Showing posts with label Batton Lash. Show all posts
Showing posts with label Batton Lash. Show all posts

Saturday, November 11, 2017

Bat Lash - The Ruination Of The West!


Bat Lash and I chanced upon the DC Universe at almost the same moment. Not that I actually read any Bat Lash comics, but I did see in the DC books I found here and there a fascinating ad which told that Bat Lash was at once a most mysterious and most disruptive desperado and called into question whether he would "Save the west? Or ruin it!. The ad (drawn by Joe Orlando I assume) set into my imagination what the dangerously named "Bat Lash" must be.


It turns out I was mistaken, but it would be many years before I was disabused of the errors of my imagination.


My first Bat Lash story was not really one at all. Bat Lash debuted as did so many DC characters in the fabled pages of Showcase. Showcase became a long running title reaching its one hundredth issue and in that very special edition drawn by an exuberant Joe Staton, the many characters from its pages were jammed together into a wild and raucous adventure which blended times and genres to utterly entertaining effect. I like to consider this comic almost like the zero issue for Crisis on Infinite Earths which did the same thing a decade or so later.


In his brief appearance we see Bat Lash putting the moves on the lovely Angel of Angel and the Ape fame. So I immediately realized that Bat was only dangerous if you were an unsuspecting damsel. And he wore a flower, that didn't make sense.


I ran across a few more Bat Lash tales here and there in the pages of Jonah Hex and whatnot, but I never took the chance to read the original run until it was reprinted some years ago in the much missed Showcase editions. Here in glorious black and white was the saga I'd been teased to read so many decades before. And despite not being what I expected, it was still a ton of fun.


The Bat Lash of the early episodes is an unabashed womanizer and is so confirmed in his selfishness that he's hard to root for at times. He's not especially trustworthy, even to those who appear to have earned some measure of trust.


But somehow Aragones, O'Neil and Cardy find a way to keep Bat just above water in terms of our admiration. He's not good, but he's not exactly bad. He's a cad but not a villain, though we wonder from moment to moment when he might let us down.


The stories are light and frothy and that keeps the reader from investing too deeply in the antics. They have that same tone as comedies of the silent era which thrust the hero into all sorts of dangerous situations but never allow him to come to real threat since we know it will come out in the end. That's the one of Bat Lash, danger and death loom but he is immune.


But these lightly toned episodes give way in the end as the origins of Bat Lash are more seriously explored.


We learn that Bat Lash is a man who has lost most that meant much to him. He is a man who has no home and who has taken vengeance on those who robbed him of it. We learn he has a sister who has suffered as much as he has and a love who has done likewise. They have not become rogues but have taken their misfortune and made lives with a positive character.


This makes Bat Lash feel more pathetic than he has in earlier stories. Bat Lash had that devil-may-care attitude which made him impervious and he was a dashing hero, but now we learn he is a tragic figure filled with regrets and remorse.


He even has a brother who has been lost in the most baroque of ways. Their meeting is a stranger event in the story and takes the series into a strange place just before it finds its somewhat abrupt ending.


Bat Lash lingers on in the DC Universe, a part of the western landscape and he shows up in some entertaining yarns after his initial run, but despite some fine craftsmanship the magic has slipped away somewhat. The wacky nature of the early tales has been lost a bit and he feels more conventional somehow.




I always wanted to read about Bat Lash and I finally got to do it. He was everything I imagined and nothing I imagined, a great great find.


Addendum: Just noticed that this is the 4000th post here at the Dojo. Sheesh that sounds like a lot. Thanks to all who happen by, it is muc appreciated.

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Tuesday, May 27, 2014

The Arrow Strikes!


Mort Todd graciously sent me a copy of the debut issue of The Charlton Arrow, that most rare of comic book items, a new comic featuring some of Charlton's greatest characters. I gleefully snapped open the package and got down to some joyful reading.


The first story by Paul Kupperbert with art by Rick Stasi and others is the first "Action Heroes" story in quite a few years. Of course since DC owns those characters now, the storytellers here had to be rather vague about who the atomic Captain was exactly in this offbeat sequel to "Showdown in Sunuria", the final Charlton Captain Atom story, originally published in Charlton Bullseye. The story also gives us glimpses of Yang, Gunmaster, and Willie Schultz.


Then we have the first chapter in a story featuring some of Charlton's vintage nurses, and the men they seek to heal. It's a hoot with the promise of more "romance" and hijinks. Also featured is a story by Lou Mougin with art by Mort Todd featuring a virtual armada of classic Charlton "Ghost Hosts". Dr. M.T.Graves, I.M. Dedd, Baron Weirwulf, Colonel Whiteshroud, Mort Tishin, Mr.Bones, The Old Witch, Winnie the Witch, Professor Coffin, Impy, Baroness Von Bludd, and many more suchlike have to deal with the aftermath of cancellation.


John Byrne submits a new poster shot of the Doomsday+1 crew (see above, but in the magazine it's in beauteous full color). Booksteve shows up with an article on vintage Charlton western stars. Johnny Love returns in an adventure or roadside romance and danger. There's even a delightful poster of a character who due to legal limitations might be called "Not-Kwite-Korg".


But the highlight of the volume for yours truly was the awesome story of Pat Boyette's Spookman. This time written by Roger McKenzie and drawn fantastically by Sandy Carruthers. No mere yarn of pleasurable nostalgia this, but a rock solid story of horror. There's more of this one to come in the next issue of The Charlton Arrow. I need to pre-order mine immediately.

All in all a frothy and fun package which I'm sure I'll read again and again.Thanks to all who made it possible.

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Tuesday, September 14, 2010

Coolest Crossover Of All Time!


I waited for decades for the Avengers and Justice League to mix it up in an official crossover event. That did happen thanks to Kurt Busiek and George Perez, and that event sort of marked my swansong to mainstream comics. But that's another story.

As great as the JLA-Avengers crossover was (and I enjoyed it plenty) the coolest crossover I've seen in comics was when Frank Castle took his hardware to the mean streets of Riverdale and mixed it up with Archie Andrews and his gang. Batton Lash weaves an intriguing and typically well-crafted story.


John Buscema and Stan Goldberg hit the artwork on this out of the ballpark, and the covers were exquisite. The story is a humdinger, featuring an Archie lookalike and such. I'll have to confess that I bought both versions of this story, the one from Marvel and the one from Archie. They each have their own charm of presentation for sure.

For a much more detailed look at the comic see this link.


Highly recommended. You'll have a blast!

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Sunday, July 5, 2009

Crisis In Infinite Springfield!




I picked up my comics yesterday and I tore into the third and final installment of Batton Lash's parody of the comic book summer "event" in Simpson's Super Spectacular. I'll have to admit that Radioactive Man is my fave Simpsons creation, a truly bizarre blend of all that makes superheroes supremely curious, compelling, and stupid. This story though is less about that, than about the rigors of publishing which demand an "event" to drive up speculator and reader interest. There's lots of criticism to go around, but in this final story Bart gets his revenge by the sweetest of means, creating the very thing he wants so desperately. Lash has a good smirk at comics publishers, comics readers, and more in this tale. I highly recommend this one. Tone Rodriguez's artwork with Andrew Pepoy's inks is as good as Simpson art gets.

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