Marvel Boy Day!

Mark Gruenwald was born on this date in 1953. Gruenwald loved comics and his work at Marvel in the 80's and 90's was remarkable in many ways. He took the Squadron Supreme and made them real. He co-created the DP7, arguably the best of the New Universe. But I most adore his work on Quasar, a hero for the time. Gruenwald gave depth of character to that rarest of things in comics in the 90's, a nice guy. 

It all began in the 50's with Marvel Boy. I always liked the over-the-top adventures of Marvel Boy, so when this Atlas era hero was revived in the Marvel Universe I was all for it.

I first ran across Marvel Boy in Marvel Tales alongside Spidey, Thor, and Torch. He was a cool looking hero as rendered by the slick Bill Everett. I liked the hokey adventures then, but I have to confess reading a whole batch of them, the weaknesses in the storytelling really show up.

The thing is that Marvel Boy was a series that seemed to almost have a new premise each issue and often each story. He began as a space warrior, a displaced Earther from Uranus who came back to his home planet to save us from ourselves and from alien threats. But the desire to put out horror material changed Bob Grayson into a battler of ghosts, ghouls, and vampires. Some of those were real, some were bogus. He had a partner in the beautiful circus performer turned secretary Starr Ryder, and then she just disappeared. He was an insurance investigator and then that background seemed to fade. Even his name as Marvel Boy dissolved as the series developed.

He was drawn by greats like Russ Heath and the aforementioned Bill Everett. But despite the handsome gloss of the stories and some really genuinely exciting moments, the series was seriously uneven. It seemed torn between slamming the Commies in one tale about water on Uranus and then finding for real vampire queens in another set in Italy. Each story had its charms and weaknesses but taken as a whole the mind boggled as the reading unfolded.

I still adore Marvel Boy, he's a character in search of the right circumstances, but he appeared at a time when sadly he was not allowed to become all he might have been. Or perhaps they were just trying desperately to find a formula that worked, but alas none of them seemed to have time to catch hold.

Jack Kirby and Joe Sinnott

George Perez and Joe Sinnott
Marvel Boy returns in a Bronze Age two-part story from Fantastic Four #164 and #165 (written by Roy Thomas and drawn magnificently by George Perez and Joe Sinnott) featuring the reemergence of Bob Grayson into the Bronze Age of Marvel Comics, and dubbing himself "The Crusader".

It's a tragic tale, but it's an important one as this story set up scores of stories dealing with the technology which powered Marvel Boy, and this was the same equipment which made the career of Wendell Vaughn, later called "Quasar" so important. No superhero at Marvel was more intriguing to my mind than Quasar. This saga created by Mark Gruenwald, of nice guy trying his best to finish first, but always trying to do good was a ray of sunshine in a decade of comics overwrought with over-sized pistols and abundant bladed weapons.

Quasar was a great superhero, a hero who properly carried on the legacy of another superhero by the name of Marvel Boy.

When Marvel decided to revive him he was a bit of a joke as part of a special SHIELD strike force called the "Super-Agents" in the pages of Captain America, but he evolved beyond that being the only hero in the lot worth the name. Wendell Vaughn went on to become part of the Pegasus Project in Marvel Two-In-One and took the name Quasar and a new hero was well and truly born.

He was a throwback, a decent guy trying to do good. In the Marvel Universe ruled by Wolverines and Punishers, Quasar seemed quaint and naive, but in the capable hands of Mark Gruenwald, he became something aspirational. He was a hero, a man intent on helping the world become better and he has a nice somewhat retiring personality to go along with his sincere motivations.

The character went thought many a change and transformation along the years, especially after the untimely death of his co-creator Gruenwald. But during the 90's no superhero spoke to my heart like Quasar, a good and decent man trying to do the right thing. Isn't that supposed to be what a hero is?

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The Eternals And The Dreaming Celestial!

With the advent of the direct-sales market in the 1980's, comic book companies were able to offer up limited series which came in the three, four, or sometimes twelve issue versions. These were remarkable because it allowed for some characters to get a peak at an audience without a full-blown commitment to a series which might need canceling after only a few issues of poor sales. Among the most famous of the limited series of course was Crisis on Infinite Earths for DC and for Marvel there was Secret Wars. But there was also at Marvel a twelve issue series for The Eternals. This one was one written by Peter B. Gillis and drawn by Sal Buscema with inks in the early issues by Al Gordon. But before the limited could kick off there was some necessary housecleaning concerning the Eternals. But it didn't really start there. 

