Showing posts with label Outback. Show all posts
Showing posts with label Outback. Show all posts

Wednesday, September 09, 2009

H Is For Highway

Gee, Dad Found His Own Way In The Outback

Photographs copyright: DAVID McMAHON


See, it’s perfectly logical. I used to get lost. Not because I am a bad driver, but simply because my aptitude for navigation does not always, ahem, match my driving skills.

So when Mrs Authorblog presented me with a GPS last year, the gods in every religious pantheon breathed a sigh of relief and said: "Right, we don’t need to worry about him getting lost – ever again. "

The GPS was great fun. I hooked it up even if we were driving to the shops, just for the novelty of hearing a disembodied voice actually telling me when to turn, which direction to turn, and how long it would be before my next cross-street. I reckoned I had found Nirvana.

When we flew interstate in January this year, it was the first thing I packed. As soon as we stepped off the plane in Perth, capital of Western Australia, I proudly marched up to the rental car desk, claimed my big Camry, opened the driver’s door in the sweltering heat and even before I turned the aircon on, I connected the GPS and put in the co-ordinates for the Sheraton.

Piece of cake. Never been to Perth before, but I drove with as much confidence as locals who had spent all their lives there.

But a couple of weeks later, I blotted my copybook. Just when the family figured I would never get lost again, I did. Yes, the GPS was operating and I turned left when it told me to turn right. You could just about hear the GPS clicking its imaginary tongue and intoning gravely: "This bloke’s a moron. "

But I recently drove a 1200-kilometre round trip up the bush, into neighbouring New South Wales, to the beautiful little Riverina town of Temora. I was on my own, without the family for the first time in clan history, because it was just a quick in-and-out trip for research purposes. But I reckon Mrs Authorblog and the Authorbloglets were placing wagers on how soon it would take me to get lost.

I left on schedule, arrived at my destination on schedule, drove around the town without any dramas and then drove back to Melbourne on schedule. No big deal?

Mate, I did it all without the GPS. Yes, I had it with me in the car, but I never once turned it on.

Just one word of warning. Next time you see me, don’t tell me "Get lost" – because I probably will, literally and metaphorically.


For the home of ABC Wednesday, go to
Mrs Nesbitt's Place.

Tuesday, August 25, 2009

Verse And Worse

Random Wit, Errant Rhyme. Not A Literary Crime

When intrepid Pastor Farley
Went Outback on a Harley
He said I should do the sermon
With the old parishioners squirmin'

Wednesday, July 15, 2009

Z Is For Zoom

They Zoom Overhead, And We Zoom In As They Fly

Photographs copyright: DAVID McMAHON


It's not often you have the privilege of photographing one of the most iconic fighter aircraft in aviation history - but as some of you would remember, about six weeks ago I drove 1200 kilometres for the chance to shoot some images of Spitfires at the Temora Aviation Museum.

The Museum has the only two airworthy Spitfires in Australia and while there are always some amazing photo opportunities in the Outback, this was one rare photo shoot I wasn't going to miss for anything.


The first image, of the Spitfire Mark XVI climbing into the sky over Temora, was taken with a 70-300mm zoom lens. I was in the stands with hundreds of others and I shot an entire series of images as the fighter started its takeoff, the tail came up and finally the aircraft became airborne.

The first image in this sequence, shot without a tripod, shows the distinctive undercarriage retracting into the wheel wells in each wing.

The second image (above) shows the Spitfire in tandem with another World War II-vintage fighter, the US-built Curtiss P-40 Kittyhawk.


This shot (above) shows the clean shape of the Spitfire's distinctive (and famous) eliptical wing, which was inspired by the late Reginald Mitchell's observation of seagulls and their wing shape. In the shot you can actually see the fighter's original 20mm Hispano cannon, the distinctive scoop or air intake under the fuselage, as well as its angled tailwheel.


And when a Spitfire, flying inverted, reaches the topmost point of a loop, several hundred metres above you, there is one other thing you must remember to do as you watch and admire the beauty of its performance. You have to remember to press the shutter on your camera.


If you missed my earlier series of Spitfire images at Temora, you can see them at W Is For Warbirds.

It's fitting that these images were shot on 6 June, which as you would know is the 65th anniversary of the Normandy landings. There is a very neat symmetry in being able to shoot these images on such a historic day.

And yes, I'd drive 1200 kilometres again, to capture images of this aircraft in flight. Wouldn't you?

For the home of ABC Wednesday, go to Mrs Nesbitt's Place.

