Showing posts with label Sonny Trinidad. Show all posts
Showing posts with label Sonny Trinidad. Show all posts

Wednesday, April 13, 2022

Skull The Slayer!


I bought Skull the Slayer off the stands for its entire run. I know I did because I still have them in my collection somewhere. But I don't know that I ever really appreciated the series until this most recent reading a few weeks ago. Marv Wolfman writes how Skull the Slayer was a concept he'd had rolling around in his noggin for several years before it was first published by Marvel. He'd tried to sell a version of this Bermuda Triangle and dinosaur saga to DC but they didn't bite. He was then hired at Marvel and got the green light. Skull almost wasn't "Skull" since Marvel at the time had Kull the Conqueror on the stands but by happenchance the named stuck and it's a good thing too. 


Skull the Slayer number one features a damn fine comic book story. Wolfman's script is lean and witty and the story moves briskly but without a feeling of haste. Steve Gan's artwork is stellar, ideal for this yarn about a disgruntled Vietnam vet and three other folks of varied backgrounds who wind up stranded fighting dinosaurs after getting sucked into a strange phenomena in the infamous Bermuda Triangle. Jim "Skull" Scully ain't your typical hero, in fact he's hardly a hero at all. A Viet Cong prisoner he harbors great hate for his time in Vietnam and that fury ended up in a fracas with his junky brother who wound up dead. Scully is charged with his murder and is being transported on a plane which just happens to also carry Dr. Raymond Corey a disgruntled and disagreeable physicist, Ann Reynolds a secretary fed up with the male attitudes she encountered in her work and elsewhere, and Jeff Turner the son of an overbearing Senator who is seeking to get out from under his father's thumb. These are our four protagonists and in the first issue they are lucky to live. For his part Scully actually kills a T-Rex with his hands and wits and few primitive tools. The cover is by Gil Kane and Al Milgrom. 


The second issue has the quartet captured by cavemen who plan to sacrifice them to their god who turns out to be a long-dead alien. Skull finds a belt the alien is wearing and appropriates it. As it turns out the belt gives Skull super-strength which he needs to put down the cave dwellers as well as defeat an aquatic dinosaur. All of this done with a maximum of whining and bitching on the parts of most all of our heroes. This is a comic which seems intent on having its main characters loathe each other. Steven Gan does another bang-up job on the artwork under a Gil Kane and Tom Palmer cover. 


Marv Wolfman wraps up his run on Skull the Slayer with third issue which is penciled by Steve Gan and inked by Pablo Marcos. The team get some new groovy threads and discover to their dismay that the dinosaurs they've been fighting are actually robots. In fact the entire world they are in seems to be just one era in a whole panoply of different time frames, all of which they can see when they enter a bizarre tower. The story ends with the quartet finding themselves in what seems to be ancient Egypt. 


Steve Englehart replaces Wolfman for one issue and it's a whopper. Sal Buscema assisted by inker Mike Esposito takes over the art chores. In this issue we are introduced to the villain Slitherogue who claims to be the mastermind of the tower of time and the story switches to a Medieval setting with both Merlin and the Black Knight making appearances. The biggest change though is that Englehart kills off the entire supporting cast -- Corey, Reynold, and Turner are all seemingly killed in an effort to change the direction of the series into one of pure science fiction and fantasy with a single protagonist. 


But the next issue brings in Bill Mantlo. Buscema stays with addition of inker Sonny Trinidad and this pair do a great job of evoking the excitement of the Steve Gan issues which already seem so far away. Mantlo came onto the job with the assurance he could once again change up the status quo and thankfully his desire was to put the book back onto its original heading more or less. Corey, Reynolds, and Turner are all zapped back into life and with Skull and the Black Knight take the battle to Slitherogue. By the end we know that the Black Knight is a robot as well as we bids farewell to his new allies who trudge off to new adventures in thus lost land. 


Under a dynamic John Buscema cover Mantlo's return to the original concept continues to an extent when the quartet are drawn into the schemes of Incan warriors. The time tower is demolished and Sliterogue is seemingly killed by the robotic Black Knight. We get several vignettes which show us folks in the modern world plotting and planning to see out the lost folks, but these subplots will come to naught when the book is summarily cancelled a few issues later. Sal and Sonny remain remain on the art chores to great effect. 


