Showing posts with label Trevor Von Eden. Show all posts
Showing posts with label Trevor Von Eden. Show all posts

Wednesday, February 2, 2022

Black Lightning Strikes!


The 70's were a rollicking time in the comic book sphere. After decades of relative security the big publishers saw the entire industry disappearing sooner than later despite lots of publicity. Veterans who had been at the helm since the beginning were retiring and new talents were stepping aboard what seemed to many a sinking ship.


A boy from Cleveland named Tony Isabella was one such youngster come to New York City to make good in the business he loved. At first he worked at Marvel doing what needed doing but eventually he found his way to DC and there he found a company desperate to find relevance with an audience they scarcely understood and in many cases had a loathing for. Isabella was told he had control over the project but was not in on the choice of artist Trevor Von Eden, a sixteen year-old artist which immense promise who just happened to be African-American to boot. Inspiration struck on the cover of Wonder Woman.


The name "Black Lightning" was evocative for sure and for a writer who had left behind stints on Luke Cage Hero for Hire and Black Goliath a vehicle to bring some modernity to the house Superman built. Black Lightning wasn't an alien, a somewhat deranged knight, nor even a mutant. He was a man, a black man from the depths of Suicide Slum (first created as the home of the Newsboy Legion by Jack Kirby and Joe Simon decades before) in the heart of Metropolis. This was the "other side of the tracks" where Superman didn't necessarily spend most of his time, this was a place needing heroism of a smaller kind but a kind no less potent in their daily lives.


Jefferson Pierce was an Olympic decathalete, a man of skill and training who came back home to teach in the local high school, to try to do some good. But events led to the tragic and ignoble death of one of his students and a need for a more direct approach seemed all to evident. Getting help from his mentor Peter Gambi, a tailor who lived beneath him, he created an identity with an electrical pop. He donned an Afro wig, not all that different than blonde wig worn by  Black Canary, a statement and to some extent a distraction. He quit being Pierce and became Black Lightning and the criminals of Suicide Slum were about to pay the price.


Black Lightning's central enemy is Tobias Whale, a crime boss who reminds me a bit too much perhaps of the Kingpin, but who is a pretty nasty customer nonetheless. He part of the One Hundred, an uber-gang of villains I first remember coming across in the Rose and Thorn stories.



Being in Metropolis he has to tangle with Superman of course. There's no practical way a small-timer like Lightning can hang and bang with a world shaker like Superman, but Isabella finds a way for them to clash and then work together.



The original eight issues have an arc to them as Pierce finds out more about the people around him. It makes his story all the more tragic in the end, but adds fuel to his sense of mission.


Tony Isabella dedicates the first eight issues of Black Lightning to his wife Barbara and they are I guess as close to the ideal for his hero as he could get at the time. Black Lightning will only last a hand full of issues beyond this story line. 


After defeating the One Hundred (or at least the Metropolis branch) Black Lightning needs a mission and finds it in trying to save some school kids from a terrorist dubbed "The Annihilist". It's pretty good story that brings out all the strengths of Black Lightning's character.


Less impressive is his clash with The Trickster, a Flash rogue moved over to give him trouble as BL tries to protect a jewel or something like. There's also a bogus Black Lightning in this story, but that part of the yarn is pretty good.


Black Lightning's book comes to a close with the eleventh issue as the great "DC Implosion" takes him off the newsstands for the time being. Denny O'Neil had stepped in to write what became the last regular issue and the changes in tone are evident.


It's still O'Neil but this time with Mike Nasser on what was to be the final issue of Black Lightning, a comic never published save in Cancelled Comics Cavalcade #1, but now available in beautiful full color in the first Black Lightning collection. 


Note: This post originally appeared at Rip Jagger's Other Dojo

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Sunday, May 15, 2016

Black Lightning Matters!


The recent collection of Black Lightning gathering at long last the Bronze Age stories by Tony Isabella and Trevor Von Eden is an important addition to the marketplace, if only because it at last makes readily available an important character from DC's long history. Black Lightning was not an especially successful character but important nonetheless.