Thursday, July 02, 2009

Verse And Worse

Random Wit, Errant Rhyme. Not A Literary Crime

In the bracing cold of an Outback winter
The teacher, Miss Jessie, sat on a splinter
But worse was to come when she saddled her horse
She signalled her agony to us using Morse

Thursday, June 11, 2009

A Heritage Of Hospitality

Just Knock On This Door In Culcairn

Photographs copyright: DAVID McMAHON



I shot these images during a long drive into the Outback last weekend. I travelled from my home in Melbourne to Temora in New South Wales and when I drove through this little bush town called Culcairn, I figured I had to make a five-minute stop to take some shots before getting back on the highway.

It was one of those photography trips where the landscape dictated my driving schedule. See an interesting fog? Pull over and take some shots. Great rural landscape? Pull over and take some shots. Rusty old windmill? Pull over and ... yup, you get the idea.

Culcairn has a listed population of about 1400 and is slap-bang in the lush Riverina area of New South Wales. This door is the entrance to the Hotel Culcairn, which was built in 1891 and still sports Heritage colours of burgundy, green and cream.

The "iron lace" (called "wrought iron" in other parts of the world) is fairly typical of Colonial-era buildings around the world - but this view (below) reminded me of a metal snowflake.


And just in case you've forgotten, this is our winter here in Australia. Yes, you may be shedding your warm clothes in the rest of the world, but as you'll see from the bare branches of this tree in front of the hotel (below) it is most definitely our coldest part of the year.

But, as you'd expect in Australia, the hospitality is extremely warm.


For earlier posts in this series, check out The Doors Archive.

Monday, June 08, 2009

Winter Blossoms

In Full Bloom, Despite The Morning Frost

Photographs copyright: DAVID McMAHON


On Friday, while doing a major highway drive into the bush (aka the Outback) I decided to pull into Glenrowan for breakfast. Not far from where the giant statue of the infamous bushranger (aka an outlaw) Ned Kelly stands in the town, I found Linda's Billy Tea Rooms and thought that would be the ideal place for breakfast.

I was right! Not only did Linda herself cook me a huge plate of eggs, bacon and sausages (and a very genteel pot of tea), she was also quite happy for me to wander around and take some photographs.

In her back yard I found this huge flowering shrub that was absolutely covered in clusters of miniature pink-and-white blossoms. Because it's winter here, and because I could not identify the flowers, I had to march back inside and seek her guidance. Turns out the shrub is called jade.

Just as I was about to turn away, I heard a distinct buzz - see if you can spot the bee in the image below.


Visit Luiz Santilli Jr for the home of Today's Flowers.

Wednesday, April 22, 2009

Verse And Worse

Random Wit, Errant Rhyme. Not A Literary Crime

He was just an Outback larrikin, the bloke they called Mad Mick
He outpaced every crocodile, he dived and swam so quick
Then one fateful summer’s day he drank from dusk till dawn
They still recount his one-race loss, years since he’s been gorn

Friday, April 10, 2009

A Modern Calvary

A Good Friday Sequence That Was Meant To Be

Photographs copyright: DAVID McMAHON

7.35.59 am. It was a few minutes before dawn last Friday when I shot this sequence - and I reckon it was perfect for a Good Friday post. The symbolism of the hill, the silhouette of a mobile phone tower instead of a crucifix, the endless landscape, the overwhelmingly grey dawn and a sudden burst of vivid colour - they are so redolent of all the Good Friday gospels and the mental images I conjured up when I was a little boy at Sunday School.


7.36.15 am. I wasn't even supposed to be in this spot. Providence - call it what you will - brought me here. I was in a hurry. I was in a hilly region in Melbourne's south-east, running to a deadline, but as I always do, I had several minutes up my sleeve.

When I am in this region, I normally take the quicker of two options - a clear, straight prime stretch of road with a speed limit of 80 km/h. The other option is low down on my list of priorities, because it is a winding descent through a residential zone where there are three roundabouts, intersecting thoroughfares and a top speed of only 50 km/h which drops to 40km/h in one area before a twisting ascent to the hill's crest.


7.36.39 am.
Yet, for some completely unfathomable reason, I take the slow road. Why? I honestly cannot tell you. It went completely against the grain for me to snap on my indicator and make that turn, but that's exactly what I did.

The clouds were completely grey, an unrelenting blanket across the horizon. Then, as I climbed, I spotted a sudden burst of pre-dawn colour through a break in the hills. As a photographer, I knew that I had to pull over as quickly as possible. But I kept going, on the hope that a couple more bends would bring me a great view.

