The Oriental Egghead!

In commemoration of the glorious chicken egg, which is now potentially disappearing from American diets due to Bird Flu and inept and ham-fisted governmental policies, I offer up this little adventure featuring the original "Oriental Egghead" himself -- Egg Fu! (Geshundheit!)

Take a dash of Humpty Dumpty, a dollop of Charlie Chan, a molecule of Salmonella and throw in a gallon of Yellow Peril and you have one of the absolute weirdest villains in the history of comics -- Egg Fu! He was a Commie when he battled Wonder Woman, a deadly if absurd agent of Red China. He was of course...ahem...beaten. (How else would one defeat an egg-shaped enemy?)

Later another Egg Fu, this one dubbed "Egg Fu the Fifth" appears and challenges Wonder Woman again, who is once again able to...well...crack the case.

Finally in the pages of the Metal Men, and not rating a cover appearance, Egg Fu reappears.

This time he is a robot who calls himself "Dr. Yes". (Bond fans take note of course.) While at the end of this yarn the ovoid enemy is still out and about, he doesn't ever make another appearance. All three of his appearances were drawn by his co-creator Ross Andru and his longtime partner Mike Esposito. Robert Kanigher is the writer who gave us the egg-shaped fiend.

Much too politically incorrect for the modern world, it doesn't mean that versions of Egg Fu have not emerged. According to some notes this yellow menace is the result of technology from Apokolips which actually makes a bit of sense. Needless to say, the malevolent and relentless Egg Fu was the product of another time, a time which I am eager to say goodbye to and yet nonetheless miss. Sigh.

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Ends Of The Earth!

Wonder Woman - Ends of the Earth collects issues twenty through twenty-three of the third volume of Wonder Woman in which our amazing Amazon confronts the evil of DGurth, a form of the devil first introduced in the pages of Stalker- The Man Who Lost His Soul. She has as sidekicks in this battle the aforementioned Stalker alongside Beowulf -Dragon Slayer and Claw the Unconquered. 

Wonder Woman is drafted by Stalker when he snatches her soul. She is then compelled to travel to a strange territory where she attempts to get Beowulf to help. 

Wonder Woman seems to be possessed by the same magic that corrupted Claw. Beowulf agrees to fight with her against the greater enemy. 

We get glimpse of the terrible world Wonder Woman dreams of now that she's soulless and possessed by the Claw magic. She names Stalker "Elpis" which means "Hope". The quartet seek an Oracle for guidance. Then they enter the land of DGurth where a traitor reveals himself. 

And then much to my everlasting disappointment, the battle shifts to Washington D.C. I'm not against the setting change, but only Wonder Woman travels with the shift. The warriors she's spent three issues assembling are left behind and only appear again in the aftermath. I realize that this Wonder Woman's book, but for gosh sakes why spend all that time and then not use them more substantially. Now to be fair to Simone, I have left out certain plot points so as not to spoil some of the surprises in the story. 

Also included in this collection is issue twenty-four of the series which changes gears and has nothing to do with the previous plotline.  I must confess I was led down by the stories here. They were not badly crafted, indeed the artwork by Bernard Chang and Aaron Lopresti is quite good. But the story spent a huge amount of time gathering a group of heroes and then bing-bang-boom they are disappeared. 

But we're not done yet these heroes pop up again a few years later and this time they get their own stories. That's for next time when we wrap this up with Sword of Sorcery. 

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Wonder Woman - The Complete Third Season!

Superman ruled the 1950's! Batman kayoed the 1960's! And Wonder Woman wowed the 1970's. Lynda Carter's portrayal of the William Moulton Marston creation from the 1940's was iconic. Alas the show around her distinctive and memorable portrayal was less so. The first season hued close to the comics, setting the story in the World War II era and giving us comic book captions to transition between scenes even. Diana Prince worked for the military and for the man she fancied, one Steve Trevor. Even the redoubtable Etta Candy got some airtime. But then when the showed shifted from ABC to CBS the setting was shunted forward to the then modern 1970's. At first things were okay with Wonder Woman helping the next generation of Trevor's fight world-beating threats as part of an espionage outfit reporting directly to the President. Then slowly things continued to change, some a result of new producers taking the helm. 