In the sixth Iron Man Annual the spanking new Iron Man Rhodey Rhoades discovers the Eternals and the Deviants and finds the former enslaved by the latter due to pernicious mind mines which render the Eternals powerless. There is just one problem with this story, and that's there are not enough Eternals. They are rescued right enough, but only in the final pages where they clean up on the Deviants. Zuras, the leader of the Eternals has been murdered though and that will have consequences. 

Next the Eternals show up in a trio of Avengers issues by Roger Stern and Al Milgrom, in which for the first time Eros of Titan learns of his heritage and its connection to the Eternals and Inhumans of Earth. It all begins with a party thrown by Sersi (a common event in Eternals stories) and before you know it the Avengers are part of a scheme by the bizarre villain Maelstrom (who is part Deviant and part Inhuman) to gain power when the Eternals are within the Uni-Mind. The upshot of this story is that with the demise of Zuras, most of the Eternal population decide to leave the planet Earth and seek their fortunes among the stars. 

The Gillis-Buscema story picks up at this point and we find the remaining Eteranals are Ikarus, Thena, Makkari, Sprite, and Sersi alongside new Eternals Phastos, Korphyos, and Kingo. These seem to be Eternals who have done an especially effective job of blending into human society or have found singular purpose in the world. Thena seeks to become their leader and assume the power of Zuras and the others accept her but not with the respect she feels she deserves. Also on hand are the Deviant mutates Karkus and Reject (who is now called "Sweet Prince"). Also on hand is Margo Damian. 

The main villain of this story is High-Priest Ghaur a priest of the Deviant culture and despite some shenangians by Kro who eventually assumes the leadership role in Lemuria, it is Ghaur and his Deviant cultists who have a plan to give them immense power over not only Deviants, but also humans and Eternals, and perhaps even the Celestials themselves. 

We meet Phastos who is something of a recluse but is of great benefit to the Eternals in that he manufactures many of their primary weapons. In keeping with the Eternals conceit that they resemble in many ways the classic Greek Gods, Phastos of course evokes Hephaestus from that pantheon. 

Kingo on the other hand is a Samurai who just so happens to also be an actor in Samurai movies. He has taken "Sweet Prince" under his wing and is attempting to cool the ferocious mutate's temper and make him an even more effective warrior. 

Much of the story in the early episodes concerns itself with Thena and her troubles as leader of the Eternals. Two things prey on her mind, one is a perception that she is not respected by her peers as was Zuras and her heartfelt affection for the Deviant Kro. The latter might go to explain the former. 

On the other hand Ikaris is proving to be a warrior of a relentless nature pressing always for the few remaining Eternals to go on the offensive against perceived Deviant threats. When the Deviants breach the Pyramid of the Winds which had been guarded by the Polar Eternals for untold ages, Ikaris is convinced they are up to dastardly deeds and he would be right. Their plot concerns the "Dreaming Celestial" a member of the Celestials' Second Host, this renegade was put down by his peers and entombed beneath the Pyramid of the Winds. 

With Thena and Kro on the run from both the Deviants and the Eternals, as both are understood to be traitors to their kind, Ghaur gains access to the tools to revive the Dreaming Celestial and seemingly bend the mighty being to his will. 

My favorite single story in this entire run (with the debut issue a close second) is issue nine which showcases one of Sersi's wildly entertaining parties. Many familiar faces and costumes show up as this is essentially a raucous comedy issue. So well done by both Gillis and Buscema, it's a damn shame that this is their final issue in the series. 

With the ninth issue Walt Simonson takes over the writing and Keith Pollard steps into the penciling chair. All I can find out about the change is that seemingly Jim Shooter did not particularly like Gillis's scripts so I guess that moved him on. Why Sal Buscema left with him is unknown, at least to me. 

The story beings to wind up to its finale with the Eternals infiltrate the city of the Deviants in an effort to stop Ghaur's schemes. Thena and Kro as well as Margo Damien are in the city as well. 

Spoiler Alert: Sadly, this story sees fit to kill off Margo Damien, though the plot device is used to send an attack out on Ikaris. The death of Margo was unexpected and really didn't add up to much given how long she'd been in this storyline, from the very beginning in the original series. It left a sour tasted for certain. End of Spoiler Alert. 

Paul Ryan takes over the pencils in the finale with Ghaur having gotten the power of the Dreaming Celestial and seemingly having become him to some degree. How it all ends I'll leave out of this review, but I will note that weirdly the Eternals seems to fade from this final chapter and the newly organized West Coast Avengers handle a bit more of the fight that I'd have imagined. This is a series that begins with a great deal of energy and does a fine job of freshening the Eternals concept for the 80's Marvel Universe. It's a shame that Gillis and Buscema were not allowed to complete their work as I suspect the finale would've been a bit better. Still and all it's a rousing read for Eternals fans. 