Skull and his trio of helpers are caught up in political intrigue in the transplanted Incan city. The High Priest has some serious secrets to reveal to the team, but his underlings are plotting to take over the whole shebang. Skull keeps fighting dinosaurs and the trio of Ann, Jeff and Dr. Corey even show that they too can fight for their own survival . The creative team remains unchanged save for a cover by Ron Wilson. 


In the final issue Skull and his allies find out the secret of the High Priest but it does them But it does them limited good when the Jaguar Priest schemes come to fruition. The team is captured in this swansong story by Mantlo, Buscema, and Trinidad and sporting a Jack Kirby cover. It ends on a mighty cliffhanger but we won't have long to wait. 



Marvel Two-in-One was arguably the best team-up book of all time. Despite my affection for the totally awesome The Brave and the Bold, the truth is Batman was not really a candidate for a team up. The Thing is. He's a public hero who while grumpy enough does engage with others effectively. The stories in MTIO were more organic than those of any of the other team-up books. It was also a place used quite often to tie up loose ends and issue thirty-five and thirty-six were used to put a bow on the Skull the Slayer saga. TheThing flies a plane into the Bermuda Triangle and finds Skull and his allies battling the Incan High Priest and his minions. The Thing and Sully and the rest team up and before you know it the gang has returned to the present day (two years after they left) with the assistance of Mr. Fantastic. The story by Marv Wolfman is brisk, almost too fast as many of the dangling threads of the original saga are just ignored. But better an imperfect ending than none at all I suppose. Scully is arrested but his friends do say they will speak up for him. 



We don't see Jim Scully for many years, not until he shows up in the pages of Quasar as the member of a supernatural fighting team called the "Shock Troop". It seems that alien belt had an effect on Scully and gave him an eerie skeletal appearance. Along with Dr. Druid, the Living Mummy, and others he fights alongside Quasar under the name of the Blazing Skull. Later he fights Captain America. (Neither of these later appearances is included in the Skull the Slayer collection.)Scully will show up a few more times in the Marvel Universe, cured of his strange condition and working as a mercenary. To my knowledge though his dinosaur fighting days are done. 

Rip Off

Thursday, October 29, 2015

Vampire Tales #11 - Legion Of Blood!


Vampire Tales #11 is dated June, 1975. Sporting another handsome though more subdued Richard Hescox cover this is the last regular issue of Vampire Tales. Preceded in its demised by Monsters Unleashed and Tales of the Zombie the end of the series well and truly marks the end of the great monster trend of the early 1970's in comics.

Following a Bullpen Bulletins page called "Fearsome Features, Far-Out Fabrications and Fictional Configurations" which announces the end of the aforementioned monster titles the editors are not savvy enough to see the handwriting on the wall for Vampire Tales itself.


Morbius stars in a sprawling tale titled "Death Kiss" written by Doug Moench and drawn by Sonny Trinidad. In this one he finds himself on the cruise liner Muritania but soon is pitted against a cult of vampires who call themselves "The Brotherhood of Judas". He is directed in his mission of sorts by a beautiful woman named Morgana St.Clair who has secrets of her own. A host of coincidences make this one work, but it does feature some typically lush and evocative art by Trinidad. For a close look at most of the story in its original art format go here.


The second and final story in the issue is "Hobo's Lullaby" by John Warner and artist Yong Montano. This is a weird little short story about a legion of bums who aspire to get power by becoming vampires. One of their number objects and his story is the focus of our attention as the hobos battle the cops. It's a strange one and I suspect Warner was trying to say something about the predatory economic nature of society, but I'm not sure. Check it out for yourself here.

And after two blood-spilling years that's a wrap for the regular Vampire Tales series.


There is one more Vampire Tales magazine to come, an annual but more on that later today.

Rip Off

Wednesday, October 28, 2015

Vampire Tales #10 - Plague Of Blood!


Vampire Tales #10 is dated April, 1975 and features a striking Richard Hexcox cover featuring Morbius the Living Vampire in all his vile glory. It's a great cover, maybe my favorite of all the Vampire Tales covers. It speaks directly to the main story in the issue, a multi-part Morbius epic.


