his great bulk, and their charming style always makes everyone resemble dolls somehow. It works very well on this series. Other artists are Charles Nicholas and Nick Alascia who created the second issue between Ditko's run. Bill Molno even drew The Return of Konga. 

Here are the covers for the run. 

This reprint from 1968 was the final issue of Konga from Charlton Comics. 

I read the series this time in the two-volume reprint series which offers a barebones reprinting of the stories scanned from the original copies. The quality of some of the scans is suspect, but it's handy to have all of this epic tale in a couple of handy volumes. 

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