Fin Fang Foom Day!

Jack "King" Kirby was born on this date in 1917. It's almost impossible to overstate his influence on the modern comic book. Kirby in tandem with Joe Simon was a force in the Golden Age co-creating such features as Captain America, Boy Commandos, Newsboy Legion, among others. Later the duo brought out Fighting American and Boy's Ranch. Teaming with Stan Lee, Kirby was instrumental in empowering Marvel Comics with his work on Fantastic Four. He left Marvel to create "The Fourth World" at DC and later moved into independent comics and animation. Today I want to remember one of my favorite Kirby creations -- Fin Fang Foom. 

He is without doubt Marvel's greatest monster. A product of the Cold War, Fin Fang Foom was a weapon, a sleeping mythical behemoth roused to defeat the Communist Chinese by the hero but then put down again when the deed was accomplished. Stan, Jack and Dick created a legend intentionally, and they created a monster that has stood the test of time, both in the story proper and in the greater memory of fandom.

It's hard to pin down why Fin Fang Foom is better than all the rest. But maybe it's the voice. The fact that he can talk and somewhat eloquently is maybe one reason. In the original story as he's surging forward at the hero, he constantly bellows threats as he advances assaulting the confidence on all levels. He is unstoppable and completely lethal. Talking was something none of the movie monsters could do. It gave a leering evil to Fin Fang Foom that they are missing. He almost becomes a blend of the classic giant monster and the more insidious yellow peril like Fu Manchu.

Whatever the reason for his success, Fin Fang Foom was first published in Strange Tales #89 and then reprinted in Fantasy Masterpieces #2 (that's where I first encountered him). Later the story was reprinted again in Where Monsters Dwell and even years later in Monster Masterworks, an early Marvel trade.

Fin Fang Foom was folded into the Marvel Universe properly when he met up with and battled IT The Living Colossus in Astonishing Tales. Later his story was blended with the origin of Iron Man's arch nemesis the Mandarin. He also was linked in Thor to the Midgard Serpent.

I learned putting together this post that he's even mixed it up with Iron Man in the movie-universe though in a comics story. These days too he's been shrunk to human size and works in a Chinese resturant -- Arrrgggh. (And you have to ask why fewer folks read comics these days.)


Whatever becomes of him though, whatever indignity he's forced to endure, I know that ultimately the unstoppable force that is Fin Fang Foom will prevail.

Fin Fang Foom remains my all-time favorite monster. Though modern interpretations insist on finding ironic twists, his original awesomeness seems able to penetrate the snark and still come across as menacing despite all attempts to make him a mere joke, a snide old-fashioned reference to a time when comics were considered only child's play. Fin Fang Foom remains greater than the disparate sum of his many parts.

And finally, there's this. 

Here is that splash page as reworked by Jim (Priest) Owsley, and with John Tartaglione inking over "King" Kirby's pencils. This version of the tale appeared in Crazy magazine.


I was planning to link out to the story, but some of it seems to have gone away into the internet mists. Fortunately, I saved it to my computer a while back and here it is in its entirety. I have little to say about this gem, but that even the mighty fall victim to satire. It's a hoot!

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Monster Masterworks!

I love this cover image by Walt Simonson. Monster Masterworks was one of the very first trades I ever bought, as at that time I was fully dedicated to the purity of the monthly comic. I eschewed the high-priced tomes that wanted to pretend to be actual books and distance themselves from the lowly comic.
But time has mended my thinking, along with ever-increasing prices and I find that trades offer up the rare true bargains in modern comics reading. The lowly comic book is a thing of my past as I currently get not a single one regularly.

But all that said, that's still a kickass Simonson cover! For the record the monsters featured are Fin Fang Foom, Groot, Glob/Glop, Two-Headed Thing, Sporr, and X The Thing that Lived. More Fin Fang Foom tomorrow! 

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Monster Mash - 1957-1972!

Let me state for the record that I am not a "Monster Kid", that generation of youngsters (almost all boys it seems) who were just the right age (ten or eleven or thereabouts) to suck in the delectable badness of monsters when the craze broke in 1957. I was too busy being born that year to concern myself with such things as Frankenstein and Dracula and other beasties of the night. But when I did finally sprout up in the middle 60's there was still enough of of the old monster glamour to attract my attention and then in the early 70's there was final burst of monstery awfulness to glom onto before it sputtered out for a time. Mark Voger in his Twomorrows tome Monster Mash-The Creepy, Kooky Monster Craze in America 1957-1972 touches on many if not most of the aspects of society which were touched or transformed or even given birth by the shocking interest in monsters. 