The comic book touches disappeared, the captions lasting a bit longer than the four-color credits. Then slowly but inevitably Steve Trevor became less and less significant. Trevor's airtime was given over to new gadgets like the I.R.A.C. computer and his little mobile buddy "Rover". While based in Washington D.C., Diana began to roam far and wide to battle threats as momentous as alien invasions and as small as corporate embezzlers. The Amazons faded away until by the third season they were never mentioned to my memory. Diana became less and less concerned with her secret identity, transforming in more and more open areas until finally she was seen. The third season also saw new music at the front of the show which reflected the noxious Disco scene which swallowed pop culture for a time. 

Science fiction seemed always to be near the writers' minds in the show with several episodes evoking classic sci-fi classics. Andros who appeared in both the first and second season (played by different actors) is more than a bit similar to Klaatu from the classic The Day the Earth Stood Still.  There is even one episode which had naught to do with aliens which used the title "Farewell to the Master", the title of the story which inspired the movie. Another show elicited memories of War of the Worlds, specifically the notorious radio play, when a hoax invasion was staged to bring out nuclear chaos. One truly weird episode had a woman who was transformed into a creature who could control ants. A strong episode in the second season gave the viewer a cloned Hitler even. 

Clearly it was decided that the less Wonder Woman looked and felt like a comic book come to life on the small screen then the more the admittedly tepid ratings would increase. Superman starring George Reeves lasted nearly a decade, while Batman starring Adam West burned hot but out quickly in only two. By the third season it was clear that Wonder Woman was fading away and so in what was the last episode made (but not shown) there were changes made for the proposed upcoming fourth season. The writers sadly reached into their bag of TV cliches and made the show even worse. Lyle Waggoner's personable Steve Trevor was out, and a new boss was added who was blustery and disagreeable, a Lou Grant for Diana Prince to contend with. Diana for her part moved to Los Angeles giving away the specialness of the D.C. setting. Apparently even a partner of sorts was proposed when an "Invincible Man" was introduced as well. He came with (gasp) an invincible chimp. Worst of all was "T. Burton Phipps III", a stereotypical black kid who was a hustler, a low-grade pimp who traded in Hostess Twinkies and other snack treats for the busy office worker. 

The invincible man was to be Brett Cassidy and his origin was startling in that he was a normal human who was made indestructible and given above normal strength by means of an illegal experiment conducted by a madman with more than a sniff of the Nazi about him. He was for all intents and purposes identical in form to Wonder Man, the Marvel hero created by Baron Zemo. I have to admit the idea of Wonder Woman teaming with "Wonder Man" in the fourth season is a tad intriguing but in the final analysis it's likely good for everyone that the show was mercifully put down before the fourth season could develop. 

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Wonder Woman - The Complete Second Season!

When CBS picked up the Wonder Woman show after ABC dithered about the costs, they insisted that the setting be changed to the then modern 1970's. The reason is always given that the expense of period settings and costumes such was prohibitive for the show on an ongoing basis, but I suspect the reason is simply a lack of imagination. Executives couldn't figure out ways to make the show fit whatever mold they deemed the optimum for their attempts to entertain paying customers. 

At first the show seemed to hold its own in the new time, though I detected the same thing I often see with shows of the 70's (both movies and television) and that is a generally drabness to the real-world settings. Much like the low-cost movies and serials of the 1930's, one gets a glimpse of the actual real world because the studios cannot afford (or choose not to afford) something more refined. The stories are okay as Wonder Woman meets up with the son of Steve Trevor (also named "Steve" and also played by Lyle Waggoner) and returns to man's world again after leaving it following World War II. Unlike the first season the mythology of Wonder Woman will almost completely disappear after the initial episodes and the show becomes more and more like other crime shows of the era. Eventually she and this new Steve Trevor don't partner that much as he becomes more or less her boss and seems restricted to his desk. They work for the I.A.D.C. (Inter-Agency Defense Command) a mythical all-purpose government agency which seems to conveniently have jurisdiction everywhere. 