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Favorite Comic Artist Countdown #50 - Paul Ryan!

Paul Ryan was a rarity, a classic artist in the era of Image. When the free-wheeling Image artists exploded across the field many others were forced to change or disappear from the pages of the day. The dynamics of the Image boys are clear, but also quite clear were weaknesses in draftsmanship and storytelling. Paul Ryan never fell victim to the trend, but continued (often partnered with Tom DeFalco) to deliver classic looking comic stories, well crafted and compelling. Ryan's turn on the Fantastic Four is among the sturdiest from that venerable series. Ryan honed his talent on the New Universe title D.P.7 and later on Quasar. He had good run on The Avengers before taking off to DC for a time. Later Ryan took his toys and became the artist on Lee Falk's seminal hero The Phantom. He was on this gig still when he died far too young.

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Favorite Heroes Countdown #7 - Quasar!

I always liked the over-the-top adventures of Marvel Boy, so when this Atlas era hero was revived in the Marvel Universe I was all for it.

At first he was a bit of a joke as part of a special SHIELD strike force called the "Super-Agents" in the pages of Captain America, but he evolved beyond that being the only hero in the lot worth the name. Wendell Vaughn went on to become part of the Pegasus Project in Marvel Two-In-One and took the name Quasar and a new hero was well and truly born.

He was a throwback, a decent guy trying to do good. In the Marvel Universe ruled by Wolverines and Punishers, Quasar seemed quaint and naive, but in the capable hands of Mark Gruenwald, he became something aspirational. He was a hero, a man intent on helping the world become better and he has a nice somewhat retiring  personality to go along with his sincere motivations.

The character went thought many a change and transformation along the years, especially after the untimely death of his co-creator Gruenwald. But during the 90's no superhero spoke to my heart like Quasar, a good and decent man  trying to do the right thing. Isn't that supposed to be what a hero is?

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Believe In The Fab 4!

It was weird to have a universe in which there was no Fantastic Four comic book. Despite the many many alterations, changes, mutations, resurrections and transformations the book and its characters have undergone over the decades, the Marvel Universe is incomplete without a Fab 4 title to be had. The True Believers titles they issues in celebration of this important return were some tasty comics from across many years by some exceedingly talented folks.

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Dojo Classics - Fin Fang Foom!

He is without doubt Marvel's greatest monster. A product of the Cold War, Fin Fang Foom was a weapon, a sleeping mythical behemoth roused to defeat the Communist Chinese by the hero but then put down again when the deed was accomplished. Stan, Jack and Dick created a legend intentionally, and they created a monster that has stood the test of time, both in the story proper and in the greater memory of fandom.

It's hard to pin down why Fin Fang Foom is better than all the rest. But maybe it's the voice. The fact that he can talk and somewhat eloquently is maybe one reason. In the original story as he's surging forward at the hero, he constantly bellows threats as he advances assaulting the confidence on all levels. He is unstoppable and completely lethal. Talking was something none of the movie monsters could do. It gave a leering evil to Fin Fang Foom that they are missing. He almost becomes a blend of the classic giant monster and the more insidious yellow peril like Fu Manchu.

Whatever the reason for his success, Fin Fang Foom was first published in Strange Tales #89 and then reprinted in Fantasy Masterpieces #2 (that's where I first encountered him). Later the story was reprinted again in Where Monsters Dwell and even years later in Monster Masterworks, an early Marvel trade.

Fin Fang Foom was folded into the Marvel Universe properly when he met up with and battled IT The Living Colossus in Astonishing Tales. Later his story was blended with the origin of Iron Man's arch nemesis the Mandarin. He also was linked in Thor to the Midgard Serpent.

I learned putting together this post that he's even mixed it up with Iron Man in the movie-universe though in a comics story. These days too he's been shrunk to human size and works in a Chinese resturant -- Arrrgggh. (And you have to ask why fewer folks read comics these days.)


Whatever becomes of him though, whatever indignity he's forced to endure, I know that ultimately the unstoppable force that is Fin Fang Foom will prevail.

UPDATE: Fin Fang Foom remains my all-time favorite monster. Though modern interpretations insist on finding ironic twists, his original awesomeness seems able to penetrate the snark and still come across as menacing despite all attempts to make him a mere joke, a snide old-fashioned reference to a time when comics were considered only child's play. Fin Fang Foom remains greater than the disparate sum of his many parts.

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