I knew the vantage point wasn't far away. It was less than 30 seconds at most, but I also understood that the heavy cloud cover meant the skyshow would probably only last for a few seconds at most.


7.36.44 am. I parked safely, snatched my camera from the bag and could scarcely believe the powerful colours in the sky. The glow of the pre-dawn sun was simply stunning and for a few precious seconds, there was a strong purple glow to the sky that was redolent of the Outback tones.

I shot this sequence standing less than two metres away from my car. Had I moved further to sprint to a better spot, I would have missed capturing these once-in-a-lifetime colours.

What looks like the sun rising large behind the hill is actually only the glow from the sun that is still below the horizon, but the range of colours that arc across the landscape is - luckily for me - like a rare rainbow.

If you have a moment to spare, scroll back and take a look at the time of each image. You'll see that only 45 seconds - yes, that's all - elapsed between my first shot and my last. These four images are the best of the 10 frames I shot in that time.

Honestly, I think it would take a very special sight to replace this as my favourite sunrise sequence.

For other participants in Dot’s concept, go to Sky Watch HQ.

Saturday, January 24, 2009

Verse And Worse

Random Wit, Errant Rhyme. Not A Literary Crime

His hat was green, his boots were yeller
In truth, he was a dapper fella
We all know the Outback bank teller
Mate, they dress well in Concongella

Sunday, December 14, 2008

Wool And Grace

That’s A Great Party Frock, Er, Flock

Photograph copyright: DAVID McMAHON


Okay, so they might not be fair dinkum Merinos, the sheep breed for which Australia is famous. And okay, this shot wasn’t taken on an Outback sheep station. And okay, they’re not even real sheep.

But there I was, walking past a Nativity tableau when I was struck by the vivid colour of the human figurines. Then I spent a few moments looking over the cattle around the manger when I noticed these two critters. How can anyone with a camera resist a shot of a fleecy pink sheep?

There is always a series of Christmas carols running through my head when I look at scenes like this. But here’s a confession. This time the carols were pushed aside and replaced by the soundtrack from the movie Grease.

Why? Are you seriously asking why? Remember the track by Olivia Newton-John, where she sang about sheep? Whaddya mean, you can’t remember the track?

I’m talking about the one called "Hopelessly Devoted To Ewe".

Check out the rules at Camera Critters or go to Misty Dawn.

Monday, September 08, 2008

Verse And Worse

Random Wit, Errant Rhyme. Not A Literary Crime

I’d rather feast on Yukon salmon
Than try and win at backgammon
I’ve been told that an Outback paddock
Ain’t the place for breeding haddock

Thursday, September 04, 2008

Verse And Worse

Random Wit, Errant Rhyme. Not A Literary Crime

I thought I'd put out a couple of feelers
About being an officer on the paddlewheelers
But apart from being an Outback hick
They failed me because I get seasick

Saturday, July 19, 2008

Unidentified Filmed Object

Can You Guess What This Is?


Photographs copyright: DAVID McMAHON


Take a close look at this shot and tell me if you can figure out what I’ve photographed. Is it a pitted clay pathway with straw piled beside it? Is it a narrow Outback track being choked by some vivid, noxious weed?


Let me give you a different viewpoint. This is the same object, photographed from a slightly different angle. Here’s another clue. I was using the SMC Pentax-DA macro lens when I shot this series of images.

Okay, now that you’ve identified the object, here’s the definitive view of it (below). I was holding a yellow Slazenger tennis ball in my left hand and holding my camera in my right hand. To get a different perspective and a fresh angle on each shot, I just kept rotating the ball.

Saturday, May 03, 2008

Verse And Worse

Random Wit, Errant Rhyme. Not A Literary Crime

In Outback pubs
There ain’t no drought
The beer’s in tubs
'Neath barrels of Stout

Friday, April 18, 2008

Fright Attendant

Here's The Lowdown - You're Too Low Down

Photographs copyright: DAVID McMAHON


Okay, gentle readers, you can breathe easy. This is not a real plane crash. It's simply an example of good old Outback gallows humour. This mock "accident" is a well-known sight at the Ettamogah Pub, on the Hume Highway between Sydney and Melbourne.


Ground control to Major Tom - you're grounded. Literally and metaphorically, that is. Looks like this plane needs a nose job. Hmmmm, let's take a closer look ....


He must have been coming in on a wing and a prayer - and obviously neither the wing nor the prayer was strong enough.