The villains are often over-the-top megalomaniacs who cackle with glee at the thought of their evil plots, but Diana Prince rarely has too much trouble bringing them to justice. One thing which permeates the show is bad old misogyny. There are some scenes in which some jerk is making passes at Diana that are actively uncomfortable to watch and downright creepy at times. It was a different era and I think we're supposed to brush those off as she does as just part of modern life, but it's hard not see the lack of respect for women which has all too often been a feature in American life. Still is actually, though we've made some strides in some areas. (Backsliding in others alas.)

Because of a certain movie which was popular around this time robots had become de rigueur for shows of this kind, and so too does Wonder Woman get I.R.A.C. (Information Retrieval Associative Computer) a computer that can use clues fed into its system to deduce the whereabouts and motivations of villains some of the time. I.R.A.C. or "Ira" as they take to calling him seems to have deduced Diana is Wonder Woman and drops hints to the viewer all the time about this little detail. Later another mobile unit called "Rover" is added and his most memorable aspect is that it uses the classic "Beep Beep!" of the Road Runner when it exits a room. 

The shows are entertaining but despite some nifty moments there's no doubt the show took a step backward with the change in setting. At least most of the threats confronted by Wonder Woman have legit global consequences, but all too often they seem too small potatoes to justify her leaving her responsibilities on Paradise Island. 

A quick look at the third season and general reflections on the series next time. 

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Wonder Woman - The Complete First Season!

A great game which was played in the Bronze Age was the imaginary casting of imaginary superhero movies. Before these modern times of computer wizardry which make superpowers convincingly possible on the screen, the thought of superhero movies was mostly a lark. Superman changed that bit, but still the work seemed mostly to be on the small screen. We had had Superman and Batman and the Green Hornet in the 50's and 60's and the 70's was ripe for its personification of a comic book after fine but offbeat turns by George Reeves and Adam West. Could the mavens of Hollywood give the public a superhero who wasn't constantly winking at the audience. The closest they came was Lynda Carter as Wonder Woman in the first season. 

Set during World War II this first thirteen-episode season movie length pilot, had what made the Golden Age great, terrific villains in the Nazis. Wonder Woman didn't take on the Japanese or the Italians in these shows, but she kicked the snot out of the Germans. You don't need complex motivations for villains when all you have to say is "Nazi". We all agree to beat up those assholes. (I won't comment on modern America in this regard.) This readymade enemy also immediately made for instant allies. 

In addition to the stunning portrayal by Carter in these stories we have Lyle Waggoner as "Steve Trevor" the somewhat hapless but earnest war hero who seems to spend a lot of the show tied up. Etta Candy gets some play as portrayed by Beatrice Cohen but rarely more than a bit of comedy relief alas. The America our heroes operate in is rife with spies and despite all those 70's haircuts they seem difficult to spot by everyone save the audience. It became a small game for me to yell "Nazi" when someone showed up. I was almost always right. If someone seemed too handsome or too caring, they almost always were a Nazi. 

It's a great deal of fun to watch the show mature as the episodes roll by. The famous costume-changing spin refining itself with the addition of the colorful flash of light and the costume seeming to get sturdier as the season rolled by. Lynda Carter is striking of course as Wonder Woman, but I was also impressed by just how beautiful she was in her Yeoman Prince persona. The episodes for the first season were very clean and crisp. Guest stars were nice too as the likes of Cloris Leachman and Red Buttons show up in the pilot. Leachman's moment when she remembers the world of men is hilarious as she bits down on her hand just a smidge. Buttons was one of the few Nazis I didn't spot. Linda Day George was particularly effective as a Nazi woman who sees the light at last. The rest of the shows have good solid actors, admittedly doing some strange things. 

The show ended too soon and when it would return the war was over and we'd be in the present day. More on that one next time. 

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Wonder Woman - The Television Movie!

So splendid and memorable was Lynda Carter's turn as Wonder Woman on television in the 1970's that we often forget she wasn't the first. In 1974 ABC Television did its first pilot for Wonder Woman starring Ricardo Montleban as the mastermind villain "Abner Smith" and Cathy Lee Crosby as the titular heroine. In this particular version she was not as "titular" as what was to come. The ubiquitous Andrew Prine is on board in fine form as "George" a particularly heinous and murderous lout. "Steve Trevor" is played by Kaz Garas, a face I'd seen but a name I was unfamiliar with.

