Showing posts with label Jack Gaughan. Show all posts
Showing posts with label Jack Gaughan. Show all posts

Thursday, May 23, 2024

The Lord Of The Rings!


The Lord of the Rings by J.R.R. Tolkien is the renowned and beloved fantasy of the 20th Century, a carefully constructed epic filled with elegiac romance, sprawling imaginary vistas, and pert memorable characterizations. I've read it a few times over the course of my lifetime, but I might have to say this most recent venture to Middle-Earth might be the best yet. I read the saga in a single volume edition given to me by a good friend decades ago. It's a robust version, known in the circles as the "Red Edition".  Let me discuss the book though as it is most commonly presented, a trilogy of connected novels. 

(Jack Gaughan did all three of the covers for the Unauthorized Ace Editions)

The Fellowship of the Ring is the first installment and is comprised of "Two Books". The first introduces our Hobbit heroes Frodo Baggins, Samwise Gamgee, Peregrin Took, and Meriadoc Brandybuck, as well reintroducing the enigmatic Gandalf. This saga was begun when Tolkien was not yet committed to an epic and so this early part of the story feels the most like The Hobbit. A group of doughty little people are on a mission and encounter an array of threats as they wend their way through the often-bewildering and sometimes dangerous countryside. As the story develops the seriousness of the mission becomes ever more evident as our heroes are pursed by Black Riders, strange magical creatures in service to Sauron, the Lord of Mordor. They are assisted at different times by the likes of the peculiar Tom Bombadil and later the mysterious man called Strider. Later a "fellowship" of Hobbits, Men, Elves, and Dwarves join forces to help destroy the one thing Sauron craves more than anything, the One Ring which will give him absolute power over Middle Earth. 


In The Two Towers, the "fellowship" of the previous novel has fallen apart and our Hobbit heroes Frodo Baggins and Sam Gamgee must work by themselves to find an entry into the deadly land of Mordor and take the One Ring to Mount Doom where they can destroy it once and for all. They get the help of Gollum, a strange, debased creature who once had the ring in his keeping before it came to Bilbo. The rest of our cast are likewise searching for one another. The other two Hobbits, Merry and Pippin fall into the hands of Orcs and later meet up with the enigmatic Treebeard, an Ent, one of the oldest races on Middle-Earth. Strider, Legolas, and Gimli search for these two but find an old ally returned from the grave. We meet the Riders of Rohan, a great warrior people and we go with them to Helm's Deep where they and some of our cast fight a great battle against an army of Orcs sent by Saruman, a great and powerful figure who also vies for the One Ring. 


The Return of the King wraps up this grand epic. Our two Hobbit heroes continue their quest to Mount Doom and give the reader a grim tour through a dark and depraved territory. Strider is revealed to be the next king of Gondor and that makes our villain Sauron quite upset who then sends his vast army to besiege the venerable city. The scale of the conflict has been steadily growing throughout the saga and reaches its climax here with a terrible war that even if won will mean little if the One Ring survives to find its way back into the clutches of the necromancer Sauron. The many characters who have been introduced in the novels get their moments to shine and the story winds down to its conclusion. After all the hubbub our Hobbit heroes find that their home the Shire has need of heroes as well as enemies have used the war to plunder. The Hobbits, having been tempered by adventure, danger and war, must fight again for their homes.  

(Barbara Remington)

It is much different reading the novel as Tolkien intended, as a single book. The trilogy we know is a result of the limitations of publishing which balked at issuing a book so massive and opted instead in the early 50's to bring out the saga in three mostly annual volumes, each given a memorable title of its own. I've always preferred The Fellowship of the Ring, but this reading with the focus on a different structure has given me new admiration for The Two Towers and The Return of the King.

(The Brothers Hildebrandt)

If each is seen as a single volume, there is almost inherently an expectation of a rise and fall within the narrative structure. That exists in abundance in the first part, the part of the story which introduces the majority of the characters and the milieu. Those characters follow a story arc which sees them become aware and finally resolved, transformed from bystanders into legitimate heroes. The depth of detail used to build this world, one so very similar to our own, intended to become our own after the passage of many millennia is stunning. Tolkien took a lifetime to create an environment fit for his created languages, and then he chose to tell a grand sweeping tale of heroism and sacrifice in that environment. 