Like so many things in our culture the sudden and abiding interest in ghouls and goblins was television's fault. It began with "Shock!", a package of fifty-two horror and mystery films from Hollywood's golden era making its way to the small screen. These tepid films, mild by almost any era's standard, were still seen as just possibly too much for the tender psyches of America's youth and to avoid widespread condemnation but yet still reap some profits the folks who put this together didn't offer it to national TV but rather to regional stations in syndication. Those individual stations hired ghost hosts of sundry kind and put the shows on at the least objectionable hours they could find in the television landscape. Still the youth found these movies and gobbled them up with glee. Suddenly Frankenstein, Dracula, Wolfman and the Mummy among many others were shambling around in America's living rooms and it was good...for business. 

The cavalcade of monster items was...well monstrous in size. There were masks, board games, card games, comic books, television shows, toys, candies, cards, paperbacks, and even specialty magazines dedicated utterly to the fad. First and foremost among these magazines was Famous Monsters of Filmland from Warren Publications. In fact Famous Monsters of Filmland is the outcropping on which Jim Warren built his little black and white empire that eventually gave us Uncle Creepy, Cousin Eerie, and most importantly Vampirella. Forry Ackerman was Jim Warren's partner of sorts in the venture and in fact it was the "Ackermonster's" vast collection of horror, sci-fi and fantasy movies which was the essence of the magazine. The "Monster Kids" had a leader and in the letters pages of FM, a place where they could congregate and compare notes. Other mags like Castle of Frankenstein and Monster World are given some space as well. 

One of the amazing things about Famous Monsters though was that as influential as the articles and stills might have been, the Captain Company might have been even more so to the collective memories of the "Monster Kids". Captain Company was the mail-order side of the Warren operation and showcased many monster and fantasy products that kids might order and certainly would want to order. Like the wishbook from Sears every Christmas season, this was a poor kid's window into what was possible. 

I wanted so many things from the Captain  Company but perhaps nothing so much as the life-size posters of Frankenstein by Jack Davis. There's one for Vampirella too by Sanjulian but who'd dare bring that into a home overseen by a God-fearing Mamma! Not me. 

A lot of space is spent discussing and showcasing the wonderful Aurora model kids which allowed "Monster Kids" to actually collect and build their own versions of these awesome monsters. 

That extended to such strange quasi-monster things such as Rat Fink created by car designer and artist Ed "Big Daddy" Roth. Rat Fink's imitators are given some space as well. Goofy and gruesome about covers it. 

Marvel monster comics get a few pages with my personal favorite Atlas-era monster "Fin Fang Foom" getting a page all to his titanic self. But aside from the monsters there's no coverage of Marvel's other supernatural and monster endeavors nor is there any talk of DC's revival of mystery and ghost tales at their shop. Perhaps this has to do with the somewhat arbitrary cut-off point of 1972 but still there was much done by the "Big Two" before then. 

Getting a lot of love though and properly so are the Warren magazines which followed on after the success of Famous Monsters. Creepy, Eerie, and Vampirella all get some discussion and some tasty artwork from Jack Davis and other talents of the time. 

A great many pages are devoted to the TV monsters such as The Munsters and The Addams Family. Voger suggests the appearance of these two shows almost simultaneously on home screens marks the apogee of the monster craze in America and it's hard to dispute this point, though monster stuff stayed around for a long time in some form or other. The John Astin interview was a highlight and there's much more on the actors in both series. 

And clearly the author was a monster fan of Dark Shadows, the ABC television soap opera which weirdly normalized the vampire and made it suitable faire for the living rooms of America. The succees of Barnabas Collins and other stars of the show are discussed at length and several interviews or portions of same are highlighted. Voger and his late wife have talked to a lot of folks over the years and that material bears fruit in this tasty tome. 

Jonathan Frid's vampiric mug is a great way to wrap up this month-long Halloween celebration. Mark Voger has fashioned a fun look at the monster craze, a fad that lingers still in the general background of modern American society. While monsters have become less faddish, they have become oddly normalized in a way that 1960's America would've found stunning. Voger's fannish book does a decent if incomplete job of showing how that happened. 

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