Showing posts with label John Tartaglione. Show all posts
Showing posts with label John Tartaglione. Show all posts

Thursday, August 28, 2025

Fin Fang Foom Day!

Jack "King" Kirby was born on this date in 1917. It's almost impossible to overstate his influence on the modern comic book. Kirby in tandem with Joe Simon was a force in the Golden Age co-creating such features as Captain America, Boy Commandos, Newsboy Legion, among others. Later the duo brought out Fighting American and Boy's Ranch. Teaming with Stan Lee, Kirby was instrumental in empowering Marvel Comics with his work on Fantastic Four. He left Marvel to create "The Fourth World" at DC and later moved into independent comics and animation. Today I want to remember one of my favorite Kirby creations -- Fin Fang Foom. 















He is without doubt Marvel's greatest monster. A product of the Cold War, Fin Fang Foom was a weapon, a sleeping mythical behemoth roused to defeat the Communist Chinese by the hero but then put down again when the deed was accomplished. Stan, Jack and Dick created a legend intentionally, and they created a monster that has stood the test of time, both in the story proper and in the greater memory of fandom.


It's hard to pin down why Fin Fang Foom is better than all the rest. But maybe it's the voice. The fact that he can talk and somewhat eloquently is maybe one reason. In the original story as he's surging forward at the hero, he constantly bellows threats as he advances assaulting the confidence on all levels. He is unstoppable and completely lethal. Talking was something none of the movie monsters could do. It gave a leering evil to Fin Fang Foom that they are missing. He almost becomes a blend of the classic giant monster and the more insidious yellow peril like Fu Manchu.


Whatever the reason for his success, Fin Fang Foom was first published in Strange Tales #89 and then reprinted in Fantasy Masterpieces #2 (that's where I first encountered him). Later the story was reprinted again in Where Monsters Dwell and even years later in Monster Masterworks, an early Marvel trade.


Fin Fang Foom was folded into the Marvel Universe properly when he met up with and battled IT The Living Colossus in Astonishing Tales. Later his story was blended with the origin of Iron Man's arch nemesis the Mandarin. He also was linked in Thor to the Midgard Serpent.


I learned putting together this post that he's even mixed it up with Iron Man in the movie-universe though in a comics story. These days too he's been shrunk to human size and works in a Chinese resturant -- Arrrgggh. (And you have to ask why fewer folks read comics these days.)


Whatever becomes of him though, whatever indignity he's forced to endure, I know that ultimately the unstoppable force that is Fin Fang Foom will prevail.


Fin Fang Foom remains my all-time favorite monster. Though modern interpretations insist on finding ironic twists, his original awesomeness seems able to penetrate the snark and still come across as menacing despite all attempts to make him a mere joke, a snide old-fashioned reference to a time when comics were considered only child's play. Fin Fang Foom remains greater than the disparate sum of his many parts.

And finally, there's this. 


Here is that splash page as reworked by Jim (Priest) Owsley, and with John Tartaglione inking over "King" Kirby's pencils. This version of the tale appeared in Crazy magazine.


I was planning to link out to the story, but some of it seems to have gone away into the internet mists. Fortunately, I saved it to my computer a while back and here it is in its entirety. I have little to say about this gem, but that even the mighty fall victim to satire. It's a hoot!















Foom Off

Sunday, August 18, 2024

Marvel Visionaries - Steranko!


Jim Steranko's influence on comics is undeniable. He came roaring onto the 60's comic scene and injected a whole new modern vibe and immediacy to the comics he drew despite himself being a synthesis of many of the classic styles he'd absorbed as a reader for years. In his style we see Eisner, Kirby, Kane, Krigstein, and more as he created his own distinctive look and atmosphere. But he did precious little comics work relative to his reputation. Since his early days he's often promised to do more than he's delivered (I'm still waiting in vain for Red Tide). But there's no denying his influence. Here's a gallery of his greatest comics work, darn near all of it in fact.  I've made a few notes. 






After leaving Nick Fury Agent of SHIELD, Steranko stepped over for a couple of issues of The Uncanny X-Men scripted by Arnold Drake. Steranko did the cover for issue forty-nine, but was all in with covers and interior art on the next two issues which featured the return of Magneto and the introduction of Lorna Dane. John Tartaglione's inks are pretty rough but add some energy to Steranko's designs. 



Next Steranko stepped into the Captain America mythos with scripts by Stan "The Man" Lee. The mission was to introduce Rick Jones as Cap's new partner and to re-establish Cap's secret identity. Steranko also brought back his dynamic designs for Hydra, now led by the tempting Madame Hydra. 



It's an all-out war with Rick struggling to prove himself to the legendary hero. But in the end, it appears that Captain America has been well and truly slain by the forces of Hydra. Joe Sinnott's inks on these two issues are immaculate. 


It's not in this collection, but I want to give a shout-out to the next issue of Cap which had to be drawn in the very last few hours by Jack "The King" Kirby to bail Steranko out of a deadline bind. All that said, this issue remains one of my faves. If you want to see Kirby at his wildest, this this is the comic for you. 



Stan and Steranko wrap up this legendary three-parter with the inevitable return of Cap, this time roaring into action on a motorcycle. Steranko got a last chance to draw Nick Fury who along with the Avengers showed up for Cap's funeral. Tom Palmer stepped in on inks for this issue and I love the effect he had on the art. Very atmospheric. 



Steranko knocked it out of the park with "At the Stroke of Midnight" in the debut issue of Tower of Shadows. That's a mean John Romita cover which captures the story quite effectively. I love Steranko's hipster Digger. 



Steranko had to try another genre with "My Heart Broke -- In Hollywood!" from the fifth issue of Our Love Story. I'm glad he got it out of his system, but it's not my favorite example of his work. It's stylish but sterile. Maybe that's intentional. 


One of Steranko's most impressive images was this cover for the very first ever King-Size Hulk Special. Stan had Marie Severin refined the face, but it's still a might effort. Actually, I approve of Marie's changes in this instance. 











Steranko returned to Marvel a few years later to knock out a bevy of covers for the company, including some new SHIELD images. Now he's added Sword and Sorcery and Westerns to his genre listing. 



Steranko also produced two covers for Doc Savage, but Marvel didn't have the rights, so these two covers are not included in the collection. 




For some reason neither are these images produced for FOOM Magazine and some posters produced by Marvelmania International, Marvel's ill-fated fan club. 


A later cover by Steranko for another publisher on the Marvel Comics Index - Fantastic Four issue is sleek. 

Rip Off