Gullivar Jones On Vacation!

Just finished reading (yet again) Edwin L. Arnold's surprisingly influential novel Gullivar of Mars. That is, it's influential if you accept the notion put forth by Richard A. Lupoff, among others, that this novel, originally titled Lieut. Gullivar Jones, His Vacation when it was published in 1905 was in resource for Edgar Rice Burroughs when he crafted his own Martian stories a few years later. Reading both simultaneously as I did this time, I am struck by the many parallels. Seemingly magical transportation to the "Red Planet", a doughty hero thunderstruck in love with a willowy princess on Mars, and plenty of weird animals and scenery as we traverse the planet alongside our first-person hero.

The story gives us a hero who like his namesake from Jonathan Swift's magnificent satire, is hard to like. And like Swift, Arnold is trying less to craft an adventure story and mostly commenting on the then modern world around, specifically the nature of humanity and its tendency to sloth and a degrading life of ease. Gullivar Jones is a rambunctious, exceedingly confident sailor who finds himself transported to Mars literally on a magic carpet and discovers a world full of people who want only to be left alone to live lives lacking purpose, direction, and toil. Alongside these "Hither People" are the other less urbane barbarians who Jones opposes but seems to prefer in many ways.

The story is a difficult one to really dive into, but oddly I found it more accessible on this reading. Gullivar Jones is not a hero who recommends himself really and he seems often put off by behavior which seems exceedingly altruistic. He doesn't seem to recognize real heroism when he stumbles across it. I do however like the manner in which Jones rambles up and down the "River of the Dead" and for much of the story is seen by most as a ghost. It puts him as a narrator in a rare and interesting place. The story is overripe with coincidence and offers up an ending which is abrupt and for many might seem very unsatisfying.

But the point of Gullivar of Mars is not adventure, not really. And when marketed like that as it was done by Ace Books decades ago under a powerful Frank Frazetta cover, it might well be disappointing.

And coming to the story after reading the comic book adaptation from Marvel Comics, which emphasized the adventure would set one up for a surprise as well. There's not so much blood and thunder in this story as one might expect, but it's a sturdy story decently told. 

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Gullivar Of Mars!

Just finished another reading of Edwin L. Arnold's surprisingly influential novel Gullivar of Mars. That is it's influential if you accept the notion put forth by Richard A. Lupoff, among others, that this novel, originally titled Lieut. Gullivar Jones, His Vacation when it was published in 1905 was in resource for Edgar Rice Burroughs when he crafted his own Martian stories a few years later.

The story gives us a hero who like his namesake from Jonathan Swift's magnificent satire, is hard to like. And like Swift, Arnold is trying less to craft an adventure story and mostly commenting on the then modern world around, specifically the nature of humanity and its tendency to sloth and a degrading life of ease. Gullivar Jones is a rambunctious, exceedingly confident sailor who finds himself transported to Mars literally on a magic carpet and discovers a world full of people who want only to be left alone to live lives lacking purpose, direction, and toil. Alongside these "Hither People" are the other less urbane barbarians who Jones opposes but seems to prefer in many ways.

The story is a difficult one to really dive into. Gullivar Jones is not a hero who recommends himself really and he seems often put off by behavior which seems exceedingly altruistic. He doesn't seem to recognize real heroism when he stumbles across it. I do however like the manner in which Jones rambles up and down the "River of the Dead" and for much of the story is seen by most as a ghost. It puts him as a narrator in a rare and interesting place. The story is overripe with coincidence and offers up an ending which is abrupt and for many might seem very unsatisfying.

But the point of Gullivar of Mars is not adventure, not really. And when marketed like that as it was done by Ace Books decades ago under a powerful Frank Frazetta cover, it might well be disappointing.

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Gullivar Of Mars!

Whether you spell it "Gulliver" or "Gullivar", I like this novel. I'm in the camp that thinks this book did influence Edgar Rice Burroughs and his creation Princess of Mars. The similarities between the books is striking, especially the magical way the heroes are transported to Mars only to find themselves having to aid an ancient culture, especially that culture's most beautiful princess. It's a creaky read, but a good one nonetheless.

The Marvel Comics adaptation features some great covers, but sadly is pretty uneven itself. The first issue is one of the best ever by Gil Kane with lush Bill Everett inks. After that the quality drops off considerably though Kane does a few more issues I think. A young George Perez shows up on this before it's done, but he's not up to the task. The late George Alec Effinger wrote some of the scripts I believe. Jim Steranko's cover for the final issue of this run in Creatures On The Loose (the series continued briefly in the B&W Monsters Unleashed) is really one of his better ones from his later Marvel period. Love the background.

It doesn't hurt the reputation of this turn-of-the-last-century gem that its Ace cover was one of the earliest efforts by Frank Frazetta.

If you want to read this novel online here's a great link:

GULLIVER JONES OF MARS by EDWIN L. ARNOLD @ NOSTALGIA LEAGUE

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