I’ve gone on record more than once regarding my gooey affection for the Saw series. Sure, the story is more tangled than Natasha Lyonne’s hair, the gore grosser than Natasha Lyonne’s bathroom floor, and the acting often patcher than Natasha Lyonne in a mesh t-shirt, but darnit, these movies are fun. Blackened humor fun covered in guts, but fun nevertheless. Best of all, the films actually take place in their own genuine universe, a place rich in rusty bolts, sinners, old timesy tricycles, and characters that actually return 6 entries later.
Basically, if you ever want to pick a fight with me, insult Saw. Unless you’re limiting said attack to Part V, I will bury you.
It was a sunny Sunday morning when I decided an extra hour of Daylight Savings given sleep warranted a 10AM viewing of Saw 3D. Having seen all but Part 1 in the theater I knew I owed it to myself (and the producers) to pony up $10 and don those plastic glasses for what could potentially be “The Final Chapter” (cause that was so true for Jason).
To give some basis for my Saw stance, below is my summation on each film:
I. A pleasant surprise, despite its collection of terrible performances from somewhat to very respected actors (Elwes, Glover). Notable for, at the time, feeling incredibly fresh and refreshingly nihilistic.
II. Probably my favorite of the series, a tighter film that successfully amped up the gore and game. Lots of great deaths, two neat twists, and one Wahlberg.
III. Though a lot of fans cite this as the best, I enjoy it far less than most of the other movies. Two unlikable protagonists, an ending that takes away too many interesting characters too quickly, pig guts, shouting, general ugliness. Not my favorite.
IV. For some reason, I seem to be the only cheerleader for this entry, one that (in my opinion) boasts the only sympathetic lead. Plus, Donnie Wahlberg’s head gets smashed and the Mandylor gets revealed for all his Costasness.
V. Shit. For so many reasons, shit. Does nothing but give Jill Tuck a box. The Fatal 5 feels like the first draft of Part II and worst of all, the lone survivor (Lions Gate slave Julie Benz) seems like a Jigsaw cohort, is never confirmed, then never seen again. Boo.
VI. The most pleasant prize of the bunch, a clever (if ham-fisted) attempt to say something about healthcare, with some of the best traps and biggest surprises. Read my full review here
So. Knowing that part VI director Kevin Greutert was returning (against his will, since his fingers were pried off the Paranormal Activity sequel by contractual obligations), I was pumped. What follows will reek of SPOILERS, but to those who may stop reading here, know that if you enjoyed any of the other Saws, you will probably love this one.
Quick Plot: Um. Quick?
I swear this gets harder with every sequel.
Okay, breaking it down:
1.Bobby is a self-help celebrity superstar who cashed in on surviving a Jigsaw trap. Problem is, he never actually went through a trap which naturally means he’ll be the next subject in Jigsaw’s friends-and-family game. Think of his thread as the timeframe device, complete with a ticking digital countdown clock that apparently the apprentices bought wholesale.
2. Jill has gone to the rat squad of the FBI (yes, I watch too much Law & Order: SVU) to finger Detective Hoffman as Jigsaw’s current working apprentice. Agent Gibson ( a hilariously southern Chad Donella) takes the case.
3.Hoffman, now scarred and still so jacked he can’t bend, orchestrates a few new side games targeting Neo-Nazis, Jill, and Gibson. It’s funny, because Costas Mandylor remains an increasingly hilarious presence. I just can’t believe this is an actual person.
What can one even say about the 7th Saw film? That it’s just as gory, perplexing, funny, and ridiculously as enjoyable as IV & VI? Take, for example, the simply amazing cameo by Scream Queens Season 1 champ Tanedra, who returns with one arm to scream at a Jigsaw Survivors Support Group (yes, that this group exists in itself is fabulous):
“The only good thing that came out of my experience is getting handicapped parking at the goddamned mall!”
Why was I the only one in my admittedly uncrowded theater laughing at that?
Other points of giddiness:
-The fact that FBI agents continue to enter the lairs of supergenius serial killers without calling backup
-The fact that none of the many agents killed last year by Hoffman thought to leave a post-it saying “Hoffman might be killer. Confronting him now. If I die, see other post-it”
-The new lead FBI Agent and everything he did, including addressing Jill solely as “Crazy” and checking the tiny corner of a bathroom crime scene to see if Hoffman had been hiding there for the last seven hours
-Tobin Bell, in his signature flashback cameo, wearing a backwards baseball cap and dungarees. A BACKWARDS BASEBALL CAP!!!
-For whatever reason (I say that a lot with the Saw movies) there’s a Changeling-esqe wheelchair just hanging out in the lair and a random kill takes place in a garden gnome factory
Like every entry before it, Saw 3D has received its share of criticism. I can’t imagine why. Yes, it reuses a subplot we’ve seen in every film since part 3, but it also introduces new traps and expands the Saw universe in pretty neat ways. The idea that past survivors continue to exist in Saw’s chronology offers some good potential for future films (because we can all agree “The Final Chapter” is just something to say for theaters not showing it in 3D, right?) and also hits on one of the more interesting aspects of the Jigsaw’s nature. Ever since Amanda first uttered, through reverse bear trap scars, “He...helped...me,” there’s always been that curiosity of if and how his macabre lessons actually play out. Here, we get to see a few more.
Yup, Doct-ar Gord-on! (as I can only say in my best Michael Emerson shout) is back, sporting a few extra pounds, a mild limp, and the same lovably awful American accent we first heard seven (!!!) years ago. That in itself is a mild treat to Saw devotees.
What else can we ask for? A screaming and useless chick getting burned to death? Check. A smarmy self-help phony pulling out his molars and inserting hooks into his nipples? Done. It’s understandable that such things won’t make everybody happy. Just don’t insult the people that it does.
High Points
The film’s biggest group trap includes a speeding tire, arm ripoff, and skinhead superglued to his car. It’s lovely. Similarly, one trap involving a blinded character navigating an unfinished floor (while wearing a ready-to-activate noose) is surprisingly tense
Low Points
While the 3D seemed more relevant than something like Piranha or The Final Destination, it still didn’t quite meet my expectations. C’mon, Saw. You’re the granddaddy of Rube Goldbergian kill-traps for this generation. Couldn’t you find something else to throw at us than piles of intestines?
Lessons Learned
When being chased by a bloodthirsty sadist, hiding in an exposed little nook between book shelves with no weaponry isn’t really the best way to save your life
Carinal rule of horror continues: any female with a T-starting name will demonstrate slut tendencies. And die a fairly painful death (in this case, in front of hundreds of morning shoppers)
Matters of the FBI are best kept between agents. There’s absolutely no need to call more than two reinforcements in at any point, even if you happen to be tracking a serial killer with a larger body count than Jason Voorhees
It’s incredibly easy to tamper with FBI evidence, especially when it involves one of the biggest cases in criminal history
See/Skip/Sneak-In
Unless you’re packing your own glasses, you can’t really sneak in now can you? Good, because if you love the Saw franchise, you might as well drop a few bucks down and enjoy another round of ridiculous gutty fun. Have a few drinks first, gather up your friends, and settle in for some master lessons in smarm from the hopefully always employed Costas Mandylor.
The man deserves to sell his own wine. Or something that puts his face on a label. It's like a Guess Who character come to life!