This ain't a terrible movie by any stretch. But it is far removed from the classic version of the character we'd see on screen a year later. Instead of a strikingly beautiful raven-haired Amazon helping the Allies during World War II we have a blond Amazon functioning more as a super spy in the modern world trying to locate and neutralize threats to America's espionage organizations. She's sleek and lovely and as brave as anything. She's able to beat up about any guy or gal she runs across, unless they happen to be an Amazon too. And she dons a costume before it's all over, but mostly she dresses normally, looking exceedingly fetching in evening gowns and street clothes. Her bracelets don't she bullets but seem to be gadgets such as explosives and a makeshift hook which attaches to the "lasso" in her belt.She's much more like the era of Wonder Woman when Diana Prince renounced her Amazonian heritage for a more street-level approach to crimefighting. 

There's little to really complain about after seeing this one. I'm pretty lax when it comes to comic book hero interpretations in other media and little bothers me about this one save she doesn't really look much at all like the Wonder Woman I know. Being blonde does create an image problem, but not a critical one. The striking Anitra Ford who plays an "Ahnjayla" an Amazon turned villain is visually quite on for the lead part with a beautiful figure and long dark tresses. I'd heard about this movie decades before I was able to finally see it and heard about its deficiencies. Maybe that's why I find it a surprisingly entertaining outing, offbeat but diverting nonetheless. 

Next week Wonder Woman takes on those Nazis and gets a twinkle in her eye. 

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Super Friendly Television Stars!

Once upon a time September was an exciting time for TV viewers, because that's when all-new fresh series launched on the boob tube. And we got a glimpse of the new shows which were being launched in the Fall Preview issues of TV Guide. All of the shows were huddled together on a tight schedule spread over a mere three networks and like gladiators of ancient times fought bloody battles to capture the attention and affection of the masses demanding to be entertained. The 1970's was a heyday for Saturday morning cartoons. There was a bonanza of offerings from studios like Hanna-Barbera, Filmation, Ruby-Spears,  DePatie-Freleng and others. The studios wrestled to get precious slots in that finite Saturday morning schedule, a time established for kids to enjoy shows designed to please and excite them, as well as motivate them to motivate their parents to buy sweet, sweet cereals. 

In 1973, amongst this bounty appeared The Super Friends from Hanna-Barbera, the powerhouse of the domestic TV studios. I was a Justice League of America fan, and I hated the name "Super Friends", but if it got animated adventures of some of my favorite superheroes on TV, I'd suck it up and enjoy. The show was a hit and in one form or another stayed on television until 1985. This month at the Dojo we're going to take a lingering look at the long tenure of the Super Friends.

In 1976 long after the show had proven itself, DC finally unleashed a comic book adaptation of the cartoon which had adapted its heroes. The Super Friends comic book hit the stands featuring talents like E. Nelson Bridwell, Ramona Fradon, Ric Estrada, Kurt Schaffenberger, Alex Toth and more. It proved like its animated predecessor to be a sturdy seller and told the tales of a slightly skewed Justice League for many years until 1981. We'll be taking a look at these comics as well which proved mighty entertaining in an era when to my eye DC Comics was the superior product on the spinner racks. 

Later still there was The Super Powers, a variation on the Super Friends which drew its inspiration from toys. Jack Kirby was brought back into the DC fold to help with this project and with the assistance of many others produced some memorable and bombastic comics. 

Another titles by DC which became part of its TV publishing brand was Shazam! Fawcett's Captain Marvel had proven to be the most successful comic book of the Golden Age. DC launched a lawsuit against "The Big Red Cheese" suggesting he was a rip-off of Superman. This ridiculous assertion though found purchase in the courts for years until finally Fawcett seeing sales dropping in the 50's settled out of court with the result that Captain Marvel disappeared from the comic book stands and from the imaginations of new comic readers. My only encounter with the hero was in Jules Fieffer's The Great Comic Book Heroes and then only a single evocative page. DC decided they wanted to revive the good Captain and his friends and launched the book but in an exquisite irony were forbidden to use the "Captain Marvel" name since Stan Lee's outfit had latched onto it in the meantime for a certain Kree soldier. 

Shazam! was brought to Saturday morning TV in live-action form and three seasons were produced more or less. In conjunction with spin-offs like The Mighty Isis it hung around on the screens in re-runs for many years. 

