Showing posts with label George Roussos. Show all posts
Showing posts with label George Roussos. Show all posts

Friday, May 29, 2026

Ditko's Hulk!


Often overlooked is Steve Ditko's contribution to early stories featuring The Incredible Hulk. Ditko drew the sixth and final issue of the Hulk's first series featuring the menace of the alien Metal Master. 


And during that short but important time when the Hulk was being co-starred in a host of magazines to keep his profile high, Ditko took on old Jadejaws in the pages of The Amazing Spider-Man

But most significantly, when the Hulk was given a new series in the pages of Tales to Astonish, it was Ditko who was tapped as the penciller. He was inked by George Roussos, Dick Ayers and Vince Colletta on the series. This was at that point in time when it was not yet public knowledge that Bruce Banner was also the Hulk. 


Ditko stayed with the series through the first eight installments of Tales to Astonish. As expected, Jack Kirby supplied the covers for the Ditko issues. Kirby also stepped in and took over the series when Ditko left. Ditko was the first artist to draw the Hulk's arch nemesis The Leader. 

Below are the covers. 









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Thursday, April 17, 2025

Daredevils Battles The God Of Storms!


First mentioned, to my knowledge at least, in the pages of The Great Comic Book Heroes by Jules Feiffer is the legendary tale of how a Golden Age comic book was created in a single weekend, one in which the survival of the artists themselves was in some meager doubt. The comic book in question is the second issue of Daredevil Comics from Lev Gleason Publishing which hit the stands in the summer of 1941.


This tale has been told in several venues and even immortalized in fictional form in Michael Chabon's The Amazing Adventures of Kavalier and Clay. It kindles the imagination for a number of reasons, one it speaks to the helter skelter nature of comic book creation in its infant days, how raw energy often substituted for craftsmanship and care. How comics are an art, but they are also a product for sale which are fashioned within the demanding rigors of a deliberate and often unforgiving schedule.


Things have changed nowadays with comics having been reduced to a minor art and no longer a true mass medium, but throughout most of the history of the comic book, we fans want our comics to be good of course, but first and foremost we wanted them to simply be. We were eager to buy and publishers were sure to have it available so that the opportunity would not slip by.


I most recently ran across this legendary yarn in the biography Jerry Robinson - Ambassador of Comics, in which the story is told from the perspective of one of the men who was there on that prodigious weekend of March seventeenth.  The story goes that a gaggle of young energetic artists and writers assembled at a sparsely furnished New York City apartment rented for that very reason. Charles Biro has learned that because of a need to use up their allotment of paper they needed a new comic ready for the presses and they needed it by the following Monday. To that end the talent was assembled and given largely carte blanche to create stories to fill the needed sixty-four pages.

Charles Biro would handle the lead feature Daredevil which accounted for the first thirteen pages. After that it was every man for himself as a ferocious binge of creation ignited. Bernard Klein created "The Whirlwind" about boxing, and other talents such as George Roussos and Dick Wood contributed "Nightro". Jerry Robinson himself created "London", a masked hero who was involved with the Blitz. Dick Briefer wrote and drew "Real American". Others did what they could, creating characters, some which would only appear in this single comic, in the mad rush to hit the deadline.

New York City under snow in March, 1941

The story then takes a dangerous turn when, while the artists are furiously creating in the apartment a heavy winter storm strikes the city, closing down everything save the subways, and forcing stores to close. Getting something to eat was problematic, and Bernie Klein was sent off into the white wastes to find sustenance. He returned hours later with only some eggs and a can of beans. The artists desperately pried loose ceramic bathroom tiles and created a fire to cook the eggs and heat the beans, which staved off fits until the streets quickened with life once again.

Needless to say, the book was completed and assembled and sent to the printer on time. This story shows not only the ruthless nature of publishing but also the wild bristling energy which informed the earliest days of comics, an art form still in its infancy and eager to please the audience which fondled it with such devotion.

The story is made more poignant in that Bernie Klein, a talent with much promise was one of those multitude of young men who lost their lives defeating the Axis powers on the battlefields of Europe. His death made all the more tragic, because as the legendary weekend showed he was like so many of his peers a man filled with spirit and life.


Daredevil must break out the boomerang and confront an evil from ancient history when a deadly mummy is revived. Charles Biro presides. 


Terry Turner is a powerful boxer, but he might have met his match in Jean Jacques, a savage lumberjack. Dick Wood and Bernie Klein do the honors.


