Gunmaster And Bullet The Gun-Boy!

Once upon a time western heroes ruled the day. Pulps, radio, films, and ultimately television and comics were dominated by the genre which generated hundreds of iterations of the western hero. One of the most distinctive to appear from Charlton Comics, one of the last bastions of the western was Gunmaster. A western hero with a superhero flavor, Gunmaster straddled the transition from the dominance of the one genre into the dominance of the other.

He first appeared in the fifty-seventh issue of Charlton's Six-Gun Heroes which also starred Annie Oakley and Wild Bill Hickock, among others. Quickly though Gunmaster came to dominate the covers and eventually the entire comic. Gunmaster was the masked identity of Clay Boone, a gunsmith who traveled the western landscape plying his trade and seeking justice where he could. Eventually he would need help in this work. More on that below. 

To read Gunmaster's origin story by Joe Gill, Dick Giordano, and Frank McLaughlin go here.

For now enjoy some vintage Charlton covers featuring one of their most distinctive heroes, one who doesn't get a lot of attention. More details to follow as well. 

Eventually the Gunmaster series in Charlton's Six-Gun Heroes was thought to require a boost, and it got it in the addition of the then-obligatory boy sidekick, another element which pushed the series to the superhero side of things. Bob Tellub (ahem...really?) learned of Gunmaster's dual identity and almost immediately was brought into the fold as "Bullet the Gun Boy". He did add a dash of action and the series featured some of the best covers Charlton had to offer thanks to the art of Dick Giordano, Rocke Mastroserio, Pete Morisi and others.

Eventually Gunmaster and Bullet were given their own self-titled comic which lasted four issues.

But given that this is a Charlton publication, it needed some added confusion to the numbering so without missing a beat nor a month, the series adopted the numbering of the old Six-Gun Heroes series in mid-stride.

The series came to an end in 1966 in time to make way for another master of fighting, a martial artist set in World War II by the name of Judomaster. We're familiar with him around these parts.

Gunmaster did not go gently into that goodnight though and one year later in 1967 one more issue of the series was published. And in vintage Charlton fashion they numbered it eighty-nine, a number they'd already used for the debut of the Judomaster series two years earlier.

Sigh. This did prove to be the last hurrah for the western superhero who had managed to eke out an existence on the comic racks for nearly a decade, no mean feat.

To read some delightful Gunmaster and Bullet Boy adventures go here.

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Judomaster - Traitor!

The saga of Sgt. Rip Jagger, The Judomaster continues in Judomaster #90 of the run. The issue is dated August 1966 and the book is issued bimonthly from Charlton. And for the record a subscription for the entire year would be 70 cents. I miss the good old days. There are no credits for this issue, but clearly Frank McLaughlin is at the helm on art and almost certainly on the scripting as well. 

The first story is titled "Judomaster...Traitor!!" and begins with another symbolic splash showing Judomaster on the radio in the presence of Tokyo Rose imploring his American comrades to surrender to the Japanese. Then we are told of a Japanese missile capable of destroying any large city in the U.S. The story begins properly in the Pacific on the island where Judomaster first got his start as Rip Jagger is walking through the jungle looking for his guerilla comrades. He's attacked but it's Bushiri, his mentor who takes him to Sensei and the waiting arms of his apparent romantic interest Suzi. Then things get down to business as Sensei informs Rip that they have developed intel that will allow him to get to the missle and destroy both it and the plans for it. Bushiri takes Judomaster and some other island guerillas to the local Japanese airstrip where they overcome the guards and Judomaster steals a Zero which he uses to strafe the enemy then fly the missle location. Meanwhile a message is sent to General Hawkins who now confirms that he's aware of Rip Jagger's dual identity as Judomaster and also of a secret scheme to get information out of Japan, but a plan he hopes not to use. Judomaster uses the Zero in a Kamikaze run to blow up the missle while he parachutes out at the last moment. 