(Frank Frazetta)

That said, neither of the other latter volumes really has a fair chance to recreate the arc seen so wonderfully in the first book, and for the most part don't. But seeing the story as one complete yarn, the latter stages of the epic come more fully into focus and build on the charming and sometimes quaint beginning with robust full-blooded heroic adventure on an every-increasing scale. This sweep works when the story is understood as a single narrative and not three individual ones. This unintended bias ingrained in my own understanding of the tale by its marketing, has limited to some small extent my appreciation of the latter stages. Until now.


Despite the clever marketing by Ballantine Books and others, when I'm thinking of The Red Book of the Westmarch in the future, it will always be one narrative and not three.  

Now it's time to tackle The Silmarillion.   

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Wednesday, January 25, 2012

Almuric!

Jack Gaughan

With all the attention the John Carter movie is about to give to the Edgar Rice Burroughs Barsoom novels, it might be a good time to dig out a copy of Robert E. Howard's contribution to this genre. It's an odd novel (a rare form for Howard) titled Almuric. It was serialized in Weird Tales and first published in the 60's.


I first read it when Roy Thomas and Tim Conrad adapted a version for Epic Comics, and later I read the real deal. It's been a while and it might time to give the other-worldly adventure of Esau Cairn another go.

Here's a link to an online version of the story.

Here's a small cover gallery.

Jeff Jones

Richard Clifton-Dey

Ken Kelly

Andrew Hou

Here is some artwork from Conrad's adaptation.

Tim Conrad





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Thursday, December 22, 2011

The Fashionable Melnibonean!


Jack Gaughan

When Michael Moorcock's sorcerous albino hero Elric of Melnibone first appeared in American print, the covers to the paperbacks were illustrated by the late great Jack Gaughan. Gaughan has a style which is compelling, sleek, modern and beautiful. But it can be weird too.



These two paperback covers by Gaughan apparently were the only reference for the character that Barry (Not-Yet-Windsor) Smith could get hold of when it came time to render the Melnibonean for his guest-starring role in Conan the Barbarian. So it's understandable that Smith topped Elric with a rather tall peaked cap.



And while the cap looks okay in the Gaughan images, rendered by Smith, the hat looks somewhat silly to be honest. Moorcock apparently is not pleased with this look, neither in the Gaughan originals nor the Smith variations.


But for many years this became my image of Elric, because it was the only image I saw. Dave Sim reinforced this notion with the creation of Elrod in Cerebus, a spoof of Elric, or at least the Elric seen in the Conan comics.



It would be several years before I saw another interpretation of the hero. This time by Michael Whelan, who painted some outstanding covers for the DAW paperback series.


And it would be many years still before I got to see James Cawthorn's original interpretation of the Melnibonean, the classic look. It's certainly more flattering, but perhaps less memorable.


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Friday, July 30, 2010

Frodo Lives!




I wish I had these ACE paperbacks. They were published without permission back in the 60's when Tolkien's popularity was beginning to crest. I've long thought that Jack Gaughan's artwork on these was vivid and compelling.

For my own part, I first read of Middle Earth under these "official" Ballantine covers by artist Barbara Remington. Here's an interview with Remington about how these peculiar but rather strangely pretty covers came to exist. My first trip there and back again was pretty lush and like most folks I suspect, I like to revisit from time to time.




For the record, I first became aware of something called "Lord of the Rings" in high school, where the beautiful slipcase hardback trilogy rested atop some bookshelves. Alas this was a zone from which this treasure could not be retrieved to be actually read, but had to be seen only from afar or with the assistance of the librarian. I remember that classic eye symbol staring out at me, but it would be a few years before I could answer that call.

This week, with only a few more precious days left before I have to confront the rigors of the high school student mind again, I'm taking some time to luxuriate in Peter Jackson's epic films, viewing the extended DVD versions.

Seeing this work on the big screen was a big thrill of course, but getting to see it in the comfort of my home is exquisite. The extended story in these adds to the understanding of the whole significantly.

There are weaknesses in the movies of course, that's inevitable, but overall I find this translation of the epic to pretty darned impressive, capturing the scope of the original pretty well.

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