"A Taste of Crimson Life" by Doug Moench and Sonny Trinidad occupies most of this issue, divided in three parts throughout the magazine. The first part titled "First Phase: Fast of Blood" begins with Morbius seeking a quiet isolated place to experiment on his tortured state and hopefully find a cure. He finds and rents a room in an lonely house in Painesville, Pennsylvania and meets his landlady Alicia Twain, a forlorn and lonely woman who against her better judgment invades his privacy and discovers his secret. Morbius in an effort to not slay the woman to slake his thirst flies from the house in a frenzy. To read this story in its entirety (save for a few splash pages) in the original art for check out this link.Trinidad's work fairly shines.


Next up is another story about a house titled "A House of Pleasure, The House of Death" written by Moench with some really outstanding artwork by Mike Vosburg and Howard Nostrand. In this one a man seeks a mansion in which it is rumored a man will find erotic delights but no one speaks of it directly since no one seems to every return. He goes there, finds it filled with beautiful vampire women who seek his blood, but he is prepared and uses stakes to fend them off. He battles the vampires and finds his father, the king of the region who has succumb to the vampires and dies in his son's arms. The prince, now the king burns the mansion down killing the vampires, but at the cost of his own sanity it seems.

The second part of the Morbius story is titled "Second Phase: Temptation" and finds Morbius entering the town of Painesville and finding a victim. He returns to the house to find Alicia willing to help him. Meanwhile the miners who live there go to the lonely house and confront Alicia who defies them. They have been trying to get her to move out since the house sits on a precious vein of copper but anger rules the day and they kill her with an axe. Morbius finds her and swears vengeance. 


"Blindspot" by Gerry Conway and Virgilio Redondo and Alfredo Alcala has a vampire dealing with the consequences of losing track of time and using a blind man's glasses which obscure the sun. It turns out poorly for the blood sucker.

The final installment of the Morbius tale is titled "Third Phase: Feast of Blood" and it shows Morbius at his most vicious as he wipes out the murderous miners of Painesville, taking some mark of vengeance for the death of his friend Alicia Twain.


The Morbius story this time was extra long and different than the McGregor stories of previous issues which had become weighted down with overwritten allusions to politics and switches in narrative points of view. Moench gives us a much more straight-forward yarn which showcases Morbius and makes him the most bizarre thing in the story, a remarkable difference.


One more issue to come before the series gets cancelled. More on that next time.

Rip Off

Thursday, October 22, 2015

Marvel Horror - Devil Hunter!

Earl Norem
The wild success of the movie The Exorcist changed horror for all time.


The devil and  his minions had been part of the cinema landscape for decades but suddenly the expressions of that evil on screen had become more toxic and viscerally terrifying. Lots of folks noticed, especially the success part.


That included Marvel Comics who lauched as part of their horror cascade in the early 70's a title called The Haunt of Horror.

Gray Morrow
Frank Kelly Freas
They'd launched another book with that title a few years before but it was a digest prose format with some great art and some outstanding covers.


The new Haunt of Horror starred Gabriel the Devil Hunter. He was a cross between Nick Fury (rough and tumble adventurer with an eye patch) and Father Damien Karras (a troubled and flawed demon fighter). He had a beautiful assistant named Desadia who is at once his helper and possessed a supernatural link to Gabriel's dead wife Andrea. To read the debut story follow this groovy link .


The pair battle demons who have taken possession of human beings. Gabriel works at great cost to himself to extract those demons, demons who know him and his tormented past.

Bob Larkin
The writer of all the is Doug Moench. The artists involved are Billy Graham who produces some masterfully atmospheric stories, Pablo Marcos who ads some oomph to the proceedings and later Sonny Trinidad who brings his own refined comic line to the character.


Gabriel shares space in the magazine right through the fifth and final issue. Then he moved over to the final issue of  Monsters Unleashed for a final outing. The cover by Frank Brunner for that issue is especially powerful.

Frank Brunner
Gabriel never became a big hit for Marvel, dying out after only a few entries. But the character was a memorable tie to a horror trend which dominated the pop culture and beyond in this country for a few years.