In Part II titled "Tokyo Express" Judomaster steals a motorcycle, defeating some Japanese troops to boot, then motors off to the Japanese command post which he crashes. Using speed and surprise he catapults himself from the motorbike and crashes through a window into a meeting of Japanese generals where he finds the missle plans and burns them. His escape goes rather smoothly as he exits the buiding, locates his bike and heads off. But a bullet wrecks him and he has to fight off many soldiers until he is at long last knocked out and taken to the base commander who has a particularly beefy fellow beging beating the restrained Judomaster. There is this secret plan Hawkins had alluded to earlier but to make it work Judomaster must take a pretty severe beating which he does before he at last taken to another location on the base. There he is taken into a radio room where he meets Tokyo Rose herself and he pretends to turn traitor and implore the American forces to surrender. This is it turns out a coded message to Hawkins who knows then that the missle and the plans have both been destroyed and a counter attack can commence. Judomaster then breaks free from his captors and escapes. But his message has been heard by thousands of troops and they now believe that Judomaster has become both a coward and a traitor. That plot thread is left to develop in the next issue as this story comes to an end. 

There are three additional features in this issue. The first is the initial instalment of "Flips and Counters with Judomaster" the proposed letters column. In this first one there is a message from Editor Dick Giordano asking for letters to fill up the column in future issues. He also hints of exciting new features to appear in upcoming issues. 

This is followed by a two-page comics feature by Pete Morisi (uncredited but certainly him) titled "The Roof of the World - Where Thunderbolt Was Born" which gives information about the Charlton hero Peter Cannon - The Thunderbolt and about how he gained his powers from intense training in the Himalayas among the monks there and from intense study of the Scriptures of Lamaism. There is the suggestion that any human can achieve these abilities with work and focus. 

The text feature in this issue is really strange and it's titled "Melifera Asamsonii on the Warpath" and talks about how the world by ultimately be destroyed by insects, specifically Africanized bees. The term "killer bee" is not used but this is the same species. Also there's talk of super ants and of potential use of both bees and ants as weapons in war. 

You can tell that the intention with Judomaster is to develop a hero with some aspects of the Marvel magic, essentially heroes with problems. Making Judomaster appear to be a traitor would appear in this issue to be a background story that will develop over time in the series. That will remain to be seen. There was less emphasis on the pure martial arts aspect of the series this time and more just plain rollicking action. 

To read the complete comic book go to this link. 

 More Judomaster to come. 

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The Summer Of The Action-Heroes!

We looked at Steve Ditko's Captain Atom a few months ago. Now it's finally time to check out the rest of Charlton's "Action-Heroes" including Ditko's greatest creation for this era -- the "New" Blue Beetle. The Action-Heroes were a concoction of editor Dick Giordano, a longtime artist at Charlton who assumed the duties in the late 60's replacing Pat Masulli. Many of the heroes actually started their runs during Masulli's tenure, but it was Giordano who pulled them together and gave them focus as a line. Superheroes were hot, and Charlton had bitten hard with the introduction of Sarge Steel, The Fightin' Five, Blue Beetle, Son of Vulcan, and a revival of Captain Atom. They added to this roster Thunderbolt and Judomaster and Peacemaker. The group reached its apogee when Ditko revised Blue Beetle into a form more fitting to Giordano's vision of low-powered heroes, and finally the addition of The Question. 

Not unlike Tower's THUNDER Agents (which will be getting a glimpse this summer - more below), the "Action-Heroes" was an attempt to make the stories more immediate and close-to-home, response to the wild and wacky Silver Age DC material and the increasingly cosmic Marvel epics which were dominating the comic racks. This was an attempt to carve out a niche, and it was a successful one, at least critically. Eventually the line failed to find sufficient sales, but Giordano had been noticed by DC, and they scooped him up and added him to their editorial line-up as well as the artistic one. Along with him they took on talents Steve Ditko, Pat Boyette, Frank McLaughlin, Steve Skeates, Denny O'Neil, and Jim Aparo. More on this later. 

Years later DC would scoop up the actual "Action-Heroes" themselves and make them a part of the larger DCU. So that's the plan. I want to look at the characters who inspired this blog to begin with, yet again.

And as an added bonus, the THUNDER Agents will be on hand on Saturdays through June and July. The Tower Comics and the Charlton Comics of this time were among the most creative and ultimately successful of the cavalcade of wannabe heroes who arrived in the wake of Marvel's success and the earth-shaking TV hit Batman.  