There's little doubt that the biggest DC impact on television in the 70's was Wonder Woman. As portrayed by the gorgeous Lynda Carter, Wonder Woman played on two networks for three seasons. What Superman had been to the 50's and Batman to the 60's, Wonder Woman became for the 70's. We'll be looking at all three seasons this month. What a hardship it is. (Hubba hubba!)

And it turns out the lovely Ms. Carter was not the first TV Wonder Woman. She was also portrayed by the fetching Cathie Lee Crosby, a fetching twist in her own right. 

That's a pretty filled card for the month, but I also want to slip in a look at one of my all-time favorite comic books -- Captain Action. This title only lasted a handful of issues, but they were impressive indeed. These comics were an attempt to bring a toy to the comic book page and it did so magnificently. While not a TV show, Captain Action appeared in some memorable TV ads. 

This and whatever else I can squeeze into this very hectic month. See above for a glimpse. September was once a time of great anticipation for fans of television in years past. I want to glom a little tiny bit of that excitement for the Dojo this month. Stay tuned. 

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Diana Prince - The New Wonder Woman Volume Four!

The fourth and final volume of Diana Prince - Wonder Woman is a raucous collection of stories which seemingly every other installment try to find a new way forward to our heroine. The artwork is shared by two greats following in the shoes of Mike Sekowsky who stepped away - Dick Giordano and Don Heck. The writing is handled by Denny O'Neil, who is also now the editor. Jeff Jones supplies some very memorable covers for the first two issues.

The first adventure by O'Neil and Heck has Diana teaming up with Jonny Double, a private eye with a glum demeanor to act as bodyguard for Fellows Dill, a publishing magnate and raging sexist who has a bevy of beauties surrounding him he dubs "Milkmaids". Trying to kidnap Dill is a cult who appear to defy his treatment of women as mere sex objects who call themselves the"Tribunal of Fear". After a helter-skelter adventure drawn by Dick Giordano, who becomes the regular artist,  Double and Diana lose track of Dill and fall into the clutches of the Tribunal. But escape only to find Dill has gone mad. The Tribunal as it turns out is a cover for an old enemy of Diana's, Doctor Cyber who has a convoluted scheme to wreak revenge on Diana and recover her former beauty. Cyber now hides her face behind a metal mask. All that comes to naught and Diana and Double escape.

Then they, along with I Ching are drawn into a wild adventure concerning a gem which seems to have dimensional-transportational properties. Discovery of a hidden land in the mountains of Nepal is only the beginning of the story which co-stars Catwoman as the gang are transported to the land Nehwon, a distant land inhabited by Fritz Leiber's Fafhrd and The Gray Mouser.

In a story written by science fiction maven Samuel R. Delany, Diana, Double, and I Ching journey far in that land and discover they have been lured there by I Ching's disaffected daughter who still seeks vengeance on her dad. Much hectic action later they return home, barely, ready for more. Fafhrd and the Mouser think they want to stay in the 20th century but a glimpse of NYC and whiff of the polluted air and they return to their old haunts.

Then Diana finds herself again fighting for women as she finds herself battling a reprehensible retail magnate named Grandee (who looks remarkably like Carmine Infantino, then publisher of DC Comics itself). After subduing this character and his cronies and making a mark for women's equality in the workplace Diana's world again is turned upside down.

Don Heck returns as does Denny O'Neil, as writer. The story summarily kills off I Ching, and before you can say "Suffering Sappho", Diana Prince loses her memory and is driven by a compulsion to steal a jet and fly to the location of the dimensional-lost Paradise Island. She is reunited with her sisters and given a memory reboot thanks to Amazon technology before battling Nubia for the right to be called Wonder Woman. Again fitted with her old costume and old mission to aid mankind in the service of the Amazons, Diana goes to New York City and gets a gig as a translator at the United Nations, ready once again to wage superheroic battle against evil in her "second life", one which seemingly has no memory of the last several years.

These stories shift and turn like a whipsaw. Apparently the changes brought to the "New Wonder Woman" did not jolt sales or perhaps the folks in marketing just wanted to see the old red, blue and gold Wonder Woman back. Whatever the case, she is returned and the Diana Prince adventures are over.

No more to come. But wasn't it great?

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