Rip Off

Monday, October 20, 2014

Modred The Mystic!



Marvel's attempt to extract some supernatural horror from the Arthurian saga was somewhat less successful than Jack Kirby's The Demon for DC. Modred the Mystic debuted in the first issue of Marvel Chillers, one of the many short-lived titles Marvel launched onto the stands in the Bronze Age. Marvel Chillers is most famous for the debut of Tigra's series which kicked off in the third installment, but the first two issues featured a time-lost magician who seemed to have some trouble figuring out his motivation.


Modred was an apprentice magician who gets orders to attend Merlin in Camelot. But since this means he'll have to forever renounce the girl he loves, he defies King Arthur's order and instead seeks out the Darkhold, a dangerous tower filled with deadly magic. The Darkhold seizes him and he spends centuries in a trance until he is released by two 20th Century archaeologists.

The trio head to London where Modred seems somewhat delusional and attacks the local police who seeks to corral him. It seems he is under the influence the dark powers of the Darkhold and despite his efforts to defeat them, by the end of the second issue his destiny seems really unsettled.

Created by Marv Wolfman and scripted by Bill Mantlo, this series lacks the punch of most Marvel efforts of the time. The first issue was drawn by Yong Montano and the second by Sonny Trinidad, both highly skilled professionals in Marvel's Filipino Bullpen. But  both issues have that unfinished look which afflicted so many of Marvel's efforts in the Bronze Age as the professionalism in the New York offices was suspect as editorial control shifted from hand to hand.


The story gets picked up a few years later, as did so many, in an issue of Marvel Two-In-One but this too is an exceedingly weak outing. Part of a four-issue tour of England, this story co-stars the newly minted Spider-Woman who by the story's end has formed a partnership with Modred.


That seemed largely forgotten by the time his next appearance in the pages of The Avengers where his connection to the Darkhold makes him more of a villain than a hero. He will suffer mightily in these pages and becomes just one more of Marvel's vast array of mostly forgotten background characters.

Rip Off

Friday, February 1, 2013

Bloodstone!

Gil Kane and Frank Giacoia

Rich Buckler and Frank Giacoia

I love immortal characters. I find the idea of a man or woman who has lived across centuries fascinating. Whether a baddie like Vandal Savage or a hero like Moro Frost, the notion is compelling and adds instant gravitas to anything you might have them do. The character is immediately freighted with understanding which defies the limits of humanity. It's that perspective which fascinates. Here's a groovy link to his debut story by his creator John Warner and Mike Vosburg.


The second story in the first issue featured a rare Marvel art job by Pat Boyette. Sonny Trinidad handled the artwork for the follow-up issue.

Ulysses Bloodstone is an immortal character who deserved a bigger stage than he got. Debuting in debut issue of Marvel Presents, one of Marvel's many try-out comics of the Bronze Age, the character was originally scheduled to run in the latter issues of Where Monsters Dwell, Marvel's then long-running reprint magazine which focused on vintage Atlas monster epics. I wish that had worked out as it adds to the patina of the character even more.

Jack Kirby and Steve Ditko

Bloodstone is a prehistoric warrior made immortal when a ruby gem imbeds itself in his chest and enables him to confront an ancient alien menace which makes use of giant monsters to wage war on mankind. A rather awesome premise which alas was given only two issues of Marvel Presents to unwind.


The series did find a home in (of all places) the back of The Rampaging Hulk magazine where the story of Bloodstone ran its course. It featured some dandy artwork by a host of talents, not least of which were John Buscema and Rudy Nebres as seen above.

Marshall Rogers

There have been other  Bloodstone sightings over the years, even a daughter of sorts. The oddest was his appearance (of sorts...that's him in the box) in the pages of Captain America during "The Bloodstone Hunt".

Kieron Dwyer

My favorite was his work with his fellow Monster Hunters in some incredibly entertaining issues of the much too brief comic Marvel Universe.

Diverse Hands

Mike Manley

Bruce Timm

Mike Manley

Bloodstone is a character who deserved more. And being immortal after all, might yet get it.

Rip Off