Showing posts with label Brett Blevins. Show all posts
Showing posts with label Brett Blevins. Show all posts

Wednesday, December 27, 2023

The Savage Comics Of Solomon Kane!


Aside from the two Kane appearances in Marvel Premiere, the six-issue run of The Saga of Solomon Kane is apparently the only color comic run featuring the Puritan from Mighty Marvel. I've never owned nor read them before getting them along with the aforementioned Marvel Premiere issues in the color trade collection from Dark Horse.



This is an odd set of stories because there's precious few of Howard's Kane stories to adapt and Marvel adapted some of them two separate times. One story is adapted twice in this very volume, a most strange happening, but interesting in that it allows a pretty close comparison of the interpretations.
 

"Red Shadows" is the first Kane story by REH and it was adapted first by Roy Thomas and Howie Chaykin and it's a great rousing version of the story. Chaykin's style is perfect for Kane and he's at his best in this tale. I'd love to see him adapt all of the Solomon Kane canon using his modern style. It would be a masterpiece I suspect. The story is adapted again by Ralph Macchio and Steve Carr and Bret Blevins. This one is more briskly paced, but a pretty good rendering. Macchio really has a solid handle on the Puritan.


There are several other stories here that are originals and I have to say they are quite smashing, especially one titled "The Prophet" which pits the Puritan zealot Kane against a Muslin zealot, both of them men of good intent but blinded by their faiths to some degree. It's got art by Mike Mignola and it's a darn fine story with a very effective ending.


Two other REH stories get adapted, "Hills of the Dead" and "Wings of the Night", both of which had been adapted previously by Marvel in black and white. These are decently done, but I prefer the black and white versions, especially the one by Alan Weiss for "Hills".



There's a neat little subplot that runs through the Macchio stories about Kane and his conflict of faith regarding a fetish staff he carries that clearly seems to contradict his Christian faith. At times he rejects it, but is drawn back to Africa and comes to embrace a larger worldview apparently. This storyline running quietly through the stories gives a neat texture to works.


These color Kanes aren't great, but they are darn good. And they look good in this Dark Horse reprint. 


Next up is the Dark Horse B&W reprint of Solomon Kane's adventures from Savage Sword of Conan and elsewhere. Aside from a few of these very early stories, I'd read almost none of this, so it was all new-old Marvel for me.


The earliest Kane stories with artwork by Alan Weiss are superb. Weiss gave Kane a distinctive flavor, similar but not at all aping what Smith did with Conan. Kane's stories under Weiss's hand were lush and had a crisp modern feel to them, even today. There's another great story by Howie Chaykin. The storytelling is by Roy Thomas and Don Glut. In fact, much to my surprise I learned here that Glut was the primary scribe for Kane's adventures, writing the majority of these stories.


The artwork in the later stuff is by journeymen. David Wenzel still many years from his Hobbit stuff is on board for several stories, but in nearly every case the storytelling seemed to suffer by insufficient page count. I'm not one who usually bickers about this kind of thing, but there was a distinct cramped quality to many of the middle stories, even those which got serialized. Following the action was hard at times, but perhaps that has to do with the reduction of the page for this format.

The latter part of the book reprints stuff from the 90's. At one point there's a jump from the mid-80's to the 90's and the change in styles is remarkable. Many of the later stories are well told with some artwork that grew on me as I read the stories. There's even a crossover with Conan to close out the volume. The pin-ups throughout are nice, especially from solid pros like the late Berni Wrightson. 


I'd give this volume a solid B. It's a decent read, it adapts most of the key Kane stories, but the artwork is suspect at times. The high romance that should permeate a Kane story is often missing in these. The first few stories with Kane encountering Dracula are fantastic, and there's a sequel to this classic clash that I'd never read. All in all, not that bad, it opens and closes very strongly.

More Kane later today. 

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Sunday, October 18, 2015

The Marvelous Monster Hunters!


In what I now consider the final years of the Marvel Universe proper (before they began the process of "ultimatizing" the whole shebang and rebooting every few years) we got a delightful series from the hand of Roger Stern titled simply Marvel Universe. The first three issues gave us a fantastic untold Invaders story from World War II. The next four issues, the last four as it sadly turned out looked back to the Atlas years before the Fantastic Four when giant monsters roamed the Earth with apparent ease. Assembled to battle this threat were "The Monster Hunters".

They were Doctor Druid the mystic, Ulysses Bloodstone the immortal monster hunter, Zawadi a ferocious denizen of Wakanda, and Makkarri the Eternal who had been hiding among mankind as Hurricane among other names for centuries.


These four along with another repulsive man named Harvey Elder who had his own secrets, battle many of the more infamous Atlas monsters such as Gorgilla, Gigantus, Tricephalus and others.


The source of the monsters is proven to be the Deviants led by Kro who would become a major player along with Makkarri in the Eternals series by Jack Kirby many years later. This beautiful bit of retconning really sang as Stern worked in these disaparate heroes created separately over decades into a seamless story which at once felt modern and vintage.


The artwork is muscular and is provided by a several talents such as Mike Manley, Bret Blevins and Jason Armstrong as well as helping hands by Ron Frenz and Bruce Timm. The tale is full of bluster and adventure and the team finds among its varied ranks an esprit de corp which speaks well of heroes under threat.


The Monster Hunters go on to appear in Stern's series The Lost Generation which he did with John Byrne. But beyond that I suppose they've been largely disappeared from the ceaselessly shifting realities of modern Marvel. It's a pity.

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Saturday, March 9, 2013

Mandrake Mojo!


I was strolling through the wonderful Grand Comics Database the other day, as I am wont to do, and I came across a charming cover gallery for The Official Mandrake the Magician from Pioneer Comics. This was a slightly more than a year-long turn at getting some of the classic Lee Falk and Phil Davis Mandrake comic strips back into print and before the eyes of a potentially new readership.

To that end in the middle of the run, the editors at Pioneer eschewed the vintage cover art covers they'd been using and hired artist Brett Blevins to create a trio of fresh new images featuring the comics mage. The one above showing Mandrake holding a charming beauty in his palm with a bit of a knowing smirk on his mug is my favorite.


This one gets the nod for most mysterious as both Mandrake and Lothar are featured staring out at the reader who is getting hypnotized.


This third one shows off the exotic nature of Mandrake's setting, atop a flying carpet with another beauty in tow. That hat must wow the ladies!

A pretty neat triad of images. Soon enough though, Pioneer shifted back to vintage art and this little bubble of new images disappeared like the magic they were.

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Wednesday, August 17, 2011

I Have A Splitting Headache!

Don Heck

Brett Blevins

Doug Mahnke

John Byrne

Brendan Lynch

Take two aspirins and call your mortician in the morning.

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