Nightro isa rather nifty version of Dr. Mid-Nite when Hugh Goddard is blinded in a radiation accident. He can see in the dark thanks to special lenses and mops up the criminals who attacked him. Dick Wood writes and George Roussos draws this one. 


Dash Dillon at Hale (not Yale I notice) is a sports natural and is recruited by a young woman to join the team and save the season for her school and her dad, the coach. Ed Ashe is both writer and artist. 


Pioneer is a naive young man who lives in a remote valley and is lured to civilization by some thugs who see riches. He turns the tables. Bob Woods wrote this one for Jay Gahr. 


The Bronze Terror is "Real American #1". He's a denizen of the Indian territory and uses his strengths to save the chief from villains who want to prey on the people. Dick Briefer is man for this one. 


London is the hero and London is the place where a brave young man fights against the Nazis for the sake of us all. This one is all Jerry Robinson. 


Pat Patriot is born when a brave young woman stands up for her overworked companions and discovers a smuggling ring. Bob Wood likely wrote and Reed Crandall might well have drawn it. 


The Claw is in fine malicious form as he steals a train and all the men aboard it. He tries to blackmail the government, but one brave man has an idea which might defeat the towering menace. This one is by Bob Wood

To read this epic iconic comic in its glorious totality check this out. They don't make like that anymore.


I enjoyed this wild yarn in the pages of The Original Daredevil  Archives. Tomorrow. we back things up a bit, as the Dojo takes a look at the debut issue of this comic book series. 

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Thursday, July 6, 2017

Fab 4 - Villains Galore & Much More!


I was exceedingly eager to get my mitts on the second Epic volume of vintage Fantastic Four volumes titled "The Master Plan of Doctor Doom". It's a repository for some of my all-time favorite Fab 4 stories featuring some of the dandiest villains in all the Marvel Universe. Not only do we have the titular Doc Doom who shows up a couple of times including an awesome origin story, but we get two Mole Man stories, a couple of Sub-Mariner yarns (including the epic first FF annual), Rama-Tut, Hate-Monger, Molecule Man, Diablo, Puppet Master, Red Ghost and the tragic Invincible Man. Not to mention the sheer oddness of the Infant Terrible. Add into the mix guests like fellow heroes the Avengers and the X-Men and Spider-Man and you know that this time period was one in which the Fantastic Four magazine was the spine of the entire Marvel Universe, the big time indeed. While the the Fab 4 have fallen on very hard times in more recent years, we will always have these gems by the likes of Stan Lee, Jack Kirby, Dick Ayers, Chic Stone, George (Roussos) Bell, among others. Beautiful comics, each and everyone.

















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Sunday, April 23, 2017

Doctor Doom - The Master Plan!


Fantastic Four #23 pits the Fab 4 against Doctor Doom yet again. This time Doom goes to some lengths to acquire a team to help him bring the FF low. That's not how he usually works, but as we'll see he is firmly in character by the story's end. Stan Lee and Jack Kirby are joined on this issue by inker George Bell (George Roussos).


The story starts in the Baxter Building as the team go about their daily lives bickering about leadership and chasing down dinosaurs brought forward in time by Doctor Doom's time machine which has been brought there for study. Meanwhile Doctor Doom by means of a robot proxy gathers together three men by bailing them out of jail. The three are strongman Bull Brogan, con man "Handsome" Harry Phillips, and mystic Yogi Dakor. These three are given enhancements by Doom which make Brogan inhumanly strong, Phillips with keener hearing and Dakor made fire proof. Then the trio are sent to lure the Thing, Invisible Girl, and Torch into battle respectively and capture them.


Doom himself captures Mr. Fantastic and encases him in a clear box. Having no further use for the trio of villains Doom sends them to another dimension to await his call. Then the FF escape from Doom's clutches and a furious battle breaks out. When Doctor Doom tries to snare the team into a "Solar Wave" which will cast them into the depths of space he his forestalled by the Invisible Girl and finds himself falling victim to the trap. As he disappears into space the Fab 4 escape and ponder if he will once again return.


As it turns out this story has a neat little sequel which appeared in the pages of Strange Tales #122 when the "Terrible Trio" return from the other dimension and battle the Human Torch. Thanks to a reprinting in Marvel Tales I read this story long before I was ever able to read the FF story which introduced the Trio.


Doctor Doom of course does return, but that will wait until the second Fantastic Four Annual which not only returns the master villain but gives us a fully-fledged origin story as well.


More on those most important stories later.

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