You've Been Terminated

I've said it before and I'll say it again: considering what a large percentage of the modern world spends its days sitting at computer desks, it's shocking how few office-set horror movies there are. Hence, anytime one shows up, even in the trenches of Amazon Prime, it's a pretty immediate watch on my end.

Quick Plot: Annabelle, an internet webcam stripper attempting to make a go at the office lifestyle, shows up late for a job interview just in time to literally catch Thomas Redmann (Bad Boy Bubby himself, Nicholas Hope) red handed, axe in his hand and decapitated victim at his feet. A quick montage explains that Redmann has been found guilty of five additional murders of shady corporate bigwigs. 

Months later, Redmann has supposedly died in a fire at a mental institution. Instead, he emerges to kidnap Annabelle and a few other random strangers who had some part in his conviction. Chained to a desk, the victims (which include a phony psychic, veteran detective, failed defense attorney, successful prosecutor, and fellow eyewitness) must prove Redmann's innocence while following his fairly straightforward rules. 

I've pined time and time again for more office-based horror films, a subgenre of which is surprisingly sparse (further reminder for why despite its shortcomings, The Belko Experiment was such a welcome treat). Produced by Fangoria (remember them?), Inhuman Resources's best, well, resource is its very setting, and abandoned office building that does indeed lend itself to some W.B. Mason-sponsored arsenal improvisation. 

The rest of it plays decently enough as a low budget post-Saw meets And Then There Were None saga set in a token grimy industrial location. As Annabelle, Kelly Paterniti has a sympathetically plucky Danielle Harris vibe that's easy to root for. Director Daniel Krige keeps the story moving at a decent pace, and the script (by the writing team of Jonathon Green and Anthony O'Connor) offers some worthwhile twists to keep things from falling into trite territory.

Most of the effects are practical, which makes sense when makeup supervisor Tom Savini shows up in an annoying "let's cram some female nudity in here" cameo. A fingernail tear-off feels more try-hard than scary, but the rest of the violence is served with a more effective wink. Inhuman Resources isn't quite a horror comedy, but its best asset is its undercurrent of dark humor. This is never clearer than in its finale, which manages to close the film out on just the right note.

High Notes

It's not shocking that Nicholas Hope would turn in an interesting performance, but it is a pleasant surprise that his character gets a more nuanced backstory late in the game

Low Notes

Look, if your entire cast is Australian, just let your movie be SET where it's obviously filmed instead of forcing your poor actors to stretch their syllables through American accents that they clearly can't handle

Lessons Learned

In a pinch, a severed leg makes for an excellent bludgeon

A regional manager should never be confused with a murderer

Efficient typing skills can be life-saving in ways you'd never expect

Rent/Bury/Buy

Based on its cover and synopsis, I did not queue up Inhuman Resources with high expectations. I still wouldn't come near calling it high quality, but it's decent entertainment for a 90 minute straight-to-wherever black humor horror. 

I Dreamed a Deathdream In the Dead of Night

Anyone who’s ever lost someone they love--be it a parent, lover, or beloved family dog--knows what it’s like to dream that he or she or it is still happily breathing as if nothing final ever happened. Bob Clark’s Deathdream (aka Dead of Night) knows that, and like many a similar tale before it (some even also called Dead of Night), the film taps into the innate sadness of mourning.

With skin peeling.

Quick Plot: Andy is a soldier in Vietnam meeting a quick end as a sniper bullet takes his life. Back home, his overbearing mother Christine begs him to come back.

He does.

Of course, those who've read The Monkey’s Paw or seen that Simpsons episode know that such a supernatural second lease can’t be good. Despite his mother’s happiness, Andy’s father Charles and sister Cathy can’t look past the utter oddness of Andy’s behavior. Even the family dog isn’t comfortable in his presence, and if that's not a sign that something is amiss, I'm not a crazy cat lady.

There’s also the small matter of a dead truck driver and family physician, both of whom saw Andy just before their grisly ends. The real strain, however, seems to be on Charles and Christine’s marriage, something that clearly came second on Christine’s list of priorities.

Deathdream was directed by Black Christmas’ Bob Clark with a screenplay by his Children Shouldn’t Play With Dead Things cohort Alan Ormsby. There’s nothing overly revolutionary about Deathdream’s story, but the Clark/Ormsby approach is something truly special. Rather than focus on the supernatural, Deathdream is far more concerned with its characters, namely, Christine and Charles.

Played by veteran actors John Marley and Lynn Carlin, Charles and Christine are the real heart of this film, a middle-aged married couple who might be more in love with other things. For Christine, it’s Andy, her favorite child and blatant obsession. Charles seems a little more balanced, although one gets the feeling that his monkey’s paw wish would be more aimed at resurrecting his beloved dog than wife. Lost in the middle is their daughter Cathy, a nice enough young woman who watches her family fall apart but doesn’t seem important enough to any of them to make a difference.

Deathdream is a sad, haunting little film that finds its true horror in the utter devastation of a family torn apart. We don’t know Andy before his enlistment, but an awkward double date is enough to show us how much everything has changed (and not JUST because, you know, he’s a talking zombie in a turtleneck). Deathdream isn’t a an out-and-out anti-war film, but the sentiment does come across in a subtle, never forced manner. The tragedy of the film stems more from a woman’s inability to accept her son’s death, but to ignore the implications certainly misses some of the deeper points.

Also, the film is FREAKY.

Though there’s never any doubt that Andy has come back as something of a monster, the slow reveal of just how awful his condition is comes across quite effectively. With huge glasses and a Joker grin plastered upon his pale face, Andy seems like a walking vampire in the sun. It’s incredibly creepy, and yet once we learn a little more about Andy, made much more sad.

High Points

For such a character-based genre film like Deathdream, it’s a strange but kind of perfect choice to open so quickly. Within seconds, Andy is shot, killed, and sent home. The economy with which Clark and Ormsby establish the basic plot is impressive and smart

Low Notes

I suppose youngest child Cathy gets a little lost in the shuffle of, you know, having her older brother killed in the Vietnam War then return in talking zombie form.

Lessons Learned

Never marry a man who can’t carve a roast beef

Everyone changes eventually

World War II was quite the war!

Rent/Bury/Buy

Deathdream is a hearty recommend but only when you’re in a particular mood for melancholy horror. The film takes its time in showing the unraveling of the Brooks family, and while there ARE some shocking moments, the film is more eerily sad than actually scary. Pour some wine, grab a nearby household pet, and watch Deathdream (currently on Netflix Instant) knowing everything is okay.