Tony Isabella, a white guy from Cleveland plunked himself down onto the comics scene during the early shifts at Marvel and soon enough was writing a few titles, which eventually included Hero for Hire (the title by which I always think of the vintage Power Man feature). Based on this experience he apparently had cred as a writer of "black heroes" and tried to barter that rep into a gig at DC which was experimenting with the brand new concept of "Blaxploitation" (actually quite old and marginally out of date by this time). Isabella tells a remarkable story how the DC powers wanted a series built around a white racist who becomes black skinned by dint of science and has to deal with this changed situation (arrghh), and how this concept was scrapped to make way for the hero we'd know as Black Lightning.


The name famously comes from the cover of Wonder Woman seen above in which the Amazing Amazon is attempting to lasso a weirdly potent black lightning bolt. Isabella apparently saw this cover on Julie Schwartz's wall and the name "Black Lightning" seemed apt to describe DC's new ethnically diverse hero.


All that was left to was to find an artist and DC showing the kind of boldness which made them so exceedingly successful in the decade (not-so-much) selected an untried rookie to draw the book, his greatest qualification apparently was that he was himself a young black man. So Trevor Von Eden springs onto the scene and actually it's quite fortunate that he did since his artwork, limited though it is, remains one of the best things about the series.

The series blasted onto the scene, bubbled along for several months and then like many other DC enterprises of the time got "imploded" when the company was forced to cut back its production, the final stories seeing publication in the offbeat exceedingly limited Cancelled Comics Cavalcade and later in issues of World's Finest.


Black Lightning went on to become a part of the DC universe, even being considered for admittance to the JLA. But he eventually joined up with Batman's Outsiders group and lived there for many years.

Here are the covers for the Black Lightning stories in this new trade volume.

















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Wednesday, January 29, 2014

Monsters Of War!


I stumbled across a very handsome trade collecting up all of the appearances of the exceedingly Bronze Age run of the Creature Commandos. For a short time, in an never-ending attempt to claw their back to the top, DC decided that all their comics needed an ongoing series, including their anthology ghost books. So in Ghosts we got "Dr.Thirteen Ghost Breaker", in House of Mystery we got "I, Vampire", and in Weird War Tales we got several with "The War the Time Forgot" and "G.I.Robot" alternating with the "Creature Commandos".

The Creature Commandos were comprised of Lt. Matthew Shrieve who was regular human soldier, Warren Griffith, a psychological lycanthrope who was transformed into a for-real furry werewolf, Sgt. Vincent Velcro, a prisoner who was chemically transformed into a vampire, the ironically named Pvt. Elliot "Lucky" Taylor who became a patchwork man or "Frankenstein Creature", and later Dr. Myrra Rhodes, a snake-headed gorgon. These doppleganger monsters were part of "Project M" which sought to bring the ultimate terror weapon to the battlefield.

Joe Kubert
The Creature Commandos debuted in the ninety-third issue of the run with a story by J.M. DeMatteis and some trim artwork by Pat Broderick and John Celardo. The idea of versions of the classic monsters fighting in WWII on the side of the Allies is supremely goofy and supremely attractive at the same time.

Ross Andru and Romeo Tanghal
They returned four issues later with Fred Carrillo taking on the art chores. Carrillo would become the main artist most identified with the series though he had lots of help.

Joe Kubert
But in issue one hundred the art on the feature which crossed over with "The War that Time Forgot", we have Bob Hall and Jerry Ordway handling things with a Mike Barr script.

Rich Buckler and Dick Giordano
Jim Aparo
 DeMatteis and Carrillo return for the next few issues.

Joe Staton and Bruce Patterson
Then Hall and Celardo return for a one-shot in the one hundred and eighth issue.

Rich Buckler and Frank Giacoia
Rich Buckler and Romeo Tanghal
Ross Andru and Frank Giacoia
Ross Andru and Romeo Tanghal
The next  four issues were written by DC veteran Robert Kanigher with the under-appreciated Dan Spiegle stepping for some very tasty artwork. The stories introduce a new member to the Commandos.

Ross Andru and Mike DeCarlo
Carrillo joins up with Kanigher in the hundred and fourteenth issue and this creative team finishes the run.

Gil Kane
Gil Kane
Rich Buckler and Romeo Tanghal
Gil Kane
Ross Andru and Mike DeCarlo
Trevor Von Eden
 As can be readily seen, the covers for this run were done by a veritable who's who of DC talent.

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