Here's what the scene in the control tower looks like. The sign down the bottom that is partially obscured by the foliage says: "Air safety is our concern - Crash somewhere else."

And if you're wondering about "Coolanhotta Air Control", it's a play on the Australian habit of running words into each other, so "Coolanhotta" is actually "cool and hotter". It's also a pun on the name of the Gold Coast airport, which is called Coolangatta.

Mate, if ya have to crash, there's no better place in the entire Outback to crash than next to a pub.

For other participants in Dot’s concept, go to Sky Watch Friday.

Thursday, March 27, 2008

J Is For Journey

Rain Clouds Bring Hope For The Outback

Photographs copyright: DAVID McMAHON


You might not grasp the significance of the first photograph in this series that I shot yesterday, but those are rain clouds on the horizon. Rain clouds? Yep, real rain. And believe me when I tell you that's a big deal in this country.

Here in Melbourne, where I live, we've just had the hottest start to autumn in almost a century. A week ago, we were sweltering in unseasonal temperatures of 100+ degrees Fahrenheit. Our lawn, seemingly resistant to every hot dry spell of weather that we've ever had, finally started to succumb. The emerald green sheen disappeared, slowly but inexorably replaced by widening dun patches that were the colour and consistency of hay.

Then we drove to Sydney for Easter (yes, that's why you haven't heard from me in a week) and as we hit the outskirts of Sydney, we could see the difference. They've had lots of rain while we've been parched. Their paddocks were green, as far as the eye could see. As we got into the city, we could see green grass - a rarity in Victoria, our home state.

Then, as we prepared to drive home to Melbourne yesterday, the clouds began to gather as we packed for the journey of almost 1000 kilometres. We were still on the M5 motorway out of Sydney when the rain started and, for what seemed like the first time in months, I actually had to switch on my windscreen wipers. The horizon got darker over the hills we would have to traverse, and I knew the driving conditions were soon going to get a lot tougher.

Before midday, the weather was was so challenging that it was like driving in the gathering gloom of dusk. Not only was I driving with my lights on, I also resorted to a wonderful safety protocol I learnt in England more than twenty years ago. Because the visibility was nearing the critical grey-out stage, I put on my Ray-Bans. If you've never used high-quality dark glasses in smog or bad light, try it and you'll see what I mean. Their lenses bring a touch of definition to a scene that would otherwise be just an undistinguishable meld of various hues of grey.


But I knew that there was a section of the Hume Highway where extensive roadworks were being carried out. I realised I would not have the comfort and security of a dual carriageway all the way home. Sure enough, just as the weather deteriorated further and the rain came down in sheets of torrential fury, I encountered one of those stretches of winding highway where I had oncoming traffic for several kilometres.

The rain was drumming down, turning the soft shoulder into a red river. I could not pull off the highway, because it just wasn't safe to do so. With a long stream of traffic behind me, I dropped my speed from 110 kilometres an hour to 100, then to 90 and then to 80 and finally to 70. But I had no one in front of me; no one's tail lights to follow through the midday gloom.

For about ten kilometres, I had another problem to contend with. The rain was sheeting down with such intensity that it was starting to pool on the highway. I realised that I would soon encounter the problem of aquaplaning, where my own wheels would throw up a wall of water that would threaten my own steering, even for a millisecond or two. Sure enough, this happened about a minute later, and continued for an agonisingly long stretch.

The other problem I had was that every time a truck or a semi-trailer went past me in the opposite direction, it would almost always obliterate my windscreen with its own inevitable wake. At the same time, the murk degenerated to the point where I could barely see the lights of oncoming traffic.

Another critical factor came into the safety equation at this point. Would the creeks beside the highway burst their banks? And if they did, would I be able to see the danger in time?

I've driven more than half a million kilometres in my time, much of it on highways and freeways. And I can say, hand on heart, that I have never driven in conditions as tough as I did yesterday. But after about 45 minutes of being severely tested by the weather, things started to improve - slightly.

By the time we got to Holbrook, just after 2pm, I no longer needed to drive with my headlights on. We sat down to order lunch at the Submarine Cafe and the owner, a familiar friend from many of our interstate drives to Canberra and Sydney, came over to take our order.

Relieved to have come safely through the dangerous weather, I greeted her warmly, asking, "Did the bad weather hit you as well?"

I had (inadvertently) revealed what a city slicker I am.

Bless her. She could have chided me. But she just smiled. "Bad weather," she echoed, looking happily at the storm clouds. "Bad weather? No, here in the bush we reckon any rain is good weather."


