Showing posts with label Frank Roberge. Show all posts
Showing posts with label Frank Roberge. Show all posts

Monday, September 4, 2017

Dojo Classics - The Labors Of Popeye!
















In honor of Labor Day, here is a gallery of vintage King Features comics starring the one and only Popeye the Sailor Man. Actually these comics were produced by the boys at Charlton Comics under the guidance of George Wildman. They are part of a pretty big program by King Features for schools to give kids of various ages some insights into available careers of the Bronze Age.


Wildman enlisted the talents of veterans in the Charlton bullpen to get these comics done. Joe Gill wrote all of them. Wildman himself drew all the covers as well as the interiors for three issues (#1,2 & 15). Tony Tallarico (4 & 10), Jeff Keate (5 & 13), Frank Roberge (6 & 12), Paul Fung Jr. (7 & 14), Tony DiPreta (8 & 11), and Ray Dirgo (3 & 9) all did two issues each.

I've long lusted after these Popeye treasures for quite some time, and when I was finally able to add them to my collection, I was able to find more than just the comics. In addition to the comics themselves a teacher got hold of a manual, posters, and other materials such as a career bingo game. I don't have a complete kit, since there were also apparently filmstrips too, but I have a complete bingo game and the teacher's manual with all the assignments. There's a nifty wall poster too with all the Popeye covers too. That's too big for me to scan alas.

It's not feasible to scan in all of the sundry materials, since all the bingo cards are different and there are lessons for each of the fifteen Popeye comics. But I have scanned in some representative samples, specifically those having to do with commercial artwork and other media jobs. My favorite pieces are the little Popeye faces used to cover the bingo squares.

(Only Bingo Card featuring Popeye)







(Bingo Rules)



(Classroom Assignment)
There's a neat article on this effort in Charlton Spotlight #6 which shows some photos of the Charlton plant in operation as part of this program. George Wildman is prominently featured. I've always loved his take on Popeye, it's full of energy and verve. His Popeye books for Charlton are some of the gemsfrom the little Derby company in the Bronze Age. And these King/Charlton Career books are evidence of that.

(George Wildman)
Update: The is the beginning of a new series here at the Dojo where I will fish up some vintage post (this one comes from Labor Day 2011 for instance) and dust it off and maybe add some freshness. For those who've seen it before, here it is with a little more visual oomph and since its original publication, the dandy artist and former editor of Charlton Comics, George Wildman has passed away. I dedicate this post Mr. Wildman, my second favorite Charlton editor (after Dick Giordano) and one of the best Popeye artists ever.

Look for more "Dojo Classics" from time to time in the future.

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Thursday, May 19, 2016

Bugaloos!


During the 70's there's no doubt that Sid and Marty Krofft Productions ruled the Saturday morning scene with shows like H.R. Pufunstuff, Lidsville, Sigmund and the Seamonsters, and my favorite Land of the Lost. And then there's The Bugaloos. An attempt to recreate The Monkees phenomenon, this ill-fated conundrum of a show offered up four fresh-faced Brits who gyred and gimbled on the tube with an easy aplomb and dreadful costumes which purported to make them resemble insects who live in..ahem... "Tranquility Forest".

I.Q., Courage, Harmony, and Joy
The obligatory girl "Joy" was a butterfly, "Harmony" was a bumblebee, "I.Q." was a grasshopper and most weirdly (or not really I guess) "Courage" was a ladybug.  And then there was "Sparky", a nasty looking little firefly critter, and one of the few Krofft creations which I truly found repulsive. This gang are pursued (as was de rigueur in Krofft shows) by a cruel "Benita Bizarre" played to the usual hilt by Martha Raye. Somehow Charlton got the comic book rights to his series and kicked out four issues. The talent is unidentified save for Frank Roberge who signed the debut cover. Alas The Bugaloos was a low point for the Krofft brothers as well as Charlton. Like many productions of this era, it's possible it might work better if you're high, though I've never tried that approach.





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