So prepare for the "Summer of the Action-Heroes"! 

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Duke Douglas!

Comic Media was a short-lived publisher from the early 50's, and they put out some handsome material in their brief existence. Their go-to artist appears to have been the painfully underrated Don Heck who of course went on a decade later to be a mainstay at Marvel during its early days. Boardman Books gathered up the Duke Douglas stories in a slim volume first published in 2015. It is this book which I read for the reviews below. 

(Not in this collection.)

Danger was one of the company's flagship titles and begins its run in 1953 with a wide range of manly men engaged in a variety of sweaty activities as evidenced by this debut cover by Heck. These are, as the banner announces, stories about "Men Without Fear". Don Heck returns for the next couple of issues with some covers that promise some wild and intriguing adventures indeed.

But then with the sixth issue a new regular feature was introduced, drawn by Heck. Not named on the cover this is Duke Douglas, a dapper secret agent who appears by the many montages he is featured in on this cover and others to be engaged in all sorts of clandestine adventure. But in fact, Douglas does not appear inside the comic but only on the cover. It must've been quite odd for a reader attracted by the Heck artwork to find nothing inside to correspond. 

Duke Douglas debuts inside the seventh issue of Danger in a story entitled "Khyber Incident" in which he attempts to forestall the "Reds" from stirring up trouble in the mountains of Asia. The lead story is drawn by Don Heck. A second story titled "Escape to Death" sees our hero try to rescue a diplomat who might have been betrayed by the one he loves most.  This story was drawn by Pete Morisi. No writer is indicated for either tale in this issue. 

Ken Fitch is credited as the writer of "Crash in the Alps" drawn by Don Heck for the eighth issue of Danger. (This is the only time any writer is identified on a Duke Douglas story.) In this one Duke is trying to retrieve plates which would result in counterfeit money which could well cripple the fragile European economy. "Kill! Kill! Kill!" is drawn by Pete Morisi, We see Duke kill and kill again to rescue a damsel in distress from the very heart of the Kremlin. Did Duke kill Stalin? The story suggests he might have. 

With the ninth issue Duke's name finally rates a cover and the action here goes more for mood rather than action. "Ransom in Oil" was drawn by Don Heck and has Duke battling Red spies to gain contracts with rich Arab leaders. That Duke rescues a sheik's daughter only helps his case. "Racket Man" is a text piece in which an unnamed protagonist presumed to be Duke is loaned out to the FBI to help capture a man who has made off with a million bucks and fled to Brazil. "Intrigue" drawn by Heck has Douglas go into a long-term deep cover to uncover a Red plot, but he must toy with the emotions of a young woman to help his mission, much to the chagrin of her boyfriend who is drafted to fight in Korea. "Dedication" is a one-page text story in which Duke uncovers a grisly murder scheme. 

"Trouble in Morocco" has Duke join the Foreign Legion to discover why things are not going as planned. The death toll is high in this story drawn by Don Heck. "Trial by Fire" is drawn by Bill Discount and sees Duke seeking the secret of a man who seemingly died in a deadly car crash. Frankly the hero in this one doesn't resemble Duke all that much, but each artist seems to have his own take on our spy hero. "Oil" is a Duke one-page text tale in which he solves the murder of a Pentagon official and uncovers a Red spy. 

"Accomplice in Murder" in the final Comic Media issue of Danger puts Duke in a ticklish position where he must cover up a murder in order to uncover a deeper plot. The story is the final Duke Douglas comic story and is drawn by Don Heck. "Choker" is a one-page text tale in which Duke spots a hidden clue revealing that murder has been done. 

Duke holds down Danger until 1954 when it completes its Comic Media run, the company having given up the ghost. You can almost imagine him firing his gun into the fourth wall at the creditors. Charlton Comics was in a position to swoop in and gathers up much of Comic Media's material and titles, though Duke Douglas and Don Heck alike are gone from the covers when they relaunched the title in 1955. The series runs a mere three issues before a dramatic transformation takes place.

If you would like to savor some of those vintage Danger adventures, then check out this link. 

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