For the home of ABC Wednesday, go to Mrs Nesbitt's Place.

Saturday, December 08, 2007

The Long And Blinding Road

No Trees. No Shade. No Respite. It's The Outback

Photograph copyright: DAVID McMAHON


Mate, you ain't driven in the Outback unless you've driven the Nullarbor, the barren highway that cuts across this dry continent from east to west. There is nothing longer in this country, so I guess this was the perfect way to illustrate the "Long" theme for this week. The highway is straight as a die and its greatest beauty is its amazing starkness. It's called the Nullarbor because it comes from the Latin "null" and "arbor" - meaning no trees.

You think I'm kidding? Look carefully at this photograph. There's not a tree to be seen. Look left, right. Come and stand where I took this shot. Look in front of you, look behind you. Swivel 360 degrees. Ain't nuffin'. Just brown desert scrub, as far as the eye can see. Nothing higher than a man's calf muscles. This sun-bleached stretch of barren land is as dry as a bushman's wit.

The sign says "Nullarbor Plain. Western end of treeless plain". Examine the image carefully and you'll see that the sign itself is the only thing that casts a shadow in this entire vista. I was also capitvated by the seemingly endless concrete ribbon of highway and the amazing sky that spans everything from light blue to azure.

In the past week, quite a few bloggers have told me they can't get serious about photography because their cameras aren't good enough. Folks, you can take a decent shot with just about any camera. This was taken with a little point-and-shoot Ricoh. Just take out those cameras and post your pictures. If you have problems, let me know and I'll try and help you. But follow the Nike slogan and just do it. You'll never regret it.

Friday, November 30, 2007

At The Tail End Of The Day

You Callin' Me A Back Seat Deriver?

Photograph copyright: DAVID McMAHON


Horse-and-carriage rides are very popular here in Melbourne, just as they are in Montreal and Quebec City. The comforting sound of horses' hooves is as much a part of the central business district as it is on any Outback property. This shot was taken on the run outside Flinders Street Station, about three weeks ago. I composed the frame as tight as possible, but I still couldn't avoid the young man with the backpack on the left.

There's something I should explain here - and then you'll understand why I like this photograph. The area around Federation Square and Flinders Street Station is extremely colourful. However, the noon shadows were so strong on this bright, sunny day, that there are dominant grey, white and black tones to this shot. There are a few splashes of red on the seat of the carriage, the horses' plumes and the driver's jacket. Apart from that, there is an abbreviated touch of horizontal green behind the carriage.

I could try replicating this shot several times over the next few months - but I doubt I'd be fortunate enough to capture an image like this. How lucky can a guy get!

Wednesday, October 31, 2007

O Is For Outback

This Bush Wins My Vote Every Time

Photographs copyright: DAVID McMAHON


The Australian bush fascinates that part of me which is a writer, just as much as it fascinates that part of me which is a photographer. But I don't reckon I have yet had the opportunity to take the quintessential Outback shot yet. You know what I mean - the one shot that outweighs all the others; the one shot that anyone, anywhere in the world can look it and instantly know it represents the great, wide heart of this country-continent.

Some of my favourite shots were taken in 1999 on the Eyre Peninsula in the South Australian bush and you can see them at J Is For Jindaroo Creek. But this country is so vast, the sights are so varied, the experiences are so different, that I'm still searching for That One Great Shot.

So in the meantime, I decided I'd give you two vastly differing views of the bush. The first image (above) gives you an idea of just how badly the drought of the past few years has hit the farmers in the Outback. And the second (below) presents an early-morning view of tranquil riverscape and lush green below a cloudy sky.

Both photographs mean a great deal to me, because each is distinct from the other. The Outback is capricious and just when you think you have got it figured out, it presents you with a facet you've never seen before. That, to me, is its eternal allure.

Thursday, October 25, 2007

Verse And Worse

It's A Bit Terse, But It Ain't A Curse

Photograph copyright: DAVID McMAHON


If you've already seen my post from yesterday, titled Cut To The Quick, then maybe you'll have a chuckle at this limerick. You see, I should have paid heed to this photograph taken on the picturesque main street of the little Outback town called Nhill in the Wimmera region. It's a strangely prophetic image, with a speed warning and a bakery sign. If I'd watched my speed a few minutes later, I would have saved myself (gratuitous reference to the bakery) a lot of um, dough. Okay, so here's the limerick ...

One morning, on the highway near Nhill,
I was hit with a sizeable bill,
The sight of a copper,
Was a real heart-stopper,
For me, but